Baudelaire And The Poetics Of Modernity
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Baudelaire And The Poetics Of Modernity
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Author : Patricia A. Ward
language : en
Publisher:
Release Date : 2001
Baudelaire And The Poetics Of Modernity written by Patricia A. Ward and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Literary Criticism categories.
Charles Baudelaire, possibly the most influential author of nineteenth-century France, created a poetics of modernity and a thematics of the city; he transcended genre by moving between poetry and prose. He is also the most accessible of modern French poets to an American readership. These essays examine Baudelaire's poetics and the complex relationship between the poet and his twentieth-century literary heirs, including Rene Char, Yves Bonnefoy, and Michel Deguy. The contributors, who include Deguy and Bonnefoy, are all distinguished writers or critics noted for their own poetry or for their scholarship on Baudelaire and in French studies. Their essays go to the heart of what makes Baudelaire so important: his modernity and his influence from the very beginning on other poets, including those outside of France. The essays are written in English, with citations from Baudelaire and other sources in both French and English.
Baudelaire And Schizoanalysis
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Author : Eugene W. Holland
language : en
Publisher: Cambridge University Press
Release Date : 1993-09-23
Baudelaire And Schizoanalysis written by Eugene W. Holland and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-09-23 with Literary Criticism categories.
This study of Baudelaire's writings applies the principles of socioanalysis to literary history and cultural studies.
Baudelaire And The Aesthetics Of Bad Faith
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Author : Susan Blood
language : en
Publisher: Stanford University Press
Release Date : 1997-04-01
Baudelaire And The Aesthetics Of Bad Faith written by Susan Blood and has been published by Stanford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-04-01 with Poetry categories.
This is a study of Baudelaire's canonization in the critical debates of the twentieth century, focusing particularly on his role in the development of a modernist consciousness. Much recent work on Baudelaire assumes his modernism by emphasizing his relationship to current critical preoccupations—by sounding him out on issues of race and gender, for example, or by "correcting" his politics. The author begins from the premise that this updating of Baudelaire mistakenly takes him for our contemporary. Instead, she attempts to treat modernism as a historical problem by seeing Baudelaire as engaged in a more difficult dialogue with twentieth-century critics. The book concentrates on two key moments in the literary history of the twentieth century, the periods following each world war. At these junctures French intellectuals intensely reconsidered their cultural patrimony and articulated something like a modernist consciousness. Baudelaire stood at the center of this process, becoming a sacred figure of modernism, and his poetry contributed to a radical reorienting of aesthetic sensibilities. For the post-World War I period, the author focuses on Paul Valéry's essay "Baudelaire's Situation"; for post-World War II, on the virulent debate between Jean-Paul Sartre and Georges Bataille over the question of Baudelaire's "bad faith." She argues that Sartre's resistance to the sacralization of Baudelaire and to the continuing formulation of a modernist ideology actually suggests a valuable way of rethinking Baudelaire's poetry and critiquing the modern consciousness. She attempts to show that something like an "aesthetics of bad faith" exists, and that it is a useful concept for understanding modernism in relationship to its own history. Throughout, Baudelaire's poetry is examined in detail, with a focus on its relationship to his writings on caricature, on the problem of the "secret architecture," and on the place of allegory in a symbolist poetics. In the closing chapter, the author analyzes Baudelaire's denunciation of photography, which reveals the various tensions (or "bad faith") implicit in the modernist consciousness.
Poems In Prose
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Author : Charles Baudelaire
language : en
Publisher: DigiCat
Release Date : 2022-05-28
Poems In Prose written by Charles Baudelaire and has been published by DigiCat this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-05-28 with Fiction categories.
Poems in Prose is a lyrical collection by Charles Baudelaire. Renowned for his exceedingly provocative, and often gloomy poesy, Baudelaire's life was crammed with drama and dissension.
Grotesque Figures
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Author : Virginia E. Swain
language : en
Publisher: JHU Press
Release Date : 2020-03-03
Grotesque Figures written by Virginia E. Swain and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-03 with Literary Criticism categories.
Charles Baudelaire is usually read as a paradigmatically modern poet, whose work ushered in a new era of French literature. But the common emphasis on his use of new forms and styles overlooks the complex role of the past in his work. In Grotesque Figures, Virginia E. Swain explores how the specter of the eighteenth century made itself felt in Baudelaire's modern poetry in the pervasive textual and figural presence of Jean-Jacques Rousseau. Not only do Rousseau's ideas inform Baudelaire's theory of the grotesque, but Rousseau makes numerous appearances in Baudelaire's poetry as a caricature or type representing the hold of the Enlightenment and the French Revolution over Baudelaire and his contemporaries. As a character in "Le Poème du hashisch" and the Petits Poèmes en prose, "Rousseau" gives the grotesque a human form. Swain's literary, cultural, and historical analysis deepens our understanding of Baudelaire and of nineteenth-century aesthetics by relating Baudelaire's poetic theory and practice to Enlightenment debates about allegory and the grotesque in the arts. Offering a novel reading of Baudelaire's ambivalent engagement with the eighteenth-century, Grotesque Figures examines nineteenth-century ideological debates over French identity, Rousseau's political and artistic legacy, the aesthetic and political significance of the rococo, and the presence of the grotesque in the modern.
The Violence Of Modernity
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Author : Debarati Sanyal
language : en
Publisher: JHU Press
Release Date : 2020-03-03
The Violence Of Modernity written by Debarati Sanyal and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-03 with Literary Criticism categories.
The Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France. Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.
Baudelaire S Argot Plastique
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Author : Ainslie Armstrong McLees
language : en
Publisher: University of Georgia Press
Release Date : 2010-03-01
Baudelaire S Argot Plastique written by Ainslie Armstrong McLees and has been published by University of Georgia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-03-01 with Literary Criticism categories.
Exploring the poet's fascination with the affective power of caricature, Baudelaire's “Argot Plastique” charts the movement in Baudelaire's poetry toward a language of visual distortion. McLees demonstrates that caricature, graphically and culturally a vehicle of sharp wit and social commentary, became in Baudelaire's works a poetic expression of the human condition itself. Using its capacity for deflating commentary to subvert the poetic conventions of his age, transferring its range of subjects into a poetry that celebrated the underclass, Baudelaire ultimately focused the lens of poetic caricature on the relation of subject, artist, and viewer. Richly illustrated with lithographs, etchings, and drawings by Goya, Daumier, Grandville, Gavarni, and other caricaturists, Baudelaire's “Argot Plastique” reveals the importance of caricature as a model for Baudelaire's poetry.
Baudelaire And The English Tradition
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Author : Patricia Clements
language : en
Publisher: Princeton University Press
Release Date : 2014-07-14
Baudelaire And The English Tradition written by Patricia Clements and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-14 with Poetry categories.
This study of Baudelaire and English modernism observes his protean influence on poets from Swinburne, who wrote the first English review of Les Fleurs du Mai, to T. S. Eliot. Documenting Baudelaire's impact on Swinburne, Pater, Wilde, Arthur Symons, Aldous Huxley, Edith and Osbert Sitwell, D. H. Lawrence, the Imagists, John Middleton Murry, Eliot, and others, Patricia Clements describes the Baudelaire who is the creation of the English poets and identifies some major lines in the development of modernism in English literature. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Formal Revolution In The Work Of Baudelaire And Flaubert
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Author : Kathryn Oliver Mills
language : en
Publisher: Lexington Books
Release Date : 2012-03-22
Formal Revolution In The Work Of Baudelaire And Flaubert written by Kathryn Oliver Mills and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-03-22 with Literary Criticism categories.
In Formal Revolution in the Work of Baudelaire and Flaubert, Kathryn Oliver Mills argues that despite the enduring celebrity of Baudelaire and Flaubert, their significance to modern art has been miscast and misunderstood. To date, literary criticism has paid insufficient attention to these authors' literary form and their socio-cultural context. In addition, critical literature has not always adequately integrated individual works to each author’s broader oeuvre: on the one hand critics do not often maintain rigorous distinctions among texts when discussing Baudelaire and Flaubert, and on the other hand scholars of Baudelaire and Flaubert have not consistently considered the relationship of individual texts to either writer’s corpus. Furthermore, critical focus has been on the modernity of Les Fleurs du mal, Madame Bovary, and L'Education Sentimentale. Addressing these lacunae in scholarship, Mills puts forth the argument that Baudelaire's collection of prose poems, Le Spleen de Paris, and Flaubert's short, poetic tales, Trois contes, best embody the modern aesthetic that Baudelaire develops in Le Peintre de la vie moderne and that Flaubert elaborates in his correspondence. Formal Revolution places these relatively less well-known but last published works in relationship with the artistic goals of their authors, showing that Baudelaire and Flaubert were both acutely aware of the need to launch a new form of literature in order to literally “come to terms with” the dramatic changes transforming the nineteenth-century into the Modern Age. More specifically, Formal Revolution demonstrates that for Baudelaire and Flaubert the formal project of fusing prose with poetry—as poetic prose in the case of Flaubert, as poetry in prose in the case of Baudelaire—was crucial to their mission of “painting modern life.” This work concludes that experimentation with literary form represents these two seminal writers’ major legacy to modernity; suggests that the twentieth-century might have gone too far down that road; and speculates about the future direction of literature. The modernity of Baudelaire and Flaubert, still relevant today but often taken for granted, needs to be reexamined in light of the cultural, formal, and contextual considerations that inform Formal Revolution in the Work of Baudelaire and Flaubert.
Defining Modernism
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Author : Andrea Gogröf-Voorhees
language : en
Publisher: Peter Lang
Release Date : 1999
Defining Modernism written by Andrea Gogröf-Voorhees and has been published by Peter Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Literary Criticism categories.
Defining Modernism investigates the intellectual connections among three leading nineteenth-century European modernists - Baudelaire, Nietzsche, and Richard Wagner. Through a close reading of Baudelaire's and Nietzsche's essays on art and culture, Wagner's role in the two writers' attempts to define the radically new concept of «modernism» is elucidated. Gogröf-Voorhees explores the affinity between the two writers, which emerges from a juxtaposition of their formulations of the idea of a fractured, contradictory modernity that at once embraces, scatters, and reevaluates an entire constellation of ideas, including romanticism, pessimism, decadence, and nihilism.