Cinematic Algorithms
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Cinematic Algorithms
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Author : James Hutson
language : en
Publisher: CRC Press
Release Date : 2025-06-25
Cinematic Algorithms written by James Hutson and has been published by CRC Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-06-25 with Computers categories.
This book explores the groundbreaking integration of generative artificial intelligence into filmmaking and visual storytelling. From democratizing video production to reshaping aesthetics, this book highlights the creative revolution AI offers. Through case studies, interviews with innovative artists, and historical perspectives, it examines how intelligent systems enhance creativity while challenging traditional notions of authorship and originality. With practical guides and forward-looking insights, this volume is essential for anyone curious about the intersection of technology and visual culture, offering a vivid portrait of the future of storytelling in an AI-driven world.
A Philosophy Of Cinematic Art
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Author : Berys Gaut
language : en
Publisher: Cambridge University Press
Release Date : 2010-01-14
A Philosophy Of Cinematic Art written by Berys Gaut and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-14 with Performing Arts categories.
A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.
Chromatic Algorithms
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Author : Carolyn L. Kane
language : en
Publisher: University of Chicago Press
Release Date : 2014-08-13
Chromatic Algorithms written by Carolyn L. Kane and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-08-13 with Science categories.
These days, we take for granted that our computer screens—and even our phones—will show us images in vibrant full color. Digital color is a fundamental part of how we use our devices, but we never give a thought to how it is produced or how it came about. Chromatic Algorithms reveals the fascinating history behind digital color, tracing it from the work of a few brilliant computer scientists and experimentally minded artists in the late 1960s and early ‘70s through to its appearance in commercial software in the early 1990s. Mixing philosophy of technology, aesthetics, and media analysis, Carolyn Kane shows how revolutionary the earliest computer-generated colors were—built with the massive postwar number-crunching machines, these first examples of “computer art” were so fantastic that artists and computer scientists regarded them as psychedelic, even revolutionary, harbingers of a better future for humans and machines. But, Kane shows, the explosive growth of personal computing and its accompanying need for off-the-shelf software led to standardization and the gradual closing of the experimental field in which computer artists had thrived. Even so, the gap between the bright, bold presence of color onscreen and the increasing abstraction of its underlying code continues to lure artists and designers from a wide range of fields, and Kane draws on their work to pose fascinating questions about the relationships among art, code, science, and media in the twenty-first century.
Human Perception And Digital Information Technologies
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Author : Tomoko Tamari
language : en
Publisher: Policy Press
Release Date : 2024-02-29
Human Perception And Digital Information Technologies written by Tomoko Tamari and has been published by Policy Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-02-29 with Computers categories.
This ground-breaking collection explores the ways in which digital information technologies form and influence human perception and experience. Defying technological determinism, it takes on board discursive perspectives from humanities, bringing digital media, affect and body studies into conversation with one another.
Cinematic Narratives Of Concern Global Perspectives In Public Discourse
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Author : Dr Ruchi Goswami
language : en
Publisher: OrangeBooks Publication
Release Date : 2025-01-29
Cinematic Narratives Of Concern Global Perspectives In Public Discourse written by Dr Ruchi Goswami and has been published by OrangeBooks Publication this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-01-29 with Performing Arts categories.
In the vast and ever-expanding landscape of cinema, where stories unfold across screens of varying sizes and cultures, a remarkable phenomenon occurs. Cinematic narratives often transcend mere entertainment; they become potent vehicles for addressing, dissecting, and sometimes even resolving the most pressing concerns of our time. This book, "Cinematic Narratives of Concern: Global Perspectives in Public Discourse," embarks on a journey to explore this intersection between cinema and public discourse, where the silver screen becomes a mirror reflecting the complexities of our world. In the following pages, readers will encounter an array of cinematic landscapes, each offering a unique lens through which to view global issues. From the bustling streets of Tokyo to the desolate plains of Africa, from the neon-lit cities of America to the serene villages of Europe, cinema traverses borders and boundaries to illuminate the shared concerns that unite humanity. At the heart of this exploration lies the recognition that cinema is not merely a form of entertainment but a powerful medium for communication, education, and empathy. Through the artful weaving of narrative, imagery, and sound, filmmakers have the ability to provoke thought, evoke emotion, and inspire action on a global scale. This book is not intended to be a comprehensive catalog of every cinematic narrative of concern, for such a task would be as endless as the stories themselves. Instead, it offers a curated selection of films that exemplify the diverse ways in which cinema engages with public discourse. Whether tackling issues of social justice, environmental sustainability, political unrest, or cultural identity, each film featured in these pages offers a glimpse into the complexities of our world and the myriad perspectives that shape it. As readers embark on this journey through cinematic narratives of concern, I encourage them to approach each film with an open mind and a critical eye. For it is through dialogue, debate, and reflection that we can fully appreciate the transformative power of cinema and its ability to spark meaningful change in our world. Ultimately, this book with 17 segments of cinema studies is a testament to the enduring relevance of cinema as a medium for exploring, understanding, and confronting the challenges that define our times. It will serve both as a guide and an inspiration for all who seek to engage with the world around them through the lens of cinema.
What Algorithms Want
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Author : Ed Finn
language : en
Publisher: MIT Press
Release Date : 2018-10-09
What Algorithms Want written by Ed Finn and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-09 with Computers categories.
The gap between theoretical ideas and messy reality, as seen in Neal Stephenson, Adam Smith, and Star Trek. We depend on—we believe in—algorithms to help us get a ride, choose which book to buy, execute a mathematical proof. It's as if we think of code as a magic spell, an incantation to reveal what we need to know and even what we want. Humans have always believed that certain invocations—the marriage vow, the shaman's curse—do not merely describe the world but make it. Computation casts a cultural shadow that is shaped by this long tradition of magical thinking. In this book, Ed Finn considers how the algorithm—in practical terms, “a method for solving a problem”—has its roots not only in mathematical logic but also in cybernetics, philosophy, and magical thinking. Finn argues that the algorithm deploys concepts from the idealized space of computation in a messy reality, with unpredictable and sometimes fascinating results. Drawing on sources that range from Neal Stephenson's Snow Crash to Diderot's Encyclopédie, from Adam Smith to the Star Trek computer, Finn explores the gap between theoretical ideas and pragmatic instructions. He examines the development of intelligent assistants like Siri, the rise of algorithmic aesthetics at Netflix, Ian Bogost's satiric Facebook game Cow Clicker, and the revolutionary economics of Bitcoin. He describes Google's goal of anticipating our questions, Uber's cartoon maps and black box accounting, and what Facebook tells us about programmable value, among other things. If we want to understand the gap between abstraction and messy reality, Finn argues, we need to build a model of “algorithmic reading” and scholarship that attends to process, spearheading a new experimental humanities.
Transforming Cinema With Artificial Intelligence
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Author : Kilinç, Uğur
language : en
Publisher: IGI Global
Release Date : 2024-12-13
Transforming Cinema With Artificial Intelligence written by Kilinç, Uğur and has been published by IGI Global this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-12-13 with Social Science categories.
Artificial intelligence transforms cinema, reshaping how films are created, produced, and experienced by audiences. From enhancing visual effects and automating editing processes to creating realistic CGI characters and personalizing viewer recommendations, AI is revolutionizing every stage of filmmaking. Machine learning algorithms can analyze data to predict box office trends, optimize scripts, and assist in storyline development. AI-driven technologies like deepfake and voice synthesis push the boundaries of storytelling, offering filmmakers new creative possibilities, but often raise ethical considerations. As AI continues to evolve, further research may impact the cinematic landscape, enhancing the artistic and business aspects of the industry. Transforming Cinema with Artificial Intelligence is a comprehensive examination of the various applications of AI technologies in the cinema industry. It covers AI's role in scriptwriting, shooting processes, post-production, sound editing, film restoration, and marketing strategies, and details how these technologies are integrated into the film industry and their impact on creative processes and audience experience. This book covers topics such as digital technology, image generation, and user experience, and is a useful resource for business owners, producers, computer engineers, academicians, and researchers.
Towards A Film Theory From Below
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Author : Jiri Anger
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2024-05-30
Towards A Film Theory From Below written by Jiri Anger and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05-30 with Performing Arts categories.
Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays. Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capacity to create “weird shapes” within the figurative image that decenter, distort, and transform the existing conceptual and methodological frameworks? Building on his theoretical as well as practical experience with the recently digitized corpus of the first Czech films, created by Jan Kríženecký between 1898 and 1911, the author demonstrates how technological defects and accidents in archival films shape their aesthetic function and our understanding of the materiality of film in the digital age. The specific clashes between the figurative and material spheres are understood through the concept of a “crack-up.” This term, developed by Francis Scott Fitzgerald and theoretically reimagined by Gilles Deleuze, allows us to capture the convoluted relationship between figuration and materiality as inherent to the medium of film, containing negativity and productivity, difference and simultaneity, contingency and fate, at the same time, even within the tiniest cinematic units.
Handbook Of Video Databases
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Author : Borko Furht
language : en
Publisher: CRC Press
Release Date : 2003-09-30
Handbook Of Video Databases written by Borko Furht and has been published by CRC Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-09-30 with Computers categories.
Technology has spurred the growth of huge image and video libraries, many growing into the hundreds of terabytes. As a result there is a great demand among organizations for the design of databases that can effectively support the storage, search, retrieval, and transmission of video data. Engineers and researchers in the field demand a comprehensi
Cinematic Digital Television
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Author : Chris Comerford
language : en
Publisher: Taylor & Francis
Release Date : 2022-12-20
Cinematic Digital Television written by Chris Comerford and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-12-20 with Performing Arts categories.
Chris Comerford explores cinematic digital television as an artistic classification and an academic object of study, and illuminates the slippage in definitions of previously understood media forms. The growth of television as an artistic, informative medium has given rise to shifts in the aesthetic style of the programmes we watch, and this book outlines these shifts along with the contemporary debates and critical theory surrounding them. Comerford looks at the forms and aesthetics of television, the production standards influencing streaming television and the agency of audiences, and provides case studies of key TV shows illustrating these shifts, including Twin Peaks: The Return, WandaVision, Hacks and Russian Doll. Navigating the levels of production and reception in cinematic digital television, the book uses film-inspired TV as a lightning rod for understanding our narrative screen media landscape and the classifications we use to negotiate it. As an essential reading for both scholars and students of media and television studies, this book provides a much-needed consideration of the changing landscape of television.