Composing Community In Late Medieval Music
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Composing Community In Late Medieval Music
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Author : Jane D. Hatter
language : en
Publisher: Cambridge University Press
Release Date : 2019-05-02
Composing Community In Late Medieval Music written by Jane D. Hatter and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-02 with Art categories.
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
Music In Late Medieval Bruges
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Author : Reinhard Strohm
language : en
Publisher: Oxford : Clarendon Press
Release Date : 1985
Music In Late Medieval Bruges written by Reinhard Strohm and has been published by Oxford : Clarendon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Computers categories.
Although the musical achievements of the Franco-Flemish school have attracted many writers, this book is the first to show how the artists and composers of Bruges worked side by side to shape their acoustic and visual environment and to express their fellow citizens' spiritual needs in art. By combining the methods of modern musicology and those of local historiography, Strohm vividly recreates the music of fourteenth- and fifteenth-century Flanders in its socio-economic context, from the pageants and minstrelsy of the court to popular entertainments and the earliest public concerts.
Studies In The Performance Of Late Medieval Music
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Author : Stanley Boorman
language : en
Publisher: Cambridge University Press
Release Date : 2008-10-30
Studies In The Performance Of Late Medieval Music written by Stanley Boorman and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-10-30 with Music categories.
This volume presents a series of important essays on some of the problems involved in attempting to perform music of the late Middle Ages.
Music As Concept And Practice In The Late Middle Ages
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Author : Reinhard Strohm
language : en
Publisher:
Release Date : 2001
Music As Concept And Practice In The Late Middle Ages written by Reinhard Strohm and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Music categories.
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Where Sight Meets Sound
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Author : Emily Zazulia
language : en
Publisher:
Release Date : 2021
Where Sight Meets Sound written by Emily Zazulia and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Musical notation categories.
Late-medieval composers delighted in complicating the relationship between their music's written and sung forms, often tasking singers with reading their music in unusual ways-from slowing down a melodic line, to turning it backwards or upside down, even omitting certain notes or rests. These manipulations increasingly yielded music that was aurally all but unrecognizable as a derivative of the notated original. This book uses these unorthodox applications of notation to understand how late-medieval composers thought about the tool of musical notation. It argues that these compositions foregro.
Papal Music And Musicians In Late Medieval And Renaissance Rome
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Author : Richard Sherr
language : en
Publisher: Clarendon Press
Release Date : 1998-05-21
Papal Music And Musicians In Late Medieval And Renaissance Rome written by Richard Sherr and has been published by Clarendon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-05-21 with Music categories.
This book collects twelve of the papers given at a conference held at the Library of Congress, Washington D.C., on 1-3 April 1993, in conjunction with the exhibition `Rome Reborn: The Vatican Library and Renaissance Culture'. A group of distinguished scholars considered music in medieval and Renaissance Rome. The volume presents a series of wide-ranging and original treatments of music written for and performed in the papal court from the fourteenth to the sixteenth century. New discoveries are offered which force a radical reevaluation of the Italian papal court as a musical centre during the Great Schism. A series of motets for various popes are subject to close analysis. New interpretations and information are offered concerning the repertory of the papal chapel in the fifteenth and sixteenth centuries, the institutional life of the papal singers, and the individual biographies of singers and composers. Thought-provoking, even controversial, evaluations of the music of composers connected with, or thought to be connected with, Rome and the papal court, such as Ninot le Petit, Josquin, and Palestrina round out the volume.
The Cambridge History Of Medieval Music
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Author : Mark Everist
language : en
Publisher: Cambridge University Press
Release Date : 2018-08-09
The Cambridge History Of Medieval Music written by Mark Everist and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-09 with Music categories.
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Reading Renaissance Music Theory
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Author : Cristle Collins Judd
language : en
Publisher: Cambridge University Press
Release Date : 2000-11-30
Reading Renaissance Music Theory written by Cristle Collins Judd and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-11-30 with Music categories.
Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).
Music And Riddle Culture In The Renaissance
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Author : Katelijne Schiltz
language : en
Publisher: Cambridge University Press
Release Date : 2015-04-23
Music And Riddle Culture In The Renaissance written by Katelijne Schiltz and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-23 with Art categories.
The culture of the enigmatic from Classical Antiquity to the Renaissance -- Devising musical riddles in the Renaissance -- The reception of the enigmatic in music theory -- Riddles visualised.
Medieval Music And The Art Of Memory
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Author : Anna Maria Busse Berger
language : en
Publisher: University of California Press
Release Date : 2019-10-08
Medieval Music And The Art Of Memory written by Anna Maria Busse Berger and has been published by University of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-08 with Music categories.
Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.