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Composing For The Screen


Composing For The Screen
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Composing For The Screen


Composing For The Screen
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Author : Scott W. Hallgren
language : en
Publisher: Taylor & Francis
Release Date : 2022-07-20

Composing For The Screen written by Scott W. Hallgren and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-07-20 with Performing Arts categories.


This book is a collection of essays written by and interviews with working composers for film and television, and video games, exploring the business side of composing, addressing the lack of understanding about career development and business responsibilities as they relate to composers. Over 30 industry professionals, composers, directors, educators and business agents at all levels dispel myths about the industry and provide practical advice on topics such as how to break into the field; how to develop, nurture, and navigate business relationships; and how to do creative work under pressure. Readers will also learn about the entrepreneurial expectations in relation to marketing, strategies for contending with the emotional highs and lows of composing, and money management whilst pursuing a career in composing. Written for undergraduates and graduates studying composing, sound production, and filmmaking, as well as aspiring composers for film, TV, and games, this book provides readers with a wealth of first-hand information that will help them create their own opportunities and pursue a career in film and television.



Composing For The Screen In Germany And The Ussr


Composing For The Screen In Germany And The Ussr
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Author : Robynn J. Stilwell
language : en
Publisher: Indiana University Press
Release Date : 2007-12-26

Composing For The Screen In Germany And The Ussr written by Robynn J. Stilwell and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-12-26 with Music categories.


Despite the long history of music in film, its serious academic study is still a relatively recent development and therefore comprises a limited body of work. The contributors to this book, drawn from both film studies and musicology, attempt to rectify this oversight by investigating film music from the vibrant, productive, politically charged period before World War II. They apply a variety of methodologies—including archival work, close readings, political histories, and style comparison—to this under explored field.



Scoring The Screen


Scoring The Screen
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Author : Andy Hill
language : en
Publisher: Rowman & Littlefield
Release Date : 2017-07-01

Scoring The Screen written by Andy Hill and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-01 with Music categories.


SCORING THE SCREEN: THE SECRET LANGUAGE OF FILM MUSIC Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo, To Kill a Mockingbird, Patton, The Untouchables, or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music. This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art, to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language, developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning. To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): “If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”



Composing For The Red Screen


Composing For The Red Screen
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Author : Kevin Michael Bartig
language : en
Publisher:
Release Date : 2008

Composing For The Red Screen written by Kevin Michael Bartig and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with categories.




Composing For The Red Screen


Composing For The Red Screen
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Author : Kevin Bartig
language : en
Publisher: Oxford University Press
Release Date : 2013-04-04

Composing For The Red Screen written by Kevin Bartig and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-04 with Music categories.


Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. Author Kevin Bartig examines how Prokofiev's film music derived from a self-imposed challenge: to compose "serious" music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues' ideologically expedient film songs. Looking at Prokofiev's film music as a whole - with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects - reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility.



The Art Of Film Music


The Art Of Film Music
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Author : George Burt
language : en
Publisher: UPNE
Release Date : 1994

The Art Of Film Music written by George Burt and has been published by UPNE this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Music categories.


An exploration of the powerful effect of music in films produced from the 1930s through the 1980s.



The Composer On Screen


The Composer On Screen
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Author : Paul Fryer
language : en
Publisher: McFarland
Release Date : 2018-05-03

The Composer On Screen written by Paul Fryer and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-03 with Performing Arts categories.


 This collection of new essays explores the many ways in which composers have been depicted in film and what audiences have taken away from such depictions. Beginning with some of the earliest silent film examples—including some of the first feature-length “bio-pics” ever produced—these essays range from the 12th century abbess Hildegard of Bingen to the great classical and romantic eras of Verdi, Wagner, Berlioz and Strauss, up to the 20th century’s Elgar, Delius, Gershwin and Blitzstein.



Composing For The Films


Composing For The Films
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Author : Theodor W. Adorno
language : en
Publisher: A&C Black
Release Date : 2005-01-01

Composing For The Films written by Theodor W. Adorno and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-01-01 with Social Science categories.


This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films, while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialized culture; and, in this respect, it has a particular importance to the whole area of cultural studies. With an introduction by Graham McCann.



Composing For The Cinema


Composing For The Cinema
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Author : Ennio Morricone
language : en
Publisher: Scarecrow Press
Release Date : 2013-10-10

Composing For The Cinema written by Ennio Morricone and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-10 with Performing Arts categories.


With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.



Working As A Film Composer


Working As A Film Composer
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Author : Bill Brown
language : en
Publisher:
Release Date : 2024-07-16

Working As A Film Composer written by Bill Brown and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-07-16 with Biography & Autobiography categories.