Document Concernant Le Film Hollywood 1926
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Document Concernant Le Film Hollywood 1926
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language : fr
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The British Avant Garde Film 1926 1995
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Author : Michael O'Pray
language : en
Publisher: Indiana University Press
Release Date : 1996
The British Avant Garde Film 1926 1995 written by Michael O'Pray and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Art categories.
This collection of essay celebrating British avant-garde cinema's rich history draws together writings by filmmakers, theorists, critics, and curators. These individuals have been engaged over the past 70 years with film not only as a form of art practice but also as a subversive means of representing British society itself and as a personal expression of issues of memory, sexuality, and ethnicity. Included are essays from a wide range of distinguished writers--from Virginia Woolf, Lindsay Anderson, and peter Gidal to Laura Mulvey, Peter Wollen, and Malcolm Le Grice.
Document Concernant Le Film New York 1926
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language : fr
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The World According To Hollywood 1918 1939
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Author : Ruth Vasey
language : en
Publisher: Univ of Wisconsin Press
Release Date : 1997
The World According To Hollywood 1918 1939 written by Ruth Vasey and has been published by Univ of Wisconsin Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Business & Economics categories.
The most visible cultural institution on earth between the World Wars, the Hollywood movie industry tried to satisfy worldwide audiences of vastly different cultural, religious, and political persuasions. The World According to Hollywood shows how the industry's self-regulation shaped the content of films to make them salable in as many markets as possible. In the process, Hollywood created an idiosyncratic vision of the world that was glamorous and exotic, but also oddly narrow. Ruth Vasey shows how the Motion Picture Producers and Distributors of America (MPPDA), by implementing such strategies as the industry's Production Code, ensured that domestic and foreign distribution took place with a minimum of censorship or consumer resistance. Drawing upon MPPDA archives, studio records, trade papers, and the records of the U.S. Department of Commerce, Vasey reveals the ways the MPPDA influenced the representation of sex, violence, religion, foreign and domestic politics, corporate capitalism, ethnic minorities, and the conduct of professional classes. Vasey is the first scholar to document fully how the demands of the global market frequently dictated film content and created the movies' homogenized picture of social and racial characteristics, in both urban America and the world beyond. She uncovers telling evidence of scripts and treatments that were abandoned before or during the course of production because of content that might offend foreign markets. Among the fascinating points she discusses is Hollywood's frequent use of imaginary countries as story locales, resulting from a deliberate business policy of avoiding realistic depictions of actual countries. She argues that foreign governments perceived movies not just as articles of trade, but as potential commercial and political emissaries of the United States. Just as Hollywood had to persuade its domestic audiences that its products were morally sound, its domination of world markets depended on its ability to create a culturally and politically acceptable product.
Documents Concernant Le Film Son Premier Film 1926
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language : fr
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Document Concernant Le Film Un Kodak 1926
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language : fr
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Document Concernant Le Film Voici Paris 1926
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language : fr
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Encyclopedia Of American Short Films 1926 1959
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Author : Graham Webb
language : en
Publisher: McFarland
Release Date : 2020-07-13
Encyclopedia Of American Short Films 1926 1959 written by Graham Webb and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-13 with Performing Arts categories.
Short subject films have a long history in American cinemas. These could be anywhere from 2 to 40 minutes long and were used as a "filler" in a picture show that would include a cartoon, a newsreel, possibly a serial and a short before launching into the feature film. Shorts could tackle any topic of interest: an unusual travelogue, a comedy, musical revues, sports, nature or popular vaudeville acts. With the advent of sound-on-film in the mid-to-late 1920s, makers of earlier silent short subjects began experimenting with the short films, using them as a testing ground for the use of sound in feature movies. After the Second World War, and the rising popularity of television, short subject films became far too expensive to produce and they had mostly disappeared from the screens by the late 1950s. This encyclopedia offers comprehensive listings of American short subject films from the 1920s through the 1950s.
Document Concernant Le Film Aventure 1926
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language : fr
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Documents Concernant Le Film Force Et Beaut 1926
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language : fr
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