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Document Concernant Le Film New York 1926


Document Concernant Le Film New York 1926
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Document Concernant Le Film New York 1926


Document Concernant Le Film New York 1926
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Author :
language : fr
Publisher:
Release Date :

Document Concernant Le Film New York 1926 written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




The Complete Index To Literary Sources In Film


The Complete Index To Literary Sources In Film
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Author : Alan Goble
language : en
Publisher: Walter de Gruyter
Release Date : 2011-09-08

The Complete Index To Literary Sources In Film written by Alan Goble and has been published by Walter de Gruyter this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-09-08 with Literary Criticism categories.




Avant Doc


Avant Doc
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Author : Scott MacDonald
language : en
Publisher: Oxford University Press, USA
Release Date : 2015

Avant Doc written by Scott MacDonald and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Literary Criticism categories.


With in-depth interviews of directors like Nina Davenport, Ross McElwee, Ed Pincus, and others, Avant-Doc provides a unique oral history of the hybrid genre of nonfiction film that combines the techniques of avant-garde auteurs with the more traditional methods of conventional storytelling.



French Colonial Documentary


French Colonial Documentary
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Author : Peter J. Bloom
language : en
Publisher: U of Minnesota Press
Release Date : 2008

French Colonial Documentary written by Peter J. Bloom and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Social Science categories.


Despite altruistic goals, humanitarianism often propagates foreign, and sometimes unjust, power structures where it is employed. Tracing the visual rhetoric of French colonial humanitarianism, Peter J. Bloom's unexpected analysis reveals how the project of remaking the colonies in the image of France was integral to its national identity. French Colonial Documentary investigates how the promise of universal citizenship rights in France was projected onto the colonies as a form of evolutionary interventionism. Bloom focuses on the promotion of French education efforts, hygienic reform, and new agricultural techniques in the colonies as a means of renegotiating the social contract between citizens and the state on an international scale. Bloom's insightful readings disclose the pervasiveness of colonial iconography, including the relationship between "natural man" and colonial subjectivity; representations of the Senegalese Sharpshooters as obedient, brave, and sexualized colonial subjects; and the appeal of exotic adventure narratives in the trans-Saharan film genre. Examining the interconnection between French documentary realism and the colonial enterprise, Bloom demonstrates how the colonial archive is crucial to contemporary Peter J. Bloom is associate professor of film and media studies at the University of California-Santa Barbara.y debates about multiculturalism in France.



The Parisian Avant Garde In The Age Of Cinema 1900 1923


The Parisian Avant Garde In The Age Of Cinema 1900 1923
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Author : Jennifer Wild
language : en
Publisher: Univ of California Press
Release Date : 2023-04-28

The Parisian Avant Garde In The Age Of Cinema 1900 1923 written by Jennifer Wild and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-28 with Performing Arts categories.


The first decades of the twentieth century were pivotal for the historical and formal relationships between early cinema and Cubism, mechanomorphism, abstraction, and Dada. To examine these relationships, Jennifer Wild’s interdisciplinary study grapples with the cinema’s expanded identity as a modernist form defined by the concept of horizontality. Found in early methods of projection, film exhibition, and in the film industry’s penetration into cultural life by way of film stardom, advertising, and distribution, cinematic horizontality provides a new axis of inquiry for studying early twentieth-century modernism. Shifting attention from the film to the horizon of possibility around, behind, and beyond the screen, Wild shows how canonical works of modern art may be understood as responding to the changing characteristics of daily life after the cinema. Drawing from a vast popular cultural, cinematic, and art-historical archive, Wild challenges how we have told the story of modern artists’ earliest encounter with cinema and urges us to reconsider how early projection, film stardom, and film distribution transformed their understanding of modern life, representation, and the act of beholding. By highlighting the cultural, ideological, and artistic forms of interpellation and resistance that shape the phenomenology of a wartime era, The Parisian Avant-Garde in the Age of Cinema, 1900–1923 provides an interdisciplinary history of radical form. This book also offers a new historiography that redefines how we understand early cinema and avant-garde art before artists turned to making films themselves.



The Tenth Muse


The Tenth Muse
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Author : Laura Marcus
language : en
Publisher: OUP Oxford
Release Date : 2010-08-12

The Tenth Muse written by Laura Marcus and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-08-12 with Literary Criticism categories.


The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, with its unprecedented powers of movement. In examining the writings of early film critics and commentators in tandem with those of more specifically literary figures, including H.G.Wells and Virginia Woolf, and in bringing literary texts into this field, Laura Marcus provides a new account of relationships between cinema and literature. Intertwining two major strands of research - the exploration of early film criticism and theory and cinema's presence in literary texts - The Tenth Muse shows how issues central to an understanding of cinema (including questions of time, repetition, movement, vision, sound and silence) are threaded through both kinds of writing, and the ways in which discursive and fictional writings overlapped. The movement that defined cinema was also perceived as a more fragile and unstable ephemerality that inhered at every level, from the fleeting nature of the projected images to the vagaries of cinematic exhibition. It was the anxiety over the mutability of the medium and its exhibition which, from the 1920s onwards, led to the establishment of such institutional spaces for cinema as the London-based Film Society, the new film journals, and, in the 1930s, the first film archives. The Tenth Muse explores the continuities between these sites of cinematic culture and the conceptual, literary and philosophical understandings of the filmic medium.



Movie Roadshows


Movie Roadshows
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Author : Kim R. Holston
language : en
Publisher: McFarland
Release Date : 2013-01-01

Movie Roadshows written by Kim R. Holston and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-01 with Performing Arts categories.


This work examines a film distribution system paralleling the rise of early features and persisting until 1972, when Man of La Mancha was the final roadshow to require reserved seating. Synonymous with Hollywood's star-studded premieres, roadshows were longer and cost more than regular features, making the experience similar to attending the legitimate theater. Roadshows, often epic in subject matter, played selected (usually only one) theaters in major urban centers until demand decreased. De rigueur by the 1960s were musical overtures, intermissions, entre'acte and exit music and souvenir programs for sale in the lobby. Throughout the text are recollections by people who attended roadshows, including actor John Kerr and actresses Barbara Eden and Ingrid Pitt. The focus is on roadshows released in the United States but an appendix identifies international roadshows and films forecast but not released as roadshows. Included are plots, contemporary critical reaction, premiere dates, production background, and methods of promotion--i.e., the ballyhoo.



Encyclopedia Of Indian Cinema


Encyclopedia Of Indian Cinema
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Author : Ashish Rajadhyaksha
language : en
Publisher: Routledge
Release Date : 2014-07-10

Encyclopedia Of Indian Cinema written by Ashish Rajadhyaksha and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-10 with Social Science categories.


The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.



The International Film Index 1895 1990 Directors Filmography And Indexes


The International Film Index 1895 1990 Directors Filmography And Indexes
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Author : Alan Goble
language : en
Publisher: London ; New Jersey : Bowker-Saur
Release Date : 1991

The International Film Index 1895 1990 Directors Filmography And Indexes written by Alan Goble and has been published by London ; New Jersey : Bowker-Saur this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Performing Arts categories.




Elastic Architecture


Elastic Architecture
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Author : Stephen J. Phillips
language : en
Publisher: MIT Press
Release Date : 2017-04-07

Elastic Architecture written by Stephen J. Phillips and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-07 with Architecture categories.


Twentieth-century architect Frederick Kiesler's innovative multidisciplinary practice responded to the ever-changing needs of the body in motion, anticipating the research-oriented practices of contemporary art and architecture. In 1960, the renowned architect Philip Johnson championed Frederick Kiesler, calling him “the greatest non-building architect of our time.” Kiesler's ideas were difficult to construct, but as Johnson believed, “enormous” and “profound.” Kiesler (1890–1965) went against the grain of the accepted modern style, rejecting rectilinear glass and steel in favor of more organic forms and flexible structures that could respond to the ever-changing needs of the body in motion. In Elastic Architecture, Stephen Phillips offers the first in-depth exploration of Kiesler's innovative and multidisciplinary research and design practice. Phillips argues that Kiesler established a new career trajectory for architects not as master builders, but as research practitioners whose innovative means and methods could advance alternative and speculative architecture. Indeed, Kiesler's own career was the ultimate uncompromising model of a research-based practice. Exploring Kiesler's formative relationships with the European avant-garde, Phillips shows how Kiesler found inspiration in the plastic arts, experimental theater, early animation, and automatons to develop and refine his spatial concept of the Endless. Moving from Europe to New York in the 1920s, Kiesler applied these radical Dadaist, constructivist, and surrealist practices to his urban display projects, which included shop windows for Saks Fifth Avenue. After launching his innovative Design Correlation Laboratory at Columbia and Yale, Kiesler went on to invent new houses, theaters, and galleries that were meant to move, shift, and adapt to evolutionary changes occurring within the natural and built environment. As Phillips demonstrates vividly, although many of Kiesler's designs remained unbuilt, his ideas proved influential to later generations of architects and speculative artists internationally, including Archigram, Greg Lynn, UNStudio, and Olafur Eliasson.