Exhibiting The New Art


Exhibiting The New Art
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Exhibiting The New Art


Exhibiting The New Art
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Author : Christian Rattemeyer
language : en
Publisher: Afterall Books
Release Date : 2010

Exhibiting The New Art written by Christian Rattemeyer and has been published by Afterall Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Art categories.


The 'new art' of the late 1960s was shown in two landmark exhibitions in 1969: Op Losse Schroeven and When Attitudes Become Form. This book reveals how each brought together Arte Povera, Anti-Form, Conceptual and Land art, whilst challenging such categories and introducing innovative curatorial approaches. Christian Rattemeyer offers a rich comparative analysis of the two exhibitions, exploring the related but differing approaches of the two curators – Wim Beeren and Harald Szeemann – in two distinct institutional settings: the Stedelijk Museum in Amsterdam and the Kunsthalle Bern. Numerous installation photographs enable a virtual 'walk through' of each exhibition, while meticulous chronologies detail the negotiations that shaped them. Crucial texts from the time are complemented by new research and fascinating recent interviews with participating artists. Included are interviews with Marinus Boezem, Jan Dibbets, Ger van Elk, Piero Gilardi and Richard Serra. This book is Volume 1 in the Exhibition Histories series, which investigates shows that have shaped the way contemporary art is experienced, made and discussed.



The Avant Garde In Exhibition


The Avant Garde In Exhibition
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Author : Bruce Altshuler
language : en
Publisher: ABRAMS
Release Date : 1994

The Avant Garde In Exhibition written by Bruce Altshuler and has been published by ABRAMS this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Architecture categories.


Through photographs of personalities, installations, and works of art--and in a lively text that recounts the artistic thinking as well as the gossip surrounding each movement--this volume presents a complete overview of 20th century avant-garde art. Focusing on breakthrough exhibitions, the book tells the story of each show and that of the movement that inspired it.



New Collecting Exhibiting And Audiences After New Media Art


New Collecting Exhibiting And Audiences After New Media Art
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Author : Beryl Graham
language : en
Publisher: Routledge
Release Date : 2016-04-29

New Collecting Exhibiting And Audiences After New Media Art written by Beryl Graham and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-29 with Art categories.


The collections of museums, galleries and online art organisations are increasingly broadening to include more new media art. Because new media is used as a means of documenting, archiving and distributing art, and because new media art might be interactive with its audiences, this highlights the new kinds of relationships that might occur between audiences as viewers, participants, selectors, taggers or taxonomisers. New media art presents many challenges to the curator and collector, but there is very little published analytical material available to help meet those challenges. This book fills that gap. Drawing from the editor's extensive research and the authors' expertise in the field, the book provides clear navigation through a disparate arena. The authors offer examples from a wide geographical reach, including the UK, North America and Asia and integrate the consideration of audience response into all aspects of their work. The book will be essential reading for those studying or practicing in new media, curating or museums and galleries.



Museums Inside Out


Museums Inside Out
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Author : Mark W. Rectanus
language : en
Publisher: U of Minnesota Press
Release Date : 2020-01-28

Museums Inside Out written by Mark W. Rectanus and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-28 with Art categories.


An ambitious study of what it means to be a museum in the twenty-first century In Museums Inside Out, Mark W. Rectanus investigates how museums are blurring the boundaries between their gallery walls and public spaces. He examines how artists are challenging and changing museums, taking readers deep into new experiments in exhibition making. Along the way, Rectanus offers insights about how museums currently exemplify the fusion of the creative and digital economies. Exploring contemporary museum practices, initiatives, and collaborations, Rectanus analyzes projects like the Collective Museum, which foster land-based museum ecologies by co-curating with local communities. The Schirn Kunsthalle, Petach Tikva Museum of Art, and Tate Modern reflect museums as cultural zones for performance, inside and outside the museum. In addition, he studies a joint project between the Van Gogh Museum and the investment firm Deloitte Luxembourg, extracting insights on the transfer of expertise from museums to the financial sector. Wide-ranging in its case studies, and boldly putting museum studies and art into conversation, Museums Inside Out delivers vital insights into the ideas and places that museums are creating in contemporary culture.



Collecting The New


Collecting The New
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Author : Bruce Altshuler
language : en
Publisher: Princeton University Press
Release Date : 2013-10-24

Collecting The New written by Bruce Altshuler and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-24 with Art categories.


Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Pérez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.



Exhibiting Experimental Art In China


Exhibiting Experimental Art In China
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Author : Wu Hung
language : en
Publisher: University of Chicago David & Alfred
Release Date : 2000

Exhibiting Experimental Art In China written by Wu Hung and has been published by University of Chicago David & Alfred this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Art categories.


In his new book, Wu Hung raises timely questions about artistic freedom and censorship. Here, as in the Smart Museum's exhibition Canceled: Exhibiting Experimental Art in China, Wu uses the government's cancellation of the exhibition It's Me (Beijing, 1998) to anchor his analysis of the challenges faced by contemporary Chinese artists and curators. During this time of rapid change in mainland China, artists and curators are seeking new ways to show work, and finding new allies, patrons and audiences. They are investigating ways to respond to official antagonism, to realize the potential of experimental art in the public sphere, and to maintain the independence of this art in an increasingly commercialized society. Wu addresses these issues through a survey of current exhibition practices, a discussion of the Smart Museum exhibition, a case study of It's Me, a rich collection of primary materials from eleven recent exhibitions. By introducing readers to the complex milieu of experimental artists and curators in China, Wu makes a major contribution to the growing scholarship on contemporary Chinese culture.



The Global Contemporary And The Rise Of New Art Worlds


The Global Contemporary And The Rise Of New Art Worlds
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Author : Hans Belting
language : en
Publisher: National Geographic Books
Release Date : 2013-03-08

The Global Contemporary And The Rise Of New Art Worlds written by Hans Belting and has been published by National Geographic Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-03-08 with Art categories.


Mapping the new geography of the visual arts, from the explosion of biennials to the emerging art markets in Asia and the Middle East. The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. The art world distributed itself into art worlds. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the world economy has. This book offers a new map of contemporary art's new worlds. The Global Contemporary and the Rise of New Art Worlds documents the globalization of the visual arts and the rise of the contemporary over the last twenty years. Lavishly illustrated, with color throughout, it tracks developments ranging from exhibition histories and the rise of new art spaces to art's branding in such emerging markets as Hong Kong and the Gulf States. Essays treat such subjects as curating after the global turn; art and the migration of pictures; the end of the canon; and new strategies of representation.



Exhibition Experiments


Exhibition Experiments
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Author : Sharon Macdonald
language : en
Publisher: John Wiley & Sons
Release Date : 2008-04-30

Exhibition Experiments written by Sharon Macdonald and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-04-30 with Business & Economics categories.


Exhibition Experiments is a lively collection that considers experiments with museological form that challenge our understanding of - and experience with - museums. Explores examples of museum experimentalism in light of cutting-edge museum theory Draws on a range of global and topical examples, including museum experimentation, exhibitionary forms, the fate of conventional notions of ‘object’ and ‘representation’, and the impact of these changes Brings together an international group of art historians, anthropologists, and sociologists to question traditional disciplinary boundaries Considers the impact of technology on the museum space tackles a range of examples of experimentalism from many different countries, including Australia, Austria, Germany, Israel, Luxembourg, Sweden, the UK and the US Examines the changes and challenging new possibilities facing museum studies



Inside Out


Inside Out
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Author : Asia Society. Galleries
language : en
Publisher: Univ of California Press
Release Date : 1998-01-01

Inside Out written by Asia Society. Galleries and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-01-01 with Art categories.


The late twentieth century has been marked by momentous political, economic, and social change throughout the Chinese world. Deeply rooted cultural assumptions and ancient visual traditions have been challenged by rapid modernization and conflicting global, ethnic, and local identities. Inside/Out: New Chinese Art was the first major international exhibition to explore the impact of these challenges on artists in the People's Republic of China, Hong Kong, Taiwan, and those of the 1980s Diaspora. The multifaceted exhibition and accompanying catalog encompass an extensive range of artistic forms, including installation, video, and performance art as well as more traditional media such as oils and ink. The art is grouped according to themes, some specific to regions and others that reflect widespread and overlapping trends. With the inclusion of ambiguous territories like Hong Kong and Taiwan, the exhibition opens up a perspective of modern Chinese art from the "outside" as well as a looking-out from the "inside." The catalog features essays by eminent Chinese art scholars and curators along with leading curators and historians of Western art. Together they promote Chinese art's rightful place in the contemporary global cultural arena and at the same time acknowledge the influence of its rich heritage. The diversity and freshness of the exhibition reflects the explosion of creativity among Chinese artists during the past decade. The ironic social commentary of Li Shan's The Rouge Series, no. 24, the "apartment art" of artists reacting against the traditional patronage of large museums and corporations, and Wang Jin's sly humor in portraying consumer fetishes in today's China are a few examples of the spirited artistry awaiting the viewers of Inside/Out.



Scenography As New Ideology In Contemporary Curating And The Notion Of Staging In Exhibitions


Scenography As New Ideology In Contemporary Curating And The Notion Of Staging In Exhibitions
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Author : Margaret Choi Kwan Lam
language : en
Publisher: GRIN Verlag
Release Date : 2013-12-19

Scenography As New Ideology In Contemporary Curating And The Notion Of Staging In Exhibitions written by Margaret Choi Kwan Lam and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-19 with Art categories.


Master's Thesis from the year 2013 in the subject Art - Miscellaneous, grade: Distinction, Kingston University London (Kingston University London, in Partnership with the Design Museum, London, U.K.), course: MA Curating Contemporary Design, language: English, abstract: In the frontier of the exhibition scene, a significant phenomenon is observed that a contemporary artistic staging practice, called scenography, has grew out from the theatre context and keeps expanding its influence in the exhibition context in recent time. Scenography has been acting as a transformative force to reform the traditional exhibitionary complex, and consequently, this has led to an unprecedented intersection where scenography meets contemporary curating, which further informs a radical ideological shift. This paper aims to exploit a new land of discussion to look into this intersection between scenographic practice and contemporary curating, its mergence and the subsequent revolution it has caused. By seeing museums and exhibition spaces as metaphorical stages, it fundamentally reconfigures the infrastructure of curating practices, in terms of a shift in authorship, architectural embodiment of ideas, field of experience, layered narrative, dramaturgy and the hybrid expressions of new media. Three case studies will demonstrate scenography’s wide-ranged capacities and various methodologies in dealing with contemporary issues. Cases include: BMW Museum (Reopened in 2008), Cultures of the World (Opened in 2010) and Leonardo’s Last Supper: A Vision by Peter Greenaway (2008, 2010). Respectively, they prove scenography's overarching influence of acting as a brandscape, as a site of cultural mediation and as interference and discourse. The whole discussion cuts through major discourses in the field, both responding to the increasing awareness of the notion of staging experiences in the rise of experience economy, and the expanding notion of curating, in parallel.