Experimental Arts In Postwar Japan


Experimental Arts In Postwar Japan
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Experimental Arts In Postwar Japan


Experimental Arts In Postwar Japan
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Author : Miryam Sas
language : en
Publisher: BRILL
Release Date : 2020-03-17

Experimental Arts In Postwar Japan written by Miryam Sas and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-17 with Art categories.


"In the years of rapid economic growth following the protest movements of the 1960s, artists and intellectuals in Japan searched for a means of direct impact on the whirlwind of historical and cultural transformations of their time. Yet while the artists often called for such “direct” encounter, their works complicate this ideal with practices of interruption, self-reflexive mimesis, and temporal discontinuity. In an era known for idealism and activism, some of the most cherished ideals—intimacy between subjects, authenticity, a sense of home—are limitlessly desired yet always just out of reach. In this book, Miryam Sas explores the theoretical and cultural implications of experimental arts in a range of media. Casting light on important moments in the arts from the 1960s to the early 1980s, this study focuses first on underground (post-shingeki) theater and then on related works of experimental film and video, buto dance and photography. Emphasizing the complex and sophisticated theoretical grounding of these artists through their works, practices, and writings, this book also locates Japanese experimental arts in an extensive, sustained dialogue with key issues of contemporary critical theory."



Art Anti Art Non Art


Art Anti Art Non Art
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Author : Reiko Tomii
language : en
Publisher: Getty Publications
Release Date : 2007

Art Anti Art Non Art written by Reiko Tomii and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.


Introduction to two decades of artistic ferment in postwar Japan. As that devastated nation confronted the fraught legacy of World War II, a rapid succession of avant-garde groups began experimenting with new media and processes of making art, disrupting conventions to address the changes occurring around them. The works that remain from this era are largely ephemeral - exhibition flyers, programs for performances, musical scores, issues of short-lived journals, documentary photographs, pieces of mail art, and multiples made from the detritus of modern life - but the ideals of engagement and innovation that invigorated this creative surge are not.



Feeling Media


Feeling Media
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Author : Miryam Sas
language : en
Publisher: Duke University Press
Release Date : 2022-08-22

Feeling Media written by Miryam Sas and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-22 with Social Science categories.


In Feeling Media Miryam Sas explores the potentialities and limitations of media theory and media art in Japan. Opening media studies and affect theory up to a deeper engagement with works and theorists outside Euro-America, Sas offers a framework of analysis she calls the affective scale—the space where artists and theorists work between the level of the individual and larger global and historical shifts. She examines intermedia, experimental animation, and Marxist theories of the culture industries of the 1960s and 1970s in the work of artists and thinkers ranging from filmmaker Matsumoto Toshio, photographer Nakahira Takuma, and the Three Animators' Group to art critic Hanada Kiyoteru and landscape theorist Matsuda Masao. She also outlines how twenty-first-century Japanese artists—especially those responding to the Fukushima disaster—adopt and adapt this earlier work to reframe ideas about collectivity, community, and connectivity in the space between the individual and the system.



Radicals And Realists In The Japanese Nonverbal Arts


Radicals And Realists In The Japanese Nonverbal Arts
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Author : Thomas R. H. Havens
language : en
Publisher: University of Hawaii Press
Release Date : 2006-07-31

Radicals And Realists In The Japanese Nonverbal Arts written by Thomas R. H. Havens and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-07-31 with Art categories.


Radicals and Realists is the first book in any language to discuss Japan’s avant-garde artists, their work, and the historical environment in which they produced it during the two most creative decades of the twentieth century, the 1950s and 1960s. Many of the artists were radicals, rebelling against existing canons and established authority. Yet at the same time they were realists in choosing concrete materials, sounds, and themes from everyday life for their art and in gradually adopting tactics of protest or resistance through accommodation rather than confrontation. Whatever the means of expression, the production of art was never devoid of historical context or political implication. Focusing on the nonverbal genres of painting, sculpture, dance choreography, and music composition, this work shows that generational and political differences, not artistic doctrines, largely account for the divergent stances artists took vis-a-vis modernism, the international arts community, Japan’s ties to the United States, and the alliance of corporate and bureaucratic interests that solidified in Japan during the 1960s. After surveying censorship and arts policy during the American occupation of Japan (1945–1952), the narrative divides into two chronological sections dealing with the 1950s and 1960s, bisected by the rise of an artistic underground in Shinjuku and the security treaty crisis of May 1960. The first section treats Japanese artists who studied abroad as well as the vast and varied experiments in each of the nonverbal avant-garde arts that took place within Japan during the 1950s, after long years of artistic insularity and near-stasis throughout war and occupation. Chief among the intellectuals who stimulated experimentation were the art critic Takiguchi Shuzo, the painter Okamoto Taro, and the businessman-painter Yoshihara Jiro. The second section addresses the multifront assault on formalism (confusingly known as "anti-art") led by visual artists nationwide. Likewise, composers of both Western-style and contemporary Japanese-style music increasingly chose everyday themes from folk music and the premodern musical repertoire for their new presentations. Avant-garde print makers, sculptors, and choreographers similarly moved beyond the modern—and modernism—in their work. A later chapter examines the artistic apex of the postwar period: Osaka’s 1970 world exposition, where more avant-garde music, painting, sculpture, and dance were on display than at any other point in Japan’s history, before or since. Radicals and Realists is based on extensive archival research; numerous concerts, performances, and exhibits; and exclusive interviews with more than fifty leading choreographers, composers, painters, sculptors, and critics active during those two innovative decades. Its accessible prose and lucid analysis recommend it to a wide readership, including those interested in modern Japanese art and culture as well as the history of the postwar years.



Art And Engagement In Early Postwar Japan


Art And Engagement In Early Postwar Japan
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Author : Justin Jesty
language : en
Publisher: Cornell University Press
Release Date : 2018-09-15

Art And Engagement In Early Postwar Japan written by Justin Jesty and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-15 with Art categories.


Highlighting the transformational nature of the early postwar, Jesty deftly contrasts it with the relative stasis, consolidation, and homogenization of the 1960s.



Unspeakable Acts


Unspeakable Acts
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Author : Carol Fisher Sorgenfrei
language : en
Publisher: University of Hawaii Press
Release Date : 2005-08-31

Unspeakable Acts written by Carol Fisher Sorgenfrei and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-08-31 with Performing Arts categories.


Terayama Shûji (1935–1983) was one of postwar Japan’s most gifted and controversial playwrights/directors. Since his death more than twenty years ago, he has been transformed into a cult hero in Japan. Despite this notoriety, Unspeakable Acts is the first book in any language to analyze the theater of Terayama in depth. It interrogates postwar Japanese culture and theater through the creative work of this unique yet emblematic artist. By situating Terayama in his historical milieu and by using tools derived from Japanese and Western theories of psychoanalysis, anthropology, sociology, gender studies, and aesthetics, Carol Fisher Sorgenfrei has woven a sophisticated and provocative study.



The Stakes Of Exposure


The Stakes Of Exposure
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Author : Namiko Kunimoto
language : en
Publisher: U of Minnesota Press
Release Date : 2017-02-21

The Stakes Of Exposure written by Namiko Kunimoto and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-02-21 with Art categories.


How would artistic practice contribute to political change in post–World War II Japan? How could artists negotiate the imbalanced global dynamics of the art world and also maintain a sense of aesthetic and political authenticity? While the contemporary art world has recently come to embrace some of Japan’s most daring postwar artists, the interplay of art and politics remains poorly understood in the Americas and Europe. The Stakes of Exposure fills this gap and explores art, visual culture, and politics in postwar Japan from the 1950s to the 1970s, paying special attention to how anxiety and confusion surrounding Japan’s new democracy manifested in representations of gender and nationhood in modern art. Through such pivotal postwar episodes as the Minamata Disaster, the Lucky Dragon Incident, the budding antinuclear movement, and the ANPO protests of the 1960s, The Stakes of Exposure examines a wide range of issues addressed by the period’s prominent artists, including Tanaka Atsuko and Shiraga Kazuo (key members of the Gutai Art Association), Katsura Yuki, and Nakamura Hiroshi. Through a close study of their paintings, illustrations, and assemblage and performance art, Namiko Kunimoto reveals that, despite dissimilar aesthetic approaches and divergent political interests, Japanese postwar artists were invested in the entangled issues of gender and nationhood that were redefining Japan and its role in the world. Offering many full-color illustrations of previously unpublished art and photographs, as well as period manga, The Stakes of Exposure shows how contention over Japan’s new democracy was expressed, disavowed, and reimagined through representations of the gendered body.



Artist And Patron In Postwar Japan


Artist And Patron In Postwar Japan
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Author : Thomas R.H. Havens
language : en
Publisher: Princeton University Press
Release Date : 2014-07-14

Artist And Patron In Postwar Japan written by Thomas R.H. Havens and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-14 with Performing Arts categories.


This work explains how and why Japan supports a community of professional dancers, musicians, production companies, and visual artists that has nearly tripled in size during the past 25 years. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.



Gutai


Gutai
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Author : Ming Tiampo
language : en
Publisher: University of Chicago Press
Release Date : 2011-03-15

Gutai written by Ming Tiampo and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-03-15 with Art categories.


Gutai is the first book in English to examine Japan’s best-known modern art movement, a circle of postwar artists whose avant-garde paintings, performances, and installations foreshadowed many key developments in American and European experimental art. Working with previously unpublished photographs and archival resources, Ming Tiampo considers Gutai’s pioneering transnational practice, spurred on by mid-century developments in mass media and travel that made the movement’s field of reception and influence global in scope. Using these lines of transmission to claim a place for Gutai among modernist art practices while tracing the impact of Japan on art in Europe and America, Tiampo demonstrates the fundamental transnationality of modernism. Ultimately, Tiampo offers a new conceptual model for writing a global history of art, making Gutai an important and original contribution to modern art history.



Japan Fluxus


Japan Fluxus
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Author : Luciana Galliano
language : en
Publisher: Rowman & Littlefield
Release Date : 2018-11-29

Japan Fluxus written by Luciana Galliano and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-29 with Music categories.


Fluxus was a pivotal movement in redefining art’s role and the artist’s identity in the contemporary world, so that its aesthetics – as well as many of its gimmicks – have become so deeply embedded in our social setting that we now no longer realize where they originally came into being. Fluxus has been described as the most radical and experimental art movement of the 1960s, challenging conventional thinking on art and culture. It had a central role in the birth of such key contemporary art forms as concept art, installation, performance art, intermedia and video. The amount of Fluxus-related scholarly activity has increased since 2009, when New York’s Museum of Modern Art acquired the world’s largest collection of Fluxus works, the Lila and Gilbert Silverman Collection, and this in turn led to a series of exhibitions, first at MoMA and subsequently at other institutions worldwide. Focusing on Japanese artists involved in Fluxus, the book proposes a new understanding of this movement which, in spite of its anti-academicism, its aversion to authorial identity and the ephemeral character of its output, is “the best documented and best cross-indexed art movement in history,” (Nam June Paik 1994, 77). The book presents postwar Japanese radical avant-garde and the related and highly refined discourse and debate behind it, enlightening crucial if less known aspects of (local) Fluxus history and theory.