Film And Video Intermediality
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Film And Video Intermediality
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Author : Janna Houwen
language : en
Publisher: Bloomsbury Academic
Release Date : 2017
Film And Video Intermediality written by Janna Houwen and has been published by Bloomsbury Academic this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with categories.
Cinema And Intermediality Second Enlarged Edition
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Author : Ágnes Pethő
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2020-08-24
Cinema And Intermediality Second Enlarged Edition written by Ágnes Pethő and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-08-24 with Art categories.
One of the most comprehensive books to focus on the relationship between cinema and the other arts, this volume explores types and stylistic devices of intermediality through a wide range of case studies. It addresses major theoretical issues and highlights the relevance of intermedial relations in film history, mapping the theoretical field by outlining its main concepts and the research avenues pursued in the study of cinematic intermediality, including the most recent approaches and methodologies. It also presents some major templates of intermediality through various examples from world cinema, including closer looks at films by auteurs like Alfred Hitchcock, Michelangelo Antonioni, Jean-Luc Godard, and Agnès Varda. Supplemented by three new chapters dealing with phenomena which came into view since its first publication, the revised and enlarged edition of this ground-breaking volume will serve as a useful handbook to clarify key ideas and to offer insightful analyses.
Cinema And Intermediality
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Author : Ágnes Pethő
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2011
Cinema And Intermediality written by Ágnes Pethő and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Films / gtt categories.
Within the last two decades â oeintermedialityâ has emerged as one of the most challenging concepts in media theory with no shortage of various taxonomies and definitions. What prompted the writing of the essays gathered in this volume, however, was not a desire for more classifications applied to the world of moving pictures, but a strong urge to investigate what the â oeinter-â implied by the idea of â oeintermedialityâ stands for, and what it actually entails in the cinema. The book offers in each of the individual chapters a cross-section view of specific instances in which cinema seems to consciously position itself â oein-betweenâ media and arts, employing techniques that tap into the multimedial complexity of cinema, and bring into play the tensions generated by media differences. The introductory theoretical writings deal with the historiography of approaching intermedial phenomena in cinema presenting at the same time some of the possible â oegatewaysâ that can open up the cinematic image towards the perceptual frames of other media and arts. The book also contains essays that examine more closely specific paradigms in the poetics of cinematic intermediality, like the allure of painting in Hitchcockâ (TM)s films, the exquisite ways of framing and un-framing haptical imagery in Antonioniâ (TM)s works, the narrative allegories of media differences, the word and image plays and ekphrastic techniques in Jean-Luc Godardâ (TM)s â oetotalâ cinema, the flâneuristic intermedial gallery of moving images created by JosÃ(c) Luis GuerÃ-n, or the types of intermedial metalepses in Agnès Vardaâ (TM)s â oecinÃ(c)criture.â From a theoretical vantage point these essays break with the tradition of thinking of intermediality in analogy with intertextuality and attempt a phenomenological (re)definition of intermedial relations. Moreover, some of the analyses target films that expose the coexistence of the hypermediated experience of intermediality and the illusion of reality, connecting the questions of intermediality both to the indexical nature of cinematic representation and to the specific ideological and cultural context of the films, thus offering insights into a few questions regarding the â oepoliticsâ of intermediality as well.
Film And Video Intermediality
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Author : Janna Houwen
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2017-07-13
Film And Video Intermediality written by Janna Houwen and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-13 with Performing Arts categories.
In Film and Video Intermediality, Janna Houwen innovatively rewrites the concept of medium specificity in order to answer the questions "what is meant by video?†? and "what is meant by film?†? How are these two media (to be) understood? How can film and video be defined as distinct, specific media? In this era of mixed moving media, it is vital to ask these questions precisely and especially on the media of video and film. Mapping the specificity of film and video is indispensable in analyzing and understanding the many contemporary intermedial objects in which film and video are mixed or combined.
Memory And Intermediality In Artists Moving Image
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Author : Sarah Durcan
language : en
Publisher:
Release Date : 2021
Memory And Intermediality In Artists Moving Image written by Sarah Durcan and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with categories.
This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.
Memory And Intermediality In Artists Moving Image
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Author : Sarah Durcan
language : en
Publisher: Springer Nature
Release Date : 2020-10-19
Memory And Intermediality In Artists Moving Image written by Sarah Durcan and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-19 with Art categories.
This book addresses the preoccupation with memory in contemporary artists’ moving image installations. It situates artists’ moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists’ remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists’ film and video, the following chapters identify five different mnemonic modes in artists’ moving image: critical nostalgia, database narrative, the ‘echo-chamber’, documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.
Cinematic Intermediality
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Author : Marion Schmid
language : en
Publisher:
Release Date : 2021-02-28
Cinematic Intermediality written by Marion Schmid and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-02-28 with categories.
This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance. With essays by leading researchers and practitioners, this book investigates cinema's productive synergies and crossovers with the other arts through a broad range of avant-garde and experimental work. Mapping a trajectory from pre-cinema to the digital era, the book considers the impact of technological materiality on intermedial expression, incorporating both mainstream and experimental practice, world cinema and peripheral cinemas. Bridging the gap between theory and practice, it opens up new pathways for thinking about how intermediality, as both a creative method and an interpretative paradigm, might be explored alongside probing questions of what cinema is, has been and can be.
Michael Haneke
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Author : Christopher Rowe
language : en
Publisher: Northwestern University Press
Release Date : 2017-03-15
Michael Haneke written by Christopher Rowe and has been published by Northwestern University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-15 with Performing Arts categories.
The two primary goals of this ambitious study are to provide a new framework in which to interpret the films of Michael Haneke, including Funny Games, Caché, and others, and to show how the concept of intermediality can be used to expand the possibilities of film and media studies, tying the two more closely together. Christopher Rowe argues that Haneke’s practice of introducing nonfilmic media into his films is not simply an aspect of his interest in society’s oversaturation in various forms of media. Instead, the use of video, television, photography, literary voice, and other media must be understood as modes of expression that fundamentally oppose the film medium itself. The “intermedial void” is a product of the absolute incommensurability of these media forms as perceptual and affective phenomena. Close analysis of specific films shows how their relationship to noncinematic media transforms the nature of the film image, and of film spectatorship.
Caught In Between
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Author : Petho Agnes Petho
language : en
Publisher: Edinburgh University Press
Release Date : 2020-03-02
Caught In Between written by Petho Agnes Petho and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-02 with Performing Arts categories.
This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole.
Intermediality In Theatre And Performance
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Author : Freda Chapple
language : en
Publisher: Rodopi
Release Date : 2006
Intermediality In Theatre And Performance written by Freda Chapple and has been published by Rodopi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Art categories.
Intermediality: the incorporation of digital technology into theatre practice, and the presence of film, television and digital media in contemporary theatre is a significant feature of twentieth-century performance. Presented here for the first time is a major collection of essays, written by the Theatre and Intermediality Research Group of the International Federation for Theatre Research, which assesses intermediality in theatre and performance. The book draws on the history of ideas to present a concept of intermediality as an integration of thoughts and medial processes, and it locates intermediality at the inter-sections situated in-between the performers, the observers and the confluence of media, medial spaces and art forms involved in performance at a particular moment in time. Referencing examples from contemporary theatre, cinema, television, opera, dance and puppet theatre, the book puts forward a thesis that the intermedial is a space where the boundaries soften and we are in-between and within a mixing of space, media and realities, with theatre providing the staging space for intermediality. The book places theatre and performance at the heart of the 'new media' debate and will be of keen interest to students, with clear relevance to undergraduates and post-graduates in Theatre Studies and Film and Media Studies, as well as the theatre research community.