Interpretation In Piano Study
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Interpretation In Piano Study
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Author : Joan Last
language : en
Publisher: Oxford University Press, USA
Release Date : 1960
Interpretation In Piano Study written by Joan Last and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1960 with Piano categories.
Right Before Your Eyes
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Author : Ruth Price
language : en
Publisher: Hal Leonard Corporation
Release Date : 2015-08-01
Right Before Your Eyes written by Ruth Price and has been published by Hal Leonard Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-01 with Music categories.
(Educational Piano Library). In engaging and informal language, Ruth Price invites pianists to look for the "magic" in well-known works from both concert and student repertoire. What gives a piece its identity? How can we get inside the composition in order to develop an interpretation? What makes us fall in love with certain passages? Right Before Your Eyes passionately delves into piano music through score study, based on the idea that if we start with our emotional reactions to the music, analysis and interpretation will flow more naturally. It is a valuable guide to score study for students at every level, and a must-have book for every piano teacher.
Reading Musical Interpretation
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Author : Julian Hellaby
language : en
Publisher: Routledge
Release Date : 2017-07-05
Reading Musical Interpretation written by Julian Hellaby and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Performance studies in the Western art music tradition have often been dominated by the relationship of theoretical score-analysis to performance, although some recent trends have aimed at dislodging the primacy of the score in favour of assessing performance on its own terms. In this book Julian Hellaby further develops these trends by placing performance firmly at the heart of his investigations and presents a structured approach to analysing the interpretation of a musical work from the perspective of a musically informed listener. To enable analysis of individual interpretations, the author develops a conceptual framework in which a series of performance-related categories is arranged hierarchically into an 'interpretative tower'. Using this framework to analyse the acoustic evidence of a recording, interpretative elements are identified and used to assess the relationship between a performance and a work. The viability of the interpretative tower is tested in three major case studies. Contrasting recorded performances of solo keyboard works by Bach, Messiaen and Brahms are the focus of these studies, and analysis of the performances, using the tower model, uncovers an interpretative rationale. The book is wide-ranging in scope and holistic in approach, offering a means of enhancing a listener's appreciation of an interpretation. It is richly illustrated with examples taken from commercial recordings and from the author's own recordings of the three focal works. Downloadable resources of the latter are included.
Musical Interpretation Its Laws And Principles And Their Application In Teaching And Performing
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Author : Tobias Matthay
language : en
Publisher: Read Books Ltd
Release Date : 2013-01-09
Musical Interpretation Its Laws And Principles And Their Application In Teaching And Performing written by Tobias Matthay and has been published by Read Books Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-09 with Music categories.
A complete guide to interpretation of music and the rules and principles of playing and teaching the piano. Although written with pianists in mind, the principles are applicable to any instrument or any form of music, including composition and teaching. This book is highly recommended for those wishing to learn or those who teach the piano, and it would make for a fantastic addition to musical collections. The main points dealt with are: a) The difference between letting a pupil shift for himself and helping him to learn; b) the difference between mere cramming and real teaching; c) the difference between making a pupil 'do things' and teaching him to think; d) the exposition of the true nature of Rhythm and Shape in music - as Progression or Movement towards definite landmarks; e) the true nature of Rubato in all its forms, small or large, simple or compound, and the laws of application; f) consideration of the element of Duration; includes rules as to the application of Tone-Variety, Fingering, Memorizing and some speculations as to the ultimate reason of the power that music has over us. Tobias Augustus Matthay (1858 – 1945) was an English pianist, composer, and teacher. He was taught composition while at the Royal Academy of Music by Arthur Sullivan and Sir William Sterndale Bennett, and he was instructed in the piano by William Dorrell and Walter Macfarren. Other notable works by this author include: “The Act Of Touch In All Its Diversity: An Analysis And Synthesis Of Pianoforte Tone Production” (1903), “The First Principles of Pianoforte Playing (1905)” and “Relaxation Studies” (1908). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
Piano Interpretation In The Seventeenth Eighteenth And Nineteenth Centuries
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Author : Elena Letnanova
language : en
Publisher:
Release Date : 1991
Piano Interpretation In The Seventeenth Eighteenth And Nineteenth Centuries written by Elena Letnanova and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Music categories.
How should one interpret music of another century? What standards should be applied to an eighteenth century harpsichord work, for instance, being performed on a piano? Keyboard methods--systematic approaches to training, touch, and interpretation--did not evolve until the nineteenth century, and written methodologies are few. Drawing on primary sources, the author has compiled a detailed analysis of such keyboard methods as existed in Europe in the seventeenth, eighteenth, and nineteenth centuries. Most were developed by Couperin, C.P.E. Bach, Turk, J.S. Bach, Mozart, Chopin and Liszt. Also discussed, with translations from their writings and their critics', are the detailed theoretical works by Kullak and Lussy. Analysis shows which techniques had been adapted from earlier practice and which were original to the composer, demonstrating the evolution of the various methods. Techniques useful in the interpretation of period material, and which still have important applications today, are pointed out.
Piano Interpretation
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Author : Donald Nivison Ferguson
language : en
Publisher:
Release Date : 1950
Piano Interpretation written by Donald Nivison Ferguson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1950 with Piano categories.
Time Proportion And Piano Interpretation
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Author : Ning Lu (Pianist)
language : en
Publisher:
Release Date : 1998
Time Proportion And Piano Interpretation written by Ning Lu (Pianist) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Piano music categories.
The Interpretation Of Piano Music
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Author : Mary Venable
language : en
Publisher: Theclassics.Us
Release Date : 2013-09
The Interpretation Of Piano Music written by Mary Venable and has been published by Theclassics.Us this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09 with categories.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1913 edition. Excerpt: ...softest piano. He took infinite pains to teach the pupil this cantabile way of playing. 'II (or elle) ne sait pas Her deux notes' was his severest censure. He also required adherence to the strictest rhythm, hated all lingering and dragging, misplaced rubatos, as well as exaggerated ritardandos. 'Je vois prie de vous asseoir, ' he said on such an occasion with gentle mockery. And it is just in this respect that people make such terrible mistakes in the execution of his works.... In the use of the pedal he had likewise attained the greatest mastery, was uncommonly strict regarding the misuse of it, and said repeatedly to the pupil, 'The correct employment of the pedal remains a study for life.'" Next in importance to Chopin's own words are perhaps those of Liszt, whose interpretations of Chopin's works were sometimes more satisfactory to the composer than his own. Liszt gave this explanation to a pupil: "Do you see those trees? The wind plays in the leaves, stirs up life among them, but the tree remains the same. That is the Chopin rubato...". "Through his peculiar style of performance, Chopin imparted the constant rocking with the most fascinating effect, thus making the melody undulate to and fro, like a skiff driven on over the bosom of tossing waves. This manner of execution, which set a seal so peculiar upon his own style of playing, was at first indicated by the term tempo rubato, affixed to his writings, a tempo agitated, broken, interrupted, a movement flexible, yet at the same time abrupt and languishing and vacillating as the flame under the fluctuating breath by which it is agitated. In his later productions we no longer find this mark. He was convinced that if the performer understood them he would divine...
Playing Beyond The Notes
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Author : Deborah Rambo Sinn
language : en
Publisher: Oxford University Press
Release Date : 2013-05-30
Playing Beyond The Notes written by Deborah Rambo Sinn and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-05-30 with Music categories.
This book demystifies the complex topic of musical interpretation by boiling it down to basic principles in an accessible writing style. The book targets pianists, piano teachers, and piano pedagogy students and incorporates over 200 musical examples from the intermediate and advanced piano repertoire.
Principles Of Piano Pedagogy
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Author : Helen Lewin Prinz
language : en
Publisher:
Release Date : 1973
Principles Of Piano Pedagogy written by Helen Lewin Prinz and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1973 with Piano categories.
