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Introduction To The Physics And Psychophysics Of Music


Introduction To The Physics And Psychophysics Of Music
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The Physics And Psychophysics Of Music


The Physics And Psychophysics Of Music
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Author : Juan G. Roederer
language : en
Publisher: Springer Science & Business Media
Release Date : 2008-12-15

The Physics And Psychophysics Of Music written by Juan G. Roederer and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-12-15 with Science categories.


This book uses acoustics, psychophysics, and neurobiology to explore the physical systems and biological processes that intervene when we hear music. It incorporates the latest findings in brain science and tone generation in musical instruments.



The Physics And Psychophysics Of Music


The Physics And Psychophysics Of Music
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Author : Juan G. Roederer
language : en
Publisher: Springer
Release Date : 1995

The Physics And Psychophysics Of Music written by Juan G. Roederer and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Music categories.


This book deals with the physical systems and physiological processes that intervene in music. It analyzes what objective, physical properties of sound are associated with what subjective psychological sensations of music, and it describes how these sound patterns are actually generated in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. Using the precise language of science, but without complicated mathematics, the author weaves a close mesh of the physics, psychophysics and physiology relevant to music. A prior knowledge of physics, mathematics, physiology or psychology is not required to understand most of the book; it is, however, assumed that the reader is familiar with music - in particular, with musical notation, musical scales and intervals, and some of the basics of musical instruments. --From publisher's description.



Introduction To The Physics And Psychophysics Of Music


Introduction To The Physics And Psychophysics Of Music
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Author : Juan G Roederer
language : en
Publisher:
Release Date : 1987-07-17

Introduction To The Physics And Psychophysics Of Music written by Juan G Roederer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987-07-17 with categories.




Introduction To The Physics And Psychophysics Of Music


Introduction To The Physics And Psychophysics Of Music
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Author : Juan G. Roederer
language : en
Publisher: Springer
Release Date : 1973-09-14

Introduction To The Physics And Psychophysics Of Music written by Juan G. Roederer and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 1973-09-14 with Science categories.


This book deals with the physical systems and psychophysical pro cesses that intervene in what we broadly call "music. " We shall analyze what objective, physical properties of sound patterns are associated with what subjective, psychological sensations of music. We shall describe how these sound patterns are actually produced in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. We shall do all this by using the physicist's language and his method of thought and analysis-with out, however, using complicated mathematics (this, of course, will neces sarily impose serious limitations on our presentation). While no previous knowledge of physics is required, it is assumed, however, that the reader is familiar with music, in particular with musical notation, musical scales and intervals, that he has at least some basic ideas about musical instru and that he has experienced typical musical "sensations. " ments, Until about 25 years ago, little attention had been paid to the role of the brain, i. e. , the central nervous system, in the actual perception, identification, and evaluation of musical sounds. The highly "mechanicis tic" approach of 19th-century researchers, notably the great von Helm holz (1863) persisted weIl into the first half of this century.



The Physics And Psychophysics Of Music


The Physics And Psychophysics Of Music
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Author : Juan G. Roederer
language : en
Publisher: Springer
Release Date : 2001-11-14

The Physics And Psychophysics Of Music written by Juan G. Roederer and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-11-14 with Science categories.


This book deals with the physical systems and psychophysical processes that intervene in what we broadly call "music. " We shall analyze what objective, physical properties of sound patterns are associated with what subjective, psychological sensations of music. We shall describe how these sound patterns are actually produced in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. We shall do all this by using the physicist's language and his method of thought and analysis-without, however, using complicated mathematics (this, of course, will necessarily impose serious limitations on our presentation). Although no previous knowledge of physics, physiology, and neurobiology is required, it is assumed that the reader is familiar with music, in particular with musical notation, musical scales, and intervals, that he has at least some basic ideas about musical instruments, and that he has experienced typical musical "sensations. " Books are readily available on the fundamentals of physics of music (e. g. , Benade, 1976; Pierce, 1983) and music psychology (e. g. , Deutsch, 1982). An excellent and up-to-date general text on musical acoustics is that of Sundberg (1991). The purpose of the present volume is not to duplicate but to synthesize and complement existing literature.



Introduction To The Physics And Psychophysics Of Music By Juan G Roederer


Introduction To The Physics And Psychophysics Of Music By Juan G Roederer
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Author : Juan G. Roederer
language : en
Publisher:
Release Date : 1973

Introduction To The Physics And Psychophysics Of Music By Juan G Roederer written by Juan G. Roederer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1973 with Music categories.




Introduction To The Physics And Psychophysics Of Music


Introduction To The Physics And Psychophysics Of Music
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Author : Juan G. Roederer
language : en
Publisher: Springer Science & Business Media
Release Date : 2012-12-06

Introduction To The Physics And Psychophysics Of Music written by Juan G. Roederer and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-06 with Science categories.


Viii book we shall refer a great deal to the discipline of psycho physics, which in a broad sense tries to establish in a quan titative form the causal relationship between the "physical" input from our senses and the psychological sensations and physiological reactions evoked in our mind and body, re spectively. Actually, we shall try to weave a rather close mesh between physics and psychophysics-or, more pre cisely, psychoacoustics. After all, they appear naturally interwoven in music itself: not only pitch, loudness and timbre are a product of physical and psychoacoustical proc esses, but so are the sensations related to consonance and dissonance, tonic dominance, trills and ornamentation, vibrato, phrasing, beats, tone attack, duration and decay, rhythm, and so on. Many books on physics of music or musical acoustics are readily available. An up-to-date text is the treatise of John Backus (1969). No book on psychoacoustics is available at the elementary level, though. Several review articles on pertinent topics can be found in Tobias (1970) and in Plomp and Smoorenburg (1970). A comprehensive discussion is given in Flanagan's book on speech (1972). And, of course, there is the classical treatise of von Bekesy (1960). A com prehensive up-to-date analysis of general brain processes can be found in Sommerhoff (1974); musical psychology is discussed in classical terms in Lundin (1967).



Musical Sound


Musical Sound
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Author : Michael J. Moravcsik
language : en
Publisher: Springer Science & Business Media
Release Date : 2012-12-06

Musical Sound written by Michael J. Moravcsik and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-06 with Music categories.


This text has been out of print since 1990; it was originally published by Solomon Press in 1987. Several experts in the field have verified that the information in the book remains constant; nothing has, or will, change in the basic science of musical sound. It explains the science of musical sound without the encumbrance of detailed mathematics. It will appeal to music lovers as well as students of music and students of physics. It can easily be promoted with our physics program.



Physics And Music


Physics And Music
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Author : Kinko Tsuji
language : en
Publisher: Springer Nature
Release Date : 2021-05-31

Physics And Music written by Kinko Tsuji and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-31 with Science categories.


This book explores the fascinating and intimate relationship between music and physics. Over millennia, the playing of, and listening to music have stimulated creativity and curiosity in people all around the globe. Beginning with the basics, the authors first address the tonal systems of European-type music, comparing them with those of other, distant cultures. They analyze the physical principles of common musical instruments with emphasis on sound creation and particularly charisma. Modern research on the psychology of musical perception – the field known as psychoacoustics – is also described. The sound of orchestras in concert halls is discussed, and its psychoacoustic effects are explained. Finally, the authors touch upon the role of music for our mind and society. Throughout the book, interesting stories and anecdotes give insights into the musical activities of physicists and their interaction with composers and musicians.



The Psychophysical Ear


The Psychophysical Ear
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Author : Alexandra Hui
language : en
Publisher: MIT Press
Release Date : 2012-11-16

The Psychophysical Ear written by Alexandra Hui and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-11-16 with Science categories.


An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. In the middle of the nineteenth century, German and Austrian concertgoers began to hear new rhythms and harmonies as non-Western musical ensembles began to make their way to European cities and classical music introduced new compositional trends. At the same time, leading physicists, physiologists, and psychologists were preoccupied with understanding the sensory perception of sound from a psychophysical perspective, seeking a direct and measurable relationship between physical stimulation and physical sensation. These scientists incorporated specific sounds into their experiments—the musical sounds listened to by upper middle class, liberal Germans and Austrians. In The Psychophysical Ear, Alexandra Hui examines this formative historical moment, when the worlds of natural science and music coalesced around the psychophysics of sound sensation, and new musical aesthetics were interwoven with new conceptions of sound and hearing. Hui, a historian and a classically trained musician, describes the network of scientists, musicians, music critics, musicologists, and composers involved in this redefinition of listening. She identifies a source of tension for the psychophysicists: the seeming irreconcilability between the idealist, universalizing goals of their science and the increasingly undeniable historical and cultural contingency of musical aesthetics. The convergence of the respective projects of the psychophysical study of sound sensation and the aesthetics of music was, however, fleeting. By the beginning of the twentieth century, with the professionalization of such fields as experimental psychology and ethnomusicology and the proliferation of new and different kinds of music, the aesthetic dimension of psychophysics began to disappear.