Introduction To The Physics And Psychophysics Of Music By Juan G Roederer
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The Physics And Psychophysics Of Music
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Author : Juan G. Roederer
language : en
Publisher: Springer Science & Business Media
Release Date : 2008-12-15
The Physics And Psychophysics Of Music written by Juan G. Roederer and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-12-15 with Science categories.
This book uses acoustics, psychophysics, and neurobiology to explore the physical systems and biological processes that intervene when we hear music. It incorporates the latest findings in brain science and tone generation in musical instruments.
Introduction To The Physics And Psychophysics Of Music
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Author : Juan G. Roederer
language : en
Publisher: Springer Science & Business Media
Release Date : 2012-12-06
Introduction To The Physics And Psychophysics Of Music written by Juan G. Roederer and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-06 with Science categories.
Viii book we shall refer a great deal to the discipline of psycho physics, which in a broad sense tries to establish in a quan titative form the causal relationship between the "physical" input from our senses and the psychological sensations and physiological reactions evoked in our mind and body, re spectively. Actually, we shall try to weave a rather close mesh between physics and psychophysics-or, more pre cisely, psychoacoustics. After all, they appear naturally interwoven in music itself: not only pitch, loudness and timbre are a product of physical and psychoacoustical proc esses, but so are the sensations related to consonance and dissonance, tonic dominance, trills and ornamentation, vibrato, phrasing, beats, tone attack, duration and decay, rhythm, and so on. Many books on physics of music or musical acoustics are readily available. An up-to-date text is the treatise of John Backus (1969). No book on psychoacoustics is available at the elementary level, though. Several review articles on pertinent topics can be found in Tobias (1970) and in Plomp and Smoorenburg (1970). A comprehensive discussion is given in Flanagan's book on speech (1972). And, of course, there is the classical treatise of von Bekesy (1960). A com prehensive up-to-date analysis of general brain processes can be found in Sommerhoff (1974); musical psychology is discussed in classical terms in Lundin (1967).
Introduction To The Physics And Psychophysics Of Music By Juan G Roederer
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Author : Juan G. Roederer
language : en
Publisher:
Release Date : 1973
Introduction To The Physics And Psychophysics Of Music By Juan G Roederer written by Juan G. Roederer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1973 with Music categories.
The Physics And Psychophysics Of Music
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Author : Juan Roederer
language : en
Publisher: Springer
Release Date : 1994-11-29
The Physics And Psychophysics Of Music written by Juan Roederer and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-11-29 with Science categories.
This book deals with the physical systems and psychophysical processes that intervene in what we broadly call "music. " We shall analyze what objective, physical properties of sound patterns are associated with what subjective, psychological sensations of music. We shall describe how these sound patterns are actually produced in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. We shall do all this by using the physicist's language and his method of thought and analysis-without, however, using complicated mathematics (this, of course, will necessarily impose serious limitations on our presentation). Although no previous knowledge of physics, physiology, and neurobiology is required, it is assumed that the reader is familiar with music, in particular with musical notation, musical scales, and intervals, that he has at least some basic ideas about musical instruments, and that he has experienced typical musical "sensations. " Books are readily available on the fundamentals of physics of music (e. g. , Benade, 1976; Pierce, 1983) and music psychology (e. g. , Deutsch, 1982). An excellent and up-to-date general text on musical acoustics is that of Sundberg (1991). The purpose of the present volume is not to duplicate but to synthesize and complement existing literature.
The Physics Of Music And Color
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Author : Leon Gunther
language : en
Publisher: Springer Science & Business Media
Release Date : 2011-09-23
The Physics Of Music And Color written by Leon Gunther and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-09-23 with Science categories.
The Physics of Music and Color deals with two subjects, music and color - sound and light in the physically objective sense - in a single volume. The basic underlying physical principles of the two subjects overlap greatly: both music and color are manifestations of wave phenomena, and commonalities exist as to the production, transmission, and detection of sound and light. This book aids readers in studying both subjects, which involve nearly the entire gamut of the fundamental laws of classical as well as modern physics. Where traditional introductory physics and courses are styled so that the basic principles are introduced first and are then applied wherever possible, this book is based on a motivational approach: it introduces a subject by demonstrating a set of related phenomena, challenging readers by calling for a physical basis for what is observed. The Physics of Music and Color is written at level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. It contains numerous problems at the end of each chapter that help the reader to fully grasp the subject.
The Harvard Dictionary Of Music
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Author : Don Michael Randel
language : en
Publisher: Harvard University Press
Release Date : 2003-11-28
The Harvard Dictionary Of Music written by Don Michael Randel and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-11-28 with Music categories.
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music.
Closure And Mahler S Music
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Author : Robert G. Hopkins
language : en
Publisher: University of Pennsylvania Press
Release Date : 2016-11-11
Closure And Mahler S Music written by Robert G. Hopkins and has been published by University of Pennsylvania Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-11 with Music categories.
Through scrupulous and perceptive analyses, Hopkins shows how parameters other than melody, harmony, and rhythm compensate for the weakening of tonal syntax in Mahler's music. Closure and Mahler's Music provides a conceptual framework that can enhance understanding of the stylistic changes that took place during the first part of the twentieth century.
Catalog Of Copyright Entries Third Series
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Author : Library of Congress. Copyright Office
language : en
Publisher: Copyright Office, Library of Congress
Release Date : 1977
Catalog Of Copyright Entries Third Series written by Library of Congress. Copyright Office and has been published by Copyright Office, Library of Congress this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with Copyright categories.
Repetition In Music
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Author : Adam Ockelford
language : en
Publisher: Routledge
Release Date : 2017-07-05
Repetition In Music written by Adam Ockelford and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
This monograph examines the place of repetition in perceived musical structure and in theories of music. Following a preface and introduction, there are four main chapters: 'Theory', 'Analysis', 'Metatheory and Meta-analysis', and 'Cognition and Metacognition'. Chapter 2 (Theory) sets out the principles underlying the creation and cognition of musical structure developed by the author in earlier studies, in the dual context of David Lewin's mathematically based theory of musical intervals and transformations and Gilles Fauconnier's concept of mental spaces (which was formulated in the context of cognitive science). Chapter 3 (Analysis) shows the theory in operation in relation to the first movement of Mozart's piano sonata K.333. It indicates how structural issues may be related to considerations of aesthetic response and musical 'worth' through comparison with J.C. Bach's Sonata op. 5 no. 3. Chapter 4 (Metatheory and Meta-analysis) uses the new theory to interrogate the propositions underpinning set theory and transformations, offering a psychomusicological critique and potential development of, for example, the work of Forte, Morris, Isaacson and Straus. This enables issues raised earlier in relation to the work of Lewin to be addressed. In conclusion, in Chapter 5 (Cognition and Metacognition), the matter of cognitive preferences and constraints is considered in relation to repetition in music, which permits a final investigation of different approaches to musical analysis to be undertaken. In summary, by synthesising the findings of diverse earlier work in the context of the new theory, it proves possible to move thinking forward on a number of fronts, and to indicate potential directions for future empirical and analytical developments.
Audio Culture Revised Edition
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Author : Christoph Cox
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2017-07-27
Audio Culture Revised Edition written by Christoph Cox and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-27 with Social Science categories.
The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.