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La Gioventu Di Enrico V

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La Gioventu Di Enrico V

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Author : Saverio Mercadante
language : en
Publisher:
Release Date : 1834

La Gioventu Di Enrico V written by Saverio Mercadante and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1834 with categories.

La Gioventu Di Enrico V Dramma Per Musica In Due Atti Musica Di Carlini

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Author : ... Carlini
language : it
Publisher:
Release Date : 1820

La Gioventu Di Enrico V Dramma Per Musica In Due Atti Musica Di Carlini written by ... Carlini and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1820 with categories.

La Giovent Di Enrico V Melodramma In Quattro Parti And In Verse Da Rappresentarsi Nell Imp Regio Teatro Alla Scala L Autunno 1834

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Author : Felice Romani
language : it
Publisher:
Release Date : 1834

La Giovent Di Enrico V Melodramma In Quattro Parti And In Verse Da Rappresentarsi Nell Imp Regio Teatro Alla Scala L Autunno 1834 written by Felice Romani and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1834 with categories.

Giacomo Meyerbeer And Music Drama In Nineteenth Century Paris

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Author : Mark Everist
language : en
Publisher: Taylor & Francis
Release Date : 2023-04-28

Giacomo Meyerbeer And Music Drama In Nineteenth Century Paris written by Mark Everist and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-28 with History categories.

Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, ThéÃ¢tre Italien, ThéÃ¢tre Royal de l'Odéon and ThéÃ¢tre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.

Shakespeare S History Plays

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Author : A. J. Hoenselaars
language : en
Publisher: Cambridge University Press
Release Date : 2004-09-23

Shakespeare S History Plays written by A. J. Hoenselaars and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-09-23 with Drama categories.

This volume, with a foreword by Dennis Kennedy, addresses a range of attitudes to Shakespeare's English history plays in Britain and abroad from the early seventeenth century to the present day. It concentrates on the play texts as well as productions, translations and adaptations of them. The essays explore the multiple points of intersection between the English history they recount and the experience of British and other national cultures, establishing the plays as genres not only relevant to the political and cultural history of Britain but also to the history of nearly every nation worldwide. The plays have had a rich international reception tradition but critics and theatre historians abroad, those practising 'foreign' Shakespeare, have tended to ignore these plays in favour of the comedies and tragedies. By presenting the British and foreign Shakespeare traditions side by side, this volume seeks to promote a more finely integrated world Shakespeare.

History Through The Opera Glass

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Author : George Jellinek
language : en
Publisher: Pro Am Music Resources
Release Date : 1994

History Through The Opera Glass written by George Jellinek and has been published by Pro Am Music Resources this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Europe categories.

(Limelight). This first-of-its-kind, highly entertaining, and carefully researched account reveals how nearly 200 operas by leading composers and librettists have portrayed the major events and personalities of more than 2000 years of history. In a continuous and absorbing narrative, the book sweeps from Roman times to 1820, with a cast of characters that includes Julius Caesar, Antony and Cleopatra, Attila, Charlemagne, Henry VIII, Elizabeth I, Catherine the Great, Napoleon and hundreds more. All are seen as the figures historians generally perceive them to have been and as their on-stage counterparts, created and re-imagined by some of opera's greatest artists.

National Traditions In Nineteenth Century Opera Volume I

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Author : Steven Huebner
language : en
Publisher: Routledge
Release Date : 2017-03-02

National Traditions In Nineteenth Century Opera Volume I written by Steven Huebner and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-02 with Music categories.

This volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance.