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Late Idyll


Late Idyll
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Late Idyll


Late Idyll
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Author : Reinhold Brinkmann
language : en
Publisher: Harvard University Press
Release Date : 1995

Late Idyll written by Reinhold Brinkmann and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with History categories.


In this elegant book, premier musicologist Reinhold Brinkmann guides us through Brahms's "Second Symphony," examining musical ideas in all their compositional facets and placing them in the context of major trends in the intellectual history of late nineteenth-century Europe.



Brahms Studies


Brahms Studies
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Author : Brahms Studies
language : en
Publisher: U of Nebraska Press
Release Date : 2001-01-01

Brahms Studies written by Brahms Studies and has been published by U of Nebraska Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-01-01 with Biography & Autobiography categories.


A publication of the American Brahms Society, Brahms Studies publishes essays on the life, work, and artistic milieu of Johannes Brahms. Each volume collects the best in Brahms scholarship, including criticism, analysis, theory, biography, archival and documentary studies, and translations of important studies that have appeared in foreign languages.



Wagner Schumann And The Lessons Of Beethoven S Ninth


Wagner Schumann And The Lessons Of Beethoven S Ninth
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Author : Christopher Alan Reynolds
language : en
Publisher: Univ of California Press
Release Date : 2015-04-24

Wagner Schumann And The Lessons Of Beethoven S Ninth written by Christopher Alan Reynolds and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-24 with Music categories.


In this original study, Christopher Alan Reynolds examines the influence of Beethoven’s Ninth Symphony on two major nineteenth-century composers, Richard Wagner and Robert Schumann. During 1845–46 the compositional styles of Schumann and Wagner changed in a common direction, toward a style that was more contrapuntal, more densely motivic, and engaged in processes of thematic transformation. Reynolds shows that the stylistic advances that both composers made in Dresden in 1845–46 stemmed from a deepened understanding of Beethoven’s techniques and strategies in the Ninth Symphony. The evidence provided by their compositions from this pivotal year and the surrounding years suggests that they discussed Beethoven’s Ninth with each other in the months leading up to the performance of this work, which Wagner conducted on Palm Sunday in 1846. Two primary aspects that appear to have interested them both are Beethoven’s use of counterpoint involving contrary motion and his gradual development of the "Ode to Joy" melody through the preceding movements. Combining a novel examination of the historical record with careful readings of the music, Reynolds adds further layers to this argument, speculating that Wagner and Schumann may not have come to these discoveries entirely independently of each other. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms’s First Symphony.



Interpreting Musical Gestures Topics And Tropes


Interpreting Musical Gestures Topics And Tropes
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Author : Robert S. Hatten
language : en
Publisher: Indiana University Press
Release Date : 2017-09-04

Interpreting Musical Gestures Topics And Tropes written by Robert S. Hatten and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-04 with Literary Criticism categories.


"Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar . . . in questions of musical meaning. . . . [B]oth how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." —Patrick McCreless This book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style. Musical Meaning and Interpretation—Robert S. Hatten, editor



Beethoven And His World


Beethoven And His World
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Author : Scott Burnham
language : en
Publisher: Princeton University Press
Release Date : 2020-09-01

Beethoven And His World written by Scott Burnham and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-01 with Music categories.


Few composers even begin to approach Beethoven's pervasive presence in modern Western culture, from the concert hall to the comic strip. Edited by a cultural historian and a music theorist, Beethoven and His World gathers eminent scholars from several disciplines who collectively speak to the range of Beethoven's importance and of our perennial fascination with him. The contributors address Beethoven's musical works and their cultural contexts. Reinhold Brinkmann explores the post-revolutionary context of Beethoven's "Eroica" Symphony, while Lewis Lockwood establishes a typology of heroism in works like Fidelio. Elaine Sisman, Nicholas Marston, and Glenn Stanley discuss issues of temporality, memory, and voice in works at the threshold of Beethoven's late style, such as An die Ferne Geliebte, the Cello Sonata op. 102, no. 1, and the somewhat later Piano Sonata op. 109. Peering behind the scenes into Beethoven's workshop, Tilman Skowroneck explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions. The volume concludes with four essays engaging the broader question of reception of Beethoven's impact on his world and ours. Christopher Gibbs' study of Beethoven's funeral and its aftermath features documentary material appearing in English for the first time; art historian Alessandra Comini offers an illustrated discussion of Beethoven's ubiquitous and iconic frown; Sanna Pederson takes up the theme of masculinity in critical representations of Beethoven; and Leon Botstein examines the aesthetics and politics of hearing extramusical narratives and plots in Beethoven's music. Bringing together varied and fresh approaches to the West's most celebrated composer, this collection of essays provides music lovers with an enriched understanding of Beethoven--as man, musician, and phenomenon.



A Sonata Theory Handbook


A Sonata Theory Handbook
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Author : James Hepokoski
language : en
Publisher: Oxford University Press
Release Date : 2020-12-01

A Sonata Theory Handbook written by James Hepokoski and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-01 with Music categories.


Sonata form is the most commonly encountered organizational plan in the works of the classical-music masters, from Haydn, Mozart, and Beethoven to Schubert, Brahms, and beyond. Sonata Theory, an analytic approach developed by James Hepokoski and Warren Darcy in their award-winning Elements of Sonata Theory (2006), has emerged as one of the most influential frameworks for understanding this musical structure. What can this method from "the new Formenlehre" teach us about how these composers put together their most iconic pieces and to what expressive ends? In this new Sonata Theory Handbook, Hepokoski introduces readers step-by-step to the main ideas of this approach. At the heart of the book are close readings of eight individual movements from Mozart's Piano Sonata in B-flat, K. 333, to such structurally complex pieces as Schubert's "Death and the Maiden" String Quartet and the finale of Brahms's Symphony No 1 that show this analytical method in action. These illustrative analyses are supplemented with four updated discussions of the foundational concepts behind the theory, including dialogic form, expositional action zones, trajectories toward generically normative cadences, rotation theory, and the five sonata types. With its detailed examples and deep engagements with recent developments in form theory, schema theory, and cognitive research, this handbook updates and advances Sonata Theory and confirms its status as a key lens for analyzing sonata form.



Elliott Carter Studies


Elliott Carter Studies
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Author : Marguerite Boland
language : en
Publisher: Cambridge University Press
Release Date : 2012-07-26

Elliott Carter Studies written by Marguerite Boland and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-26 with Biography & Autobiography categories.


An international team of scholars presents historic, philosophic, philological and theoretical perspectives on Carter's extensive musical repertoire.



Lateness And Modernism


Lateness And Modernism
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Author : Sarah Collins
language : en
Publisher: Cambridge University Press
Release Date : 2019-08

Lateness And Modernism written by Sarah Collins and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-08 with Juvenile Nonfiction categories.


Examines the role of musical figures within 'late modernism', presenting a new understanding of the politics and aesthetics of lateness.



Arion S Lyre


Arion S Lyre
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Author : Benjamin Acosta-Hughes
language : en
Publisher: Princeton University Press
Release Date : 2010-01-04

Arion S Lyre written by Benjamin Acosta-Hughes and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-04 with Literary Criticism categories.


Arion's Lyre examines how Hellenistic poetic culture adapted, reinterpreted, and transformed Archaic Greek lyric through a complex process of textual, cultural, and creative reception. Looking at the ways in which the poetry of Sappho, Alcaeus, Ibycus, Anacreon, and Simonides was preserved, edited, and read by Hellenistic scholars and poets, the book shows that Archaic poets often look very different in the new social, cultural, and political setting of Hellenistic Alexandria. For example, the Alexandrian Sappho evolves from the singer of Archaic Lesbos but has distinct associations and contexts, from Ptolemaic politics and Macedonian queens to the new phenomenon of the poetry book and an Alexandrian scholarship intent on preservation and codification. A study of Hellenistic poetic culture and an interpretation of some of the Archaic poets it so lovingly preserved, Arion's Lyre is also an examination of how one poetic culture reads another--and how modern readings of ancient poetry are filtered and shaped by earlier readings.



Crossing Paths


Crossing Paths
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Author : John Daverio
language : en
Publisher: Oxford University Press
Release Date : 2002-10-03

Crossing Paths written by John Daverio and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-10-03 with Music categories.


In Crossing Paths, John Daverio explores the connections between art and life in the works of three giants of musical romanticism. Drawing on contemporary critical theory and a wide variety of nineteenth-century sources, he considers topics including Schubert and Schumann's uncanny ability to evoke memory in music, the supposed cryptographic practices of Schumann and Brahms, and the allure of the Hungarian Gypsy style for Brahms and others in the Schumann circle. The book offers a fresh perspective on the music of these composers, including a comprehensive discussion of the 19th century practice of cryptography, a debunking of the myth that Schumann and Brahms planted codes for "Clara Schumann" throughout their works, and attention to the late works of Schumann not as evidence of the composer's descent into madness but as inspiration for his successors. Daverio portrays the book's three key players as musical storytellers, each in his own way simulating the structure of lived experience in works of art. As an intimate study of three composers that combines cultural history and literary criticism with deep musicological understanding, Crossing Paths is a rich exploration of memory, the re-creation of artistic tradition, and the value of artistic influence.