Masters Masterpieces Of Iranian Cinema
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Masters Masterpieces Of Iranian Cinema
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Author : Hamid Dabashi
language : en
Publisher:
Release Date : 2007
Masters Masterpieces Of Iranian Cinema written by Hamid Dabashi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Motion picture producers and directors categories.
The rise of Iranian cinema to world prominence over the last few decades is one of the most fascinating cultural stories of our time. There is scarcely an international film festival anywhere that does not honour the aesthetic and political explorations of Iranian artists. MASTERS & MASTERPIECES OF IRANIAN CINEMA celebrates this remarkable emergence. It focuses on twelve of the most important Iranian filmmakers of the past half-century -- among them, such pioneers as Forugh Farrokhzad, Dariush Mehrjui, Abbas Kiarostami, and Jafar Panahi. In his examination of their lives and their greatest works, Hamid Dabashi explains how, despite the censorship of both the Pahlavi monarchy and the Islamic Republic, the creativity of these filmmakers has transcended national and cultural borders. His account traces the ascendancy of Iranian cinema in modern Iranian intellectual history and also probes its links to Persian poetry, fiction, art, and philosophy. In Europe and in North America, in Asia and in Latin America, in Australia and Africa, the thematic and narrative richness of Iranian cinema has met with tremendous acclaim. Indeed, its particular modes of realism -- building on such cinematic antecedents as Italian, French and German neorealism -- have become truly transnational, contributing a new visual vocabulary to filmmaking everywhere. Masters & Masterpieces of Iranian Cinema studies the role that prominent film festivals have played in fostering the global success of Iranian cinema, and investigates the reception of these films within Iran, an intriguing story in its own right. This is a book that will reward not only the scholar and the film aficionado but also anyone interested in the cultural history of modern Iran.
Masters And Masterpieces Of Iranian Cinema
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Author : Hamid Dabashi
language : en
Publisher: Mage Publishers
Release Date : 2023-05-23
Masters And Masterpieces Of Iranian Cinema written by Hamid Dabashi and has been published by Mage Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-05-23 with Performing Arts categories.
An academically acclaimed and globally celebrated cultural critic, Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University. He is the author of a number of highly acclaimed books and articles on Iran, Islam, comparative literature, world cinema, and the philosophy of art, among them Close Up: Iranian Cinema, Past, Present, Future; Dreams of a Nation: On Palestinian Cinema (editor), Iran: A People Interrupted, and Iran without Borders: Towards a Critique of the Postcolonial Nation. He lives with his family in New York City.
Iranian Cinema And The Islamic Revolution
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Author : Shahla Mirbakhtyar
language : en
Publisher: McFarland
Release Date : 2015-02-18
Iranian Cinema And The Islamic Revolution written by Shahla Mirbakhtyar and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-02-18 with Performing Arts categories.
In spite of international award-winning productions, Iran's cinema is underexposed. Because of the prevailing religious, political and social atmosphere in Iran, the country's cinema remained stagnant for more than 50 years. Although the "new" Iranian cinema had begun to develop before the 1979 revolution, the political changes gave rise to a new wave of expression. This volume examines the two waves of modern Iranian cinema: before and after the Islamic Revolution of 1979. The first began about 1969, and the second started in 1984 and carried its momentum through 1997. Topics discussed include the effect of cultural mores on cinematic growth, the development of Iranian cinema as a reaction against commercial cinema and the effect of politics on the film industry. Foreign influence (largely American and Indian) on Iranian films is also examined. Critical sources used are primarily Persian to give the reader a culturally inclusive view of each production. Specific films discussed include Fickle, The Cow, Mud-brick and Mirror, Captain Khorshid and Downpour. A chapter-by-chapter filmography is included.
The Green Movement In Iran
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Author : Hamid Dabashi
language : en
Publisher: Routledge
Release Date : 2017-09-08
The Green Movement In Iran written by Hamid Dabashi and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-08 with Political Science categories.
The Green Movement in Iran contains Hamid Dabashi's most important writings on the Iran's June 2009 election, its tumultuous aftermath, and the characteristics and aspirations of the emerging Green Movement. These analyses range from close analysis of the nature of the events to the Green Movement's historical background and future political consequences. The writings have been modified and updated for book publication. The volume presents Dabashi's account of the events since June 12, 2009-the Election Day itself-and his recap of highlights of the build-up period to the mass protests. He provides insightful background for events on the ground, dealing with debates about the credibility of the election. He then discusses political continuity in Iran, as well as the characteristics of the Green Movement. Dabashi argues that the reaction of the custodians of the Islamic Republic to the charge of the election being a fraud only affirms its lost legitimacy, and casts the system as being neither "Islamic" nor a "republic." Dabashi also comments on US politics and its relations to Iran and the Green Movement, pointing out shortcomings in American media culture. The role of the Iranian opposition in the Green Movement and American political policies, the political and economic consequence of the U.S. sanctions against Iran, and the way these may be interpreted by Iranian society are all viewed from an enlightening perspective. Dabashi argues that the Iranian regime, suffering deeply from legitimacy issues, makes use of its bureaucratic, economic, and political leverage to stage a show of support and project division among the people.
Film And Urban Space
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Author : Geraldine Pratt
language : en
Publisher: Edinburgh University Press
Release Date : 2014-06-23
Film And Urban Space written by Geraldine Pratt and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-23 with Performing Arts categories.
Film and Urban Space: Critical Possibilities traces recurring debates about what constitutes film's political potential and argues that the relation between film and urban space has been crucial to these debates and their historical transformations. The book demonstrates that in the attempt to follow certain prescriptions shooting on location, disrupting normalizing time, experimenting with memory, interlinking the spaces of screen and cinema films invariably use the relation between film and urban space as a kind of laboratory, testing anew received prescriptions but invariably encountering new opportunities and new limits. A wide range of key films, from Dziga Vertov's 1928 Man with a Movie Camera to Jia Zhangke's 2008 24 City, are discussed in depth, each offering an argument for how the encounter between specific manifestations of modern urban space and politically engaged film strategies has served to challenge the status quo and stimulate critical thinking.
Iranian Cinema And Philosophy
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Author : Farhang Erfani
language : en
Publisher: Springer
Release Date : 2012-01-02
Iranian Cinema And Philosophy written by Farhang Erfani and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-01-02 with Performing Arts categories.
In film studies, Iranian films are kept at a distance, as 'other,' different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.
The Development Of Iranian Cinema After The Islamic Revolution
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Author : Sophie Duhnkrack
language : en
Publisher: GRIN Verlag
Release Date : 2009-05-28
The Development Of Iranian Cinema After The Islamic Revolution written by Sophie Duhnkrack and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-05-28 with Religion categories.
Thesis (M.A.) from the year 2009 in the subject Orientalism / Sinology - Islamic Studies, grade: 85, Ben Gurion University, course: The 1979 Iranian Revolution: A Thirty-Year Perspective, language: English, abstract: An analysis of the recent development of Iranian Cinema should primarily mention its origins and history, especially since Iranian cinema always has been so closely linked to the political circumstances dominating the social reality. Its outset is generally accepted to have begun around 1900, when Mirza Ebrahim Khan Akkas Bashi, the official photographer of Muzaffar al-Din Shah, shot the first Iranian documentary.... As Richard Tapper states in his work, The New Iranian Cinema, “both government and religious authorities sought to control the images to be shown publicly.” ‘Formal censorship’ began in the 1920s, when the imported films exhibiting women, sex and amusement dominated the Iranian market. In contrast to this permissive attitude, depicting the political or social reality critically in local productions was taboo. Until the Second World War “nothing worthy of being called ‘national cinema’” was produced. In these decades, Iranian films were mainly remakes of foreign works, mainly Indian or Egyptian, and normally they lacked artistic quality. This genre of films is known as “Film Farsi.” Along with the development of film comes the history of censorship, which tries to curb the freedom of expression in increasingly institutionalized manners. Indeed, in 1950 a committee for the supervision of locally produced or imported films was established. This might have contributed to the fact that in the 1950s and 1960s, next to the import of American and Indian films, only “commercial films” were famous in Iran, whose sole aim was to entertain and to fill the cash tills. In this period too, the censorship worried more about the expression of political opinions than about the demonstration of sex. However, on the edge of mainstream productions slowly evolved few other interesting and formative films. “1969 is generally agreed to mark the birth of Iranian art cinema, called the New Wave.” In the following period various films were successfully presented to international film festivals. However, from its beginning on, the evolution of Iranian cinema was constantly accompanied by a consistent religious opposition. Through the lens of many Iranian clerics, films were immoral. They denounced cinema as a tool to access corrupt western influence into Iran. This suspicion and aversion against cinema, which was deep-rooted in many Iranian clergymen found later on as well expression in the Islamic Republic.
Iranian Cinema In A Global Context
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Author : Peter Decherney
language : en
Publisher: Routledge
Release Date : 2014-09-15
Iranian Cinema In A Global Context written by Peter Decherney and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-15 with Social Science categories.
Iranian films have been the subject of much critical and scholarly attention over the past several decades, and Iranian filmmakers are mainstays of international film festivals. Yet most of the attention has been focused on a small segment of Iranian film production: auteurist art cinema. Iranian Cinema in a Global Context, on the other hand, takes account of the wide range of Iranian cinema, from popular youth films to low budget underground films. The volume also reassesses the global circulation of Iranian art cinema, looking at its reception at international festivals, in university curricula, and at the Academy Awards. A final theme of the volume explores the intersection between politics and film, with essays on post-Khatami reform influences, representations of ineffective drug policies, and the representation of Jewish characters in Iranian film. Taken together, the essays in this volume present a new definition of the field of Iranian film studies, one that engages global media flows, transmedia interaction, and a heterogeneous Iranian national cinema.
The Iranian Diaspora
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Author : Mohsen Mostafavi Mobasher
language : en
Publisher: University of Texas Press
Release Date : 2018-10-03
The Iranian Diaspora written by Mohsen Mostafavi Mobasher and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-03 with History categories.
The Iranian revolution of 1978–1979 uprooted and globally dispersed an enormous number of Iranians from all walks of life. Bitter political relations between Iran and the West have since caused those immigrants to be stigmatized, marginalized, and politicized, which, in turn, has discredited and distorted Iranian migrants’ social identity; subjected them to various subtle and overt forms of prejudice, discrimination, and social injustice; and pushed them to the edges of their host societies. The Iranian Diaspora presents the first global overview of Iranian migrants’ experiences since the revolution, highlighting the similarities and differences in their experiences of adjustment and integration in North America, Europe, Australia, and the Middle East. Written by leading scholars of the Iranian diaspora, the original essays in this volume seek to understand and describe how Iranians in diaspora (re)define and maintain their ethno-national identity and (re)construct and preserve Iranian culture. They also explore the integration challenges the Iranian immigrants experience in a very negative context of reception. Combining theory and case studies, as well as a variety of methodological strategies and disciplinary perspectives, the essays offer needed insights into some of the most urgent and consequential issues and problem areas of immigration studies, including national, ethnic, and racial identity construction; dual citizenship and dual nationality maintenance; familial and religious transformation; politics of citizenship; integration; ethnic and cultural maintenance in diaspora; and the link between politics and the integration of immigrants, particularly Muslim immigrants.
Popular Iranian Cinema Before The Revolution
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Author : Pedram Partovi
language : en
Publisher: Routledge
Release Date : 2017-07-14
Popular Iranian Cinema Before The Revolution written by Pedram Partovi and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-14 with Social Science categories.
Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.