Modern Indian Theatre


Modern Indian Theatre
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Modern Indian Theatre


Modern Indian Theatre
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Author : Nandi Bhatia
language : en
Publisher: Oxford India Paperbacks
Release Date : 2011

Modern Indian Theatre written by Nandi Bhatia and has been published by Oxford India Paperbacks this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Drama categories.


Since the late nineteenth century, theatre has played a significant role in shaping social and political awareness in India. It has served to raise concerns in post-Independence India as well. Modern Indian Theatre: A Reader brings together writings that speak to the historical contexts from which theatrical practices emerged-colonization, socio-cultural suppression and appropriation, intercultural transformations brought about by the impact of the colonial forces, and acute critical engagement with socio-political issues brought about by the hopes and failures of Independence. The volume addresses pertinent questions like how drama influences social change, the response of drama to the emergence and domination of mass media and the proliferation and influence of western media in India, and how mediations of gender, class, and caste influence drama, its language, forms, and aesthetics. The Introduction by Nandi Bhatia provides a comprehensive understanding of the interface between Indian theatre and 'modernity'.



Poetics Plays And Performances


Poetics Plays And Performances
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Author : Vasudha Dalmia
language : en
Publisher:
Release Date : 2006

Poetics Plays And Performances written by Vasudha Dalmia and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Theater categories.


Addressing the political and aesthetic concerns of modern Indian theatre, propelled by the urban interest in folk theatre and the popularity of Brecht in connection with this, this work focuses on the political aspects, as portrayed in modern Indian theatre.



Globalization History Historiography


Globalization History Historiography
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Author : Rakesh H. Solomon
language : en
Publisher:
Release Date : 2010-02

Globalization History Historiography written by Rakesh H. Solomon and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-02 with Theater categories.


Globalization, History, Historiography: The Making of a Modern Indian Theatre' analyzes the cultural impact of globalization's economic, historical, and political processes on the making of the modern Indian theatre. In so doing, the book wrestles with such matters as imperialism and Orientalism, colonial knowledge and historiography, metropolitan elite and regional folk/popular cultures, Hindu and Islamic fundamentalisms, transnational flows of ideologies of liberal democracy and modernity, historiographies of nation formation, and nationalist and nativist movements.



Theatre Of Roots


Theatre Of Roots
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Author : Erin B. Mee
language : en
Publisher: Seagull Books Pvt Ltd
Release Date : 2008

Theatre Of Roots written by Erin B. Mee and has been published by Seagull Books Pvt Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Literary Criticism categories.


After Independence, in 1947, in their efforts to create an 'Indian' theatre that was different from the Westernized, colonial theatre, Indian theatre practitioners began returning to their 'roots' in classical dance, religious ritual, martial arts, popular entertainment and aesthetic theory. The Theatre of Roots - as this movement was known - was the first conscious effort at creating a body of work for urban audiences combining modern European theatre with traditional Indian performance while maintaining its distinction from both. By addressing the politics of aesthetics and by challenging the visual practices, performer/spectator relationships, dramaturgical structures and aesthetic goals of colonial performance, the movement offered a strategy for reassessing colonial ideology and culture and for articulating and defining a newly emerging 'India'. Theatre of Roots presents an in-depth analysis of this movement: its innovations, theories, goals, accomplishments, problems and legacies.



The Evolution Of Modern Indian Theatre The Indian People S Theatre Association And The Aura Of The Colonial Wound


The Evolution Of Modern Indian Theatre The Indian People S Theatre Association And The Aura Of The Colonial Wound
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Author : Tulsi Gaddam
language : en
Publisher: GRIN Verlag
Release Date : 2020-09-10

The Evolution Of Modern Indian Theatre The Indian People S Theatre Association And The Aura Of The Colonial Wound written by Tulsi Gaddam and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-10 with Performing Arts categories.


Bachelor Thesis from the year 2020 in the subject Theater Studies, Dance, grade: 8.0 = 1,7, University of Groningen (Arts), course: Arts, Culture and Media, language: English, abstract: This thesis aims to answer the following questions: To what extent were the Indian People’s Theatre Association (IPTA) successful in diminishing the effect of the British colonial shadow in their post-colonial theatre explorations from 1943 to 1948 and how did this lead to the development of modern Indian theatre as an amalgamation of traditional and Western performance forms? In what ways did British colonialism influence the theatre of the IPTA? How did Western forms of theatre merge with pre-existing theatrical traditions in India to create new forms of theatre? With the achievement of political independence in 1947 and the end of British rule, India stepped on to a phase of massive reconstruction of the nation”. Despite IPTA’s mission to decolonize the stage and revive traditional forms of Indian theatre, the effect of the colonial shadow/ coloniality cannot be completely erased. This thesis intertwines post- colonial and decolonial perspectives to decipher the amalgamation of Indian and Western theatre traditions that resulted in the creation of new, more contemporary forms of theatre, evident in the work of The Indian People’s Theatre Association.



Art And Resistance Studies In Modern Indian Theatres


Art And Resistance Studies In Modern Indian Theatres
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Author : Dorothy Figueira
language : en
Publisher: P.I.E-Peter Lang S.A., Editions Scientifiques Internationales
Release Date : 2019

Art And Resistance Studies In Modern Indian Theatres written by Dorothy Figueira and has been published by P.I.E-Peter Lang S.A., Editions Scientifiques Internationales this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Language and culture categories.


This volume explores a possible framework with which one might theoretically locate the issues inherent in the terms "modern Indian theatre" and looks at how modernity in Indian theatre entails attempts of various Indian language groups to adjust to the forced cohabitation with both foreign and indigenous traditions.



Muffled Voices


Muffled Voices
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Author : Lakshmi Subramanyam
language : en
Publisher: Har-Anand Publications
Release Date : 2002

Muffled Voices written by Lakshmi Subramanyam and has been published by Har-Anand Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Performing Arts categories.


Contributed articles.



Theatres Of Independence


Theatres Of Independence
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Author : Aparna Bhargava Dharwadker
language : en
Publisher: University of Iowa Press
Release Date : 2009-11

Theatres Of Independence written by Aparna Bhargava Dharwadker and has been published by University of Iowa Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-11 with Drama categories.


Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.



Contemporary Indian Theatre


Contemporary Indian Theatre
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Author : Ravi Chaturvedi
language : en
Publisher:
Release Date : 2017

Contemporary Indian Theatre written by Ravi Chaturvedi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Theater categories.


Crossover of various disciplines is an inherent phenomenon of Indian theatre and performing arts. With the coming of western influence during the colonial, as well as postcolonial, periods the character of modern Indian theatre has metamorphisized, which is often reflected in the theatre. The larger sections of the Indian theatre scene belong to the experimental theatre, which derives its energy and motivation from the classical and folk/tribal theatre, and is an interdisciplinary theatre. Music, dance, acrobatic movements, and gesticulation of emotions are the integral aspects of such theatre. The idea of artistic crossovers in the performing arts does not solely refer to exchanges between artistic disciplines. Art, as a whole, can be seen as a discipline in an interdisciplinary relationship with other fields, such as education or applied sciences. There are also a lot of negotiations between art and subjects that are already interdisciplinary, such as feminism, spirituality, the environment, and more. The discourses on these subjects inspire many artists to experiment in contemporary Indian theatre by mixing forms. The collection presents a varied panoramic view of these artistic crossovers. [Subject: South Asian Studies, India Studies, Theatre Studies, Cultural Studies]



A Theatre Of Their Own Indian Women Playwrights In Perspective


A Theatre Of Their Own Indian Women Playwrights In Perspective
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Author : Dr. Pinaki Ranjan Das
language : en
Publisher: Partridge Publishing
Release Date : 2021-04-29

A Theatre Of Their Own Indian Women Playwrights In Perspective written by Dr. Pinaki Ranjan Das and has been published by Partridge Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-29 with Social Science categories.


In an age where academic curriculum has essentially pushed theatre studies into ‘post-script’, and the cultural ‘space’ of making and watching theatre has been largely usurped by the immense popularity of television and ‘mainstream’ cinemas, it is important to understand why theatre still remains a ‘space’ to be reckoned as one’s ‘own’. This book argues for a ‘theatre’ of ‘their own’ of the Indian women playwrights (and directors), and explores the possibilities that modern Indian theatre can provide as an instrument of subjective as well as social/ political/ cultural articulations and at the same time analyses the course of Indian theatre which gradually underwent broadening of thematic and dramaturgic scope in order to accommodate the independent voices of the women playwrights and directors.