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Music As Discourse


Music As Discourse
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Music As Discourse


Music As Discourse
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Author : Kofi Agawu
language : en
Publisher: Oxford University Press
Release Date : 2008-12-02

Music As Discourse written by Kofi Agawu and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-12-02 with Music categories.


The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry. Is music a language? Does it communicate specific ideas and emotions? What does music mean, and how does this meaning occur? Kofi Agawu's Music as Discourse has become a standard and definitive work in musical semiotics. Working at the nexus of musicology, ethnomusicology, and music philosophy and aesthetics, Agawu presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself--composed not only of sequences of gestures, phrases, or progressions, but rather also of the very philosophical and linguistic props that enable the analytical formulations made about music as an object of study. The book provides extensive demonstration of the pertinence of a semiological approach to understanding the fully-freighted language of romantic music, stresses the importance of a generative approach to tonal understanding, and provides further insight into the analogy between music and language. Music as Discourse is an essential read for all who are interested in the theory, analysis and semiotics of music of the romantic period.



Music And Discourse


Music And Discourse
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Author : Jean-Jacques Nattiez
language : en
Publisher: Princeton University Press
Release Date : 1990-11-21

Music And Discourse written by Jean-Jacques Nattiez and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990-11-21 with Literary Criticism categories.


Series statement on p. [4] of cover, paperback edition.



The Discourse Community Of Electronic Dance Music


The Discourse Community Of Electronic Dance Music
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Author : Anita Jóri
language : en
Publisher: transcript Verlag
Release Date : 2021-12-03

The Discourse Community Of Electronic Dance Music written by Anita Jóri and has been published by transcript Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-03 with Music categories.


Research on electronic dance music communities has been initiated by scholars in the fields of sociology, cultural studies, public health research and others. Linguistic aspects, however, are rarely considered. Anita Jóri fills this gap of research and suggests a new perspective by looking at these communities as a discourse community. She gives an overview of the language use and discourse characteristics of this community while applying a mixed methodology of linguistic discourse analysis and cultural studies. The book is aimed at researchers and students in the fields of applied linguistics, popular music, media, communication and cultural studies.



Music As Multimodal Discourse


Music As Multimodal Discourse
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Author : Lyndon C. S. Way
language : en
Publisher: Bloomsbury Publishing
Release Date : 2017-01-26

Music As Multimodal Discourse written by Lyndon C. S. Way and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-26 with Language Arts & Disciplines categories.


We communicate multimodally. Everyday communication involves not only words, but gestures, images, videos, sounds and of course, music. Music has traditionally been viewed as a separate object that we can isolate, discuss, perform and listen to. However, much of music's power lies in its use as multimodal communication. It is not just lyrics which lend songs their meaning, but images and musical sounds as well. This book considers musical sound as multimodal communication, examining the interacting meaning potential of sonic aspects such as rhythm, instrumentation, pitch, tonality, melody and their interrelationships with text, image and other modes. This draws upon and extends the conceptual territory occupied by social semiotics. In so doing, this book brings together research from scholars to explore questions around how we communicate through musical discourse, and in the discourses of music. Methods in this collection are drawn from critical discourse analysis, social semiotics and music studies to expose both the function and semiotic potential of the various modes used in songs and other musical texts.



The Discourse Of Musicology


The Discourse Of Musicology
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Author : Giles Hooper
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2013-01-28

The Discourse Of Musicology written by Giles Hooper and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-28 with Music categories.


In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology. The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical scholarship. Then, in attempting to overcome some of the problems typically associated with postmodern theory, Hooper draws on the work of Jürgen Habermas in order to interpret musicology as a form of institutionalized discourse and to propose a normative framework for the kind of knowledge in which it can legitimately issue. The second part of the book focuses on the concepts of 'mediation' and the 'music itself' and engages with the work of influential critical theorist, Theodor Adorno, and the contemporary musicologist, Lawrence Kramer. Finally Hooper compares and contrasts a number of different approaches to Mahler's Ninth Symphony. The author's underlying aim throughout is to question whether, and how, it is possible to develop a mode of musicological enquiry that is both epistemologically robust and at the same time capable of answering the demand that it demonstrate its social, political and ethical relevance.



Gender In The Music Industry


Gender In The Music Industry
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Author : Marion Leonard
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2007

Gender In The Music Industry written by Marion Leonard and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Music categories.


Leonard addresses core issues relating to gender, rock and the music industry through a case study of 'female-centred' bands from the UK and US performing so called 'indie rock' from the 1990s to the present day. Using original interview material with both amateur and internationally renowned musicians, the book further addresses the fact that the voices of musicians have often been absent from music industry studies. Leonard's central aim is to progress from feminist scholarship that has documented and explored the experience of female musicians, to presenting an analytic discussion of gender and the music industry. In this way, the book engages directly with a number of under-researched areas: the impact of gender on the everyday life of performing musicians; gendered attitudes in music journalism, promotion and production; the responses and strategies developed by female performers; the feminist network riot grrrl and the succession of international festivals it inspired under the name of Ladyfest.



The Music Of Everyday Speech


The Music Of Everyday Speech
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Author : Ann Wennerstrom
language : en
Publisher: Oxford University Press
Release Date : 2001-11

The Music Of Everyday Speech written by Ann Wennerstrom and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-11 with Language Arts & Disciplines categories.


There is a growing interest among discourse analysts in incorporating the crucial element of prosody into the analysis of spoken language. These studies have tended to focus on specific aspects of prosody rather than presenting an over-all framework within which future analysis might continue. This volume establishes such a framework, and will consider the role of prosody in a variety of discourse genres. Using naturally occuring data, the author demonstrates how the examination of prosody can enhance traditional analysis.



The Musical Discourse Of Servitude


The Musical Discourse Of Servitude
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Author : Harry White
language : en
Publisher:
Release Date : 2020

The Musical Discourse Of Servitude written by Harry White and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Music categories.


The Musical Discourse of Servitude presents a new theory of how the late baroque musical imagination developed by comparing the compositions of Johann Joseph Fux, J. S. Bach, and G. F. Handel.



Representing African Music


Representing African Music
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Author : Kofi Agawu
language : en
Publisher: Routledge
Release Date : 2014-04-23

Representing African Music written by Kofi Agawu and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-23 with Music categories.


The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different people. This book also poses the question then, "What is African music?" Agawu offers a new and provocative look at the history of African music scholarship that will resonate with students of ethnomusicology and post-colonial studies. He offers an alternative "Afro-centric" means of understanding African music, and in doing so, illuminates a different mode of creativity beyond the usual provenance of Western criticism. This book will undoubtedly inspire heated debate--and new thinking--among musicologists, cultural theorists, and post-colonial thinkers. Also includes 15 musical examples.