Musique De Joye
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Musique De Joye
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Author :
language : en
Publisher:
Release Date : 1977
Musique De Joye written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with Chamber music categories.
Musicque De Joye
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Author : Bernard Thomas
language : en
Publisher:
Release Date : 1986
Musicque De Joye written by Bernard Thomas and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Dance music categories.
Musicque De Joye
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Author : David Lasocki
language : en
Publisher:
Release Date : 2005
Musicque De Joye written by David Lasocki and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Flute categories.
The Cambridge Companion To The Recorder
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Author : John Mansfield Thomson
language : en
Publisher: Cambridge University Press
Release Date : 1995-10-27
The Cambridge Companion To The Recorder written by John Mansfield Thomson and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-10-27 with Music categories.
The first book to offer a complete introduction to the recorder includes basic reference material previously unavailable in one volume. A special feature is the rich collection of illustrations which in themselves provide a history of the instrument.
Harpsichord And Lute Music In 17th Century France
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Author : D. Ledbetter
language : en
Publisher: Springer
Release Date : 2019-06-12
Harpsichord And Lute Music In 17th Century France written by D. Ledbetter and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-06-12 with Music categories.
The works of the 17th-century French harpsichord composers, the clavecinistes, are among the principal treasures of the harpsichord repertoire. It is a commmonplace of music histories that their style was strongly influenced by contemporary lutenists, yet the assessment of this influence has until now been limited to pointing out a few superficial resemblances. This book is the first comprehensive account of the relationship between the two styles. The nature and extent of the influence can now be seen as much more far-reaching than has been supposed. The clavecinistes adopted many details of lute style, and an understanding of these is essential for the proper performance of their works. More importantly, the lute style opened up the possibility of an entirely new expressive dimension in the playing of the harpsichord; in exploring this the clavecinistes evolved a style which dominated European keyboard music in the 17th-century, and provided a basis for the subsequent development of idiomatic keyboard style.
Musicque De Joye
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Author :
language : en
Publisher:
Release Date : 1977
Musicque De Joye written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with Chamber music categories.
The Sounds And Sights Of Performance In Early Music
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Author : BrianE. Power
language : en
Publisher: Routledge
Release Date : 2017-07-05
The Sounds And Sights Of Performance In Early Music written by BrianE. Power and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.
Music Performance Encounters
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Author : John Koslovsky
language : en
Publisher: Taylor & Francis
Release Date : 2023-11-29
Music Performance Encounters written by John Koslovsky and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-11-29 with Music categories.
Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? To what extent is the act of musical performance coextensive with the act of doing musical research, and vice versa? At what point in the research process can a performative act transform into a scholarly one, and a scholarly act into a performative one? These, and other related questions, form the central focus of this book, with each chapter offering a fresh perspective on a particular topic in music performance studies: improvisational traditions, historical performance practices, analysis and performance, sports psychology, cross-cultural musical interactions, and institutional challenges. This book is aimed at music researchers, teachers, students, and practising musicians interested in the intersection of academic and performance research; as such, it seeks to bridge the divide between the research of university-trained musicologists, scholars from other fields who focus on music, and the growing community of musical artist-researchers. Material in this book is supported by performance outcomes offered by the contributors on a separate YouTube channel and on the Routledge online portal.
Cl Ment Janequin
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Author : Rolf Norsen
language : en
Publisher: Boydell & Brewer
Release Date : 2024
Cl Ment Janequin written by Rolf Norsen and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024 with Biography & Autobiography categories.
Clément Janequin's spectacular entertainment chansons jump-started French music printing, spread his fame across sixteenth-century Europe, and earned him lasting success with vocal ensembles and audiences around the world. Clément Janequin was the musical posterboy for the Valois kings of France, a best-seller for the fledgling 16th century music-printing industry and, notwithstanding his status as ordained priest, a major supplier of hymn-style harmonizations of Huegenot melodies. Ever since the sixteen century, vocal ensembles have embraced his barking dogs, chirping birds, and thundering horse hoofs, and then moved beyond the bird and battle songs to a repertory rich in lyric beauty and Rabelasian wit. This first in-depth biography looks at Janequin's revolutionary approach to entertainment music, his pioneer status in the developing music-printing industry, and his contributions to sacred music in the turmoil that followed the Reformation (including the first known hymn-style harmonization of what became known as Old One Hundred.) It traces his early life in Bordeaux, Luçon, Auch, and Angers during the period when Pierre Attaingnant made Janequin a central name in early French music publishing, and subsequently the composer's transition to Paris, where, as the first composer to make the attempt, he put his revenues from music printing (from the firms of Nicolas Du Chemin and Le Roy & Ballard) at the core of his economic-survival strategy. Recounted with both scholarly detail and a portion Janequinian humor, the volume includes an extensive selection of musical examples.
The Renaissance Flute
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Author : Kate Clark
language : en
Publisher: Oxford University Press
Release Date : 2020-07-28
The Renaissance Flute written by Kate Clark and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-28 with Music categories.
The renaissance flute, with its rich history, stunning repertoire, and mellow tone, has attracted a significant following among flutists, whether they specialize in modern flute or historical instruments. Yet, actually delving into the study of renaissance flute has proven a challenge - there exists a confusing array of editions of renaissance music, specialized (and often expensive) facsimiles of manuscripts and early prints, and in unfamiliar notations, while at the same time there is a dearth of resources for beginners. Confronting this challenge with the first ever practitioners' handbook for renaissance flute, Kate Clark and Amanda Markwick offer flutists of all levels a clear and accessible introduction to the world and repertoire of the instrument. In The Renaissance Flute: A Contemporary Guide, Clark and Markwick cover all aspects, from practicalities such as buying and maintaining the instrument, to actual music for solo and group performance, to theory designed to improve the understanding and playing of renaissance polyphony. This approach enables students to immerse themselves at their own pace and build on their skills with each chapter. With nearly 40 full pages of exercises, and a companion website with recorded examples and filmed instructions from the authors, The Renaissance Flute provides professionals and newcomers alike a new entryway into the world and practice of renaissance music.
