Nuovi Materiali Sul Cinema Italiano 1929 1943
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Nuovi Materiali Sul Cinema Italiano 1929 1943
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Author :
language : it
Publisher:
Release Date : 1976
Nuovi Materiali Sul Cinema Italiano 1929 1943 written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with Motion pictures categories.
Italian Neorealist Cinema
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Author : Christopher Wagstaff
language : en
Publisher: University of Toronto Press
Release Date : 2007-01-01
Italian Neorealist Cinema written by Christopher Wagstaff and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-01 with Performing Arts categories.
"The end of the Second World War saw the emergence in Italy of the neorealism movement, which produced a number of films characterized by stories set among the poor and working class, often shot on location using non-professional actors. In this study Christopher Wagstaff provides an in-depth analysis of neorealist film, focusing on three films that have had a major impact on filmmakers and audiences around the world: Roberto Rossellini's Roma città aperta and Paisà and Vittorio De Sica's Ladri di biciclette. Indeed, these films are still, more than half a century after they were made, among the most highly regarded works in the history of cinema. In this insightful and carefully researched work, Wagstaff suggests that the importance of these films is largely due to the aesthetic and rhetorical qualities of their assembled sounds and images rather than, as commonly thought, their particular representations of historical reality.The author begins by situating neorealist cinema in its historical, industrial, commercial, and cultural context. He goes on to provide a theoretical discussion of realism and the merits of neorealist films, individually and collectively, as aesthetic artefacts. He follows with a detailed analysis of the three films, focusing on technical and production aspects as well as on the significance of the films as cinematic works of art.While providing a wealth of information and analysis previously unavailable to an English-speaking audience, Italian Neorealist Cinema offers a radically new perspective on neorealist cinema and the Italian art cinema that followed it."
Modes Of Censorship
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Author : Francesca Billiani
language : en
Publisher: Routledge
Release Date : 2014-05-22
Modes Of Censorship written by Francesca Billiani and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-22 with Language Arts & Disciplines categories.
Modes of Censorship and Translation articulates a variety of scholarly and disciplinary perspectives and offers the reader access to the widening cultural debate on translation and censorship, including cross-national forms of cultural fertilization. It is a study of censorship and its patterns of operation across a range of disciplinary settings, from media to cultural and literary studies, engaging with often neglected genres and media such as radio, cinema and theatre. Adopting an interdisciplinary and transnational approach and bringing together contributions based on primary research which often draws on unpublished archival material, the volume analyzes the multi-faceted relationship between censorship and translation in different national contexts, including Italy, Spain, Great Britain, Greece, Nazi Germany and the GDR, focusing on the political, ideological and aesthetic implications of censorship, as well as the hermeneutic play fostered by any translational act. By offering innovative methodological interpretations and stimulating case studies, it proposes new readings of the operational modes of both censorship and translation. The essays gathered here challenge current notions of the accessibility of culture, whether in overtly ideological and politically repressive contexts, or in seemingly 'neutral' cultural scenarios.
Cinema And Fascism
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Author : Steven Ricci
language : en
Publisher: Univ of California Press
Release Date : 2008-02-01
Cinema And Fascism written by Steven Ricci and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-02-01 with Performing Arts categories.
This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history.
The Italian Cinema Book
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Author : Peter Bondanella
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25
The Italian Cinema Book written by Peter Bondanella and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.
THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form.
Global Neorealism
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Author : Saverio Giovacchini
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2011-10-11
Global Neorealism written by Saverio Giovacchini and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-10-11 with Performing Arts categories.
Contributions by Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito Zagarrio Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred "realism." Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was “Italianized” and coalesced into Italian “neorealism” and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism’s success outside of Italy and examines how film cultures in Latin America, Africa, Asia, and the United States adjusted the style to their national and regional situations.
Passion And Defiance
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Author : Mira Liehm
language : en
Publisher: Univ of California Press
Release Date : 1986-03-17
Passion And Defiance written by Mira Liehm and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986-03-17 with Performing Arts categories.
Since World War II, aesthetic impulses generated in Italy have swept through every film industry in the world, and in her book Mira Liehm analyses the roots in literature, philosophy, and contemporary Italian life which have contributed to this extraordinary vigor. An introductory chapter offers a unique overview of the Italian cinema before 1942. It is followed by a full and profound discussion of neorealism in its heyday, its difficult aftermath in the fifties, the glorious sixties, and finally by an analysis of the contemporary cinematic crisis. Mira Liehm has known personally many of the leading figures in Italian cinema, and her work is rich in insights into their lives and working methods. This impressive scholarly work immediately outclasses all other available Italian film histories. It will be essential reading for anyone seriously interested in the cinema.
A History Of Italian Cinema
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Author : Peter Bondanella
language : en
Publisher: A&C Black
Release Date : 2009-10-12
A History Of Italian Cinema written by Peter Bondanella and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10-12 with Social Science categories.
A History of Italian Cinema is the only comprehensive and up-to-date book on the subject available anywhere, in any language >
Re Viewing Fascism
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Author : Jacqueline Reich
language : en
Publisher: Indiana University Press
Release Date : 2002-05-07
Re Viewing Fascism written by Jacqueline Reich and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-05-07 with Performing Arts categories.
When Benito Mussolini proclaimed that "Cinema is the strongest weapon," he was telling only half the story. In reality, very few feature films during the Fascist period can be labeled as propaganda. Re-viewing Fascism considers the many films that failed as "weapons" in creating cultural consensus and instead came to reflect the complexities and contradictions of Fascist culture. The volume also examines the connection between cinema of the Fascist period and neorealism—ties that many scholars previously had denied in an attempt to view Fascism as an unfortunate deviation in Italian history. The postwar directors Luchino Visconti, Roberto Rossellini, and Vittorio de Sica all had important roots in the Fascist era, as did the Venice Film Festival. While government censorship loomed over Italian filmmaking, it did not prevent frank depictions of sexuality and representations of men and women that challenged official gender policies. Re-viewing Fascism brings together scholars from different cultural and disciplinary backgrounds as it offers an engaging and innovative look into Italian cinema, Fascist culture, and society.
Il Cinema Italiano Di Regime
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Author : Gian Piero Brunetta
language : it
Publisher: Gius.Laterza & Figli Spa
Release Date : 2014-05-01T00:00:00+02:00
Il Cinema Italiano Di Regime written by Gian Piero Brunetta and has been published by Gius.Laterza & Figli Spa this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-01T00:00:00+02:00 with Performing Arts categories.
All’inizio degli anni Trenta molti fattori consentono in Italia la rinascita di una cinematografia giunta a toccare quota zero: una legge che incoraggia la ripresa della produzione senza troppo ostacolare la marcia trionfale in atto delle Majors americane, l’avvento del sonoro e un vero e proprio ricambio generazionale, che vede entrare in scena un gruppo di giovani guidati da Alessandro Blasetti e ispirati dalle teorie e pratiche del cinema sovietico. Dai primi anni Trenta alla caduta del regime la parola d’ordine, comune a tutte le voci – fasciste e antifasciste – del cinema italiano è aprire gli occhi sul Paese, fino a quel momento assente dal grande schermo. La fame di realtà unisce e accomuna una serie di film che, da Gli uomini che mascalzoni! di Camerini, attraversano l’intero periodo fino ad approdare a Ossessione di Visconti, il momento più alto nella realizzazione di un nuovo modo di fare cinema. Con l’entrata in guerra le pellicole non celebrano tanto l’eroismo o lo spirito guerresco, quanto piuttosto tradiscono il senso dell’assedio, la caduta delle speranze, il desiderio di pace e l’attesa della fine del conflitto. I venti mesi di Salò suggellano il periodo con l’afasia e il silenzio di una produzione pressoché inesistente.