Nuovo Cinema Paradiso
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Nuovo Cinema Paradiso
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Author : Giuseppe Tornatore
language : it
Publisher:
Release Date : 1990
Nuovo Cinema Paradiso written by Giuseppe Tornatore and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Cinema paradiso (Motion picture) categories.
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Italian Cinema
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Author : William Hope
language : en
Publisher: Peter Lang
Release Date : 2005
Italian Cinema written by William Hope and has been published by Peter Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Literary Collections categories.
"This book explores the evolution of Italian cinema over the last twenty years, with particular reference to modern masterpieces such as Tornatore's Oscar-winning Nuovo cinema paradiso. The volume focuses on the work of some of the most prominent directors of recent times, combining an auteurist perspective with an incisive overview of the most important thematic and stylistic developments in modern Italian film-making." --book cover.
Giuseppe Tornatore
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Author : William Hope
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2006
Giuseppe Tornatore written by William Hope and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Motion picture producers and directors categories.
The nature of the spectatorâ (TM)s emotional and intellectual engagement with films has attracted increasing critical scrutiny over the past decade, and theoretical frameworks have been elaborated to analyse how and why viewers are moved by what they see on screen. Viewer responses are influenced by factors including genre expectations, involuntary physiological reactions to what is seen and heard, shifting attachments towards screen characters, and by specific devices within a filmâ (TM)s mise-en-scène, such as lighting and colour. Giuseppe Tornatore: Emotion; Cognition; Cinema is a film-by-film analysis of the work of the Oscar-winning director, a study that examines the nature of the strong affective charge that characterizes his films, and which also explores the cognitive and intellectual appeal of Tornatoreâ (TM)s cinema. The volume illustrates the ways in which an affective and intellectual synergy can develop between a filmâ (TM)s aesthetics and its conceptual agenda, as instantiated by films such as the celebrated Cinema Paradiso. The affective power that characterizes Tornatoreâ (TM)s work has long been acknowledged by critics, and while analysing the configurations of visual, aural, and narrative devices that generate such intensely poignant viewing experiences, the volume also elucidates the ways in which the directorâ (TM)s stylistic approach intensifies the significance of a range of social and cultural questions affecting Western society, issues that lie at the heart of his films. Reviews of the Book: Giuseppe Tornatore is one of the few authentically original voices to emerge in the cinematic world over the past quarter century. He champions community values, solidly grounded in emotional engagement and interaction, over the brash, loud, self-proclaiming egocentricity that has increasingly dominated western societies since the nineteen-eighties and, paradoxically, isolated the individual ever more intensely within his own subjective world. Yet, viewed superficially, his narratives appear old-fashioned, flirting frequently and precariously with overt melodrama and sentimentalism while managing nevertheless to mount a powerful critique of what our societies have become and what they have sacrificed that makes them the poorer. Eschewing the alienating, ironical deconstructionism of most of his contemporaries, Tornatore subtly employs every technical device at his disposal to enforce the spectatorâ (TM)s identification with the wistfulness of his protagonists, in their growing awareness of a sense of personal loss and nostalgia. Yet, this fulfils only part of his intention, for having snared us in a tangle of emotions, he then, in Pirandellian fashion, propels us towards the moment of intellectually-charged reflection, in which the filmâ (TM)s apparently negative terminus ad quem is transformed into the forceful negation of those contemporary values that have brought about the protagonistâ (TM)s sense of moral and affective dislocation. William Hopeâ (TM)s authoritative study carefully charts these processes as they unfold within individual films and across successive films, not neglecting, when appropriate, to comment on Tornatoreâ (TM)s continual refinements and extensions of his conceptual framework and applications of his visual techniques. However, this book goes well beyond illustration of a thesis for it is also concerned with how we watch films and react to them and how, through carefully judged juxtapositions of his material, use of cameras, variations in intensity of music or silences, and so on, Tornatore is able to make use of this essentially psychological knowledge to manoeuvre his spectators towards a realisation of his own cinematic, which is to say, moral vision of the contemporary world. Professor Doug Thompson, University of Hull William Hope's work gives to the cinema of Tornatore the degree of analytical thoroughness that it merits, (but which, until now, has not been afforded to this important contemporary director). The book offers a clear overview of Tornatore's films, and of the social and cultural context within which they are produced. Hope assesses the relevance of contemporary critical theory to the reception of Tornatore's work and especially to Cinema Paradiso. In so doing, he makes a valuable contribution to our understanding of Tornatore as a film-maker. Pauline Small, Queen Mary College, University of London
Nuovo Cinema Paradiso
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Author :
language : it
Publisher:
Release Date : 2015
Nuovo Cinema Paradiso written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with categories.
Recent Italian Cinema
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Author : Tiziana Ferrero Regis
language : en
Publisher: Troubador Publishing Ltd
Release Date : 2009
Recent Italian Cinema written by Tiziana Ferrero Regis and has been published by Troubador Publishing Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Performing Arts categories.
In Recent Italian Cinema, two fundamental questions are asked: the first concerns whether Italian cinema, as national cinema, is in reality reduced to a niche market in its own territory. The second relates to what Italian audiences do with domestic films.For nearly two decades, most Italian films have been produced outside box office returns, through a practice of subsidy and co-financing between many institutional and private entities. Thus Italian cinema has had to define its mode of production and use-value of films in a different way. It is clear that it is no longer possible to separate national cinemas from the grip that the American film industry has on world markets, in terms of imagination and modes of production, distribution and exhibition. It is thus only by examining the multiple layers of description and analysis, which take into account the presence of Hollywood, that we can come to an understanding of what recent Italian cinema actually is.
The A To Z Of Italian Cinema
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Author : Gino Moliterno
language : en
Publisher: Scarecrow Press
Release Date : 2009-10-12
The A To Z Of Italian Cinema written by Gino Moliterno and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10-12 with Performing Arts categories.
The Italian cinema is regarded as one of the great pillars of world cinema. Films like Ladri di biciclette (1948), La dolce vita (1960), and Nuovo cinema Paradiso (1988) attracted unprecedented international acclaim and a reputation, which only continue to grow. Italian cinema has produced such acting legends as Sophia Loren and Roberto Benigni, as well as world-renowned filmmakers like Federico Fellini, Sergio Leone, Mario Bava, Dario Argento, and Lina WertmYller, the first woman to ever be nominated for the Best Director award. The A to Z of Italian Cinema provides a better understanding of the role Italian cinema has played in film history through a chronology, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology.
Cinema Paradiso
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Author : Giuseppe Tornatore
language : en
Publisher:
Release Date : 1994
Cinema Paradiso written by Giuseppe Tornatore and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Motion picture plays categories.
The Films Of Giuseppe Tornatore
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Author : William Hope
language : en
Publisher: Troubador Publishing
Release Date : 2001
The Films Of Giuseppe Tornatore written by William Hope and has been published by Troubador Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Motion picture producers and directors categories.
This booklet examines the origins of the affective power of Tornatore's work upon audiences on a film by film basis. Particular attention is paid to the director's experimentation with genre, to the psychological implications to the intensely subjective character perspectives that emerge in his work and his use of mise-en-scene, montage and other filmic techniques.
Popular Cinemas Of Europe
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Author : Dimitris Eleftheriotis
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2002-01-25
Popular Cinemas Of Europe written by Dimitris Eleftheriotis and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-01-25 with Social Science categories.
This book challenges the established conceptual and historical paradigm in Anglo-American film studies that perceives European cinema as essentially 'high art.' Through a study of the specific contexts in which popular European films are produced, distributed and exhibited, the book proposes new analytical and critical frameworks for their study. Films analyzed in the book include Cinema Paradiso, Mediterraneo, Bhaji on the Beach, Until the End of the World, Underground, and Jam=n Jam=n.
Nuovo Cinema Paradiso
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Author : Paola Begotti
language : it
Publisher: Guerra Edizioni
Release Date : 2002
Nuovo Cinema Paradiso written by Paola Begotti and has been published by Guerra Edizioni this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Language Arts & Disciplines categories.
Presenta l’Italia del dopoguerra in un Sud mitico ma non falso, dolce e poetico come tutte le cose vere - ma anche duro e difficile come è stata la vita nel nostro Meridione, una povertà cui il protagonista riesce a fuggire diventando regista di successo. Quando torna nel paesino del Sud dove è cresciuto per il funerale del suo 'maestro', trova che questi gli ha lasciato una sequenza cinematografica - un vero testamento di vita, una delle pagine più toccanti di questi anni. Il testo linguistico di questo film risulta particolarmente interessante per una riflessione sulla varietà siciliana dell’italiano, senza cadere nel dialetto, incomprensibile per la maggior parte degli studenti di italiano.