Playing With Identities In Contemporary Music In Africa


Playing With Identities In Contemporary Music In Africa
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Playing With Identities In Contemporary Music In Africa


Playing With Identities In Contemporary Music In Africa
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Author : Annemette Kirkegaard
language : en
Publisher: Nordic Africa Institute
Release Date : 2002

Playing With Identities In Contemporary Music In Africa written by Annemette Kirkegaard and has been published by Nordic Africa Institute this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Music categories.


The musics of Africa play a particularly important role in expressing and forming identities. This book brings together African and Nordic scholars from both musicology and other disciplines in an attempt to analyse various aspects of the complex playing with volatile identities in music in Africa today. Taken together the papers put new light on the assumed or real dichotomies between countryside and city, collective and individual, tradition and modernity, authentic and alien. The papers are based on contributions for a conference organized by the research project “Cultural Images in and of Africa†of the Nordic Africa Institute together with the Sibelius Museum/Department of Musicology and the Centre for Continuing Education at Ã...bo Akademi University in Ã...bo (Turku), Finland in October 2000. The book includes a keynote speech by Christopher Waterman (UCLA), and an introduction by Annemette Kirkegaard, Copenhagen University. Southern, West and East Africa are represented in the studies, which cover a great variety of musics.



Playing With Identities In Contemporary Music In Africa


Playing With Identities In Contemporary Music In Africa
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Author : Mai Palmberg
language : en
Publisher:
Release Date : 2002

Playing With Identities In Contemporary Music In Africa written by Mai Palmberg and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with categories.




Music Performance And African Identities


Music Performance And African Identities
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Author : Toyin Falola
language : en
Publisher: Routledge
Release Date : 2012-03-15

Music Performance And African Identities written by Toyin Falola and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-03-15 with Music categories.


Cutting across countries, genres, and time periods, this volume explores topics ranging from hip hop’s influence on Maasai identity in current day Tanzania to jazz in Bulawayo during the interwar years, using music to tell a larger story about the cultures and societies of Africa.



Music National Identity And The Politics Of Location


Music National Identity And The Politics Of Location
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Author : Vanessa Knights
language : en
Publisher: Routledge
Release Date : 2016-04-29

Music National Identity And The Politics Of Location written by Vanessa Knights and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-29 with Music categories.


How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb



Music Popular Culture Identities


Music Popular Culture Identities
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Author :
language : en
Publisher: BRILL
Release Date : 2016-09-12

Music Popular Culture Identities written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-12 with History categories.


Music, Popular Culture, Identities is a collection of sixteen essays that will appeal to a wide range of readers with interests in popular culture and music, cultural studies, and ethnomusicology. Organized around the central theme of music as an expression of local, ethnic, social and other identities, the essays touch upon popular traditions and contemporary forms from several different regions of the world: political engagement in Italian popular music; flamenco in Spain; the challenge of traditional music in Bulgaria; boerenrock and rap in Holland; Israeli extreme heavy metal; jazz and pop in South Africa, and musical hybridity and politics in Côte d’Ivoire. The collection includes essays about Latin America: on the Mexican corrido, the Caribbean, popular dance music in Cuba, and bossanova from Brazil. Communities of a cultural diaspora in North America are discussed in essays on Somali immigrant and refugee youth and Iranians in exile in the US. Grounded in cultural theory and a specialized knowledge of a particular popular musical practice, each author has written a critical study on the mix of music and identity in a particular social practice and context.



African Musics In Context


African Musics In Context
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Author : Solomon, Thomas
language : en
Publisher: Fountain Publishers
Release Date : 2015-12-12

African Musics In Context written by Solomon, Thomas and has been published by Fountain Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-12-12 with Music categories.


Ethnomusicology deals with the study of the music of the world. The field is interdisciplinary, and ethnomusicologists draw on theory and method from folklore, cultural anthropology, historical musicology, literature, cultural studies and media studies, among other disciplines. So when ethnomusicologists met at Makerere University's symposium on ethnomusicology in October 2011, the issues dealt with spanned a wide spectrum of concerns which can be grouped under three major categories: Institutions, culture and identity. African Musics in Context discusses the place of performing arts in Ugandan society, archiving music and music sources, performing archival music, performing health and religious issues in music, music and identity in East Africa as well music in motion, which tackles how identity shifts when people move from one place to another. All these are key aspects of our day-to-day lives, and they are the themes that colour the music we listen to. This book follows up on and extends work in an earlier volume (Nannyonga- Tamusuza and Solomon 2012) which included papers from the first symposium in the series. While this book focuses primarily on music and music research in Uganda, the chapters by the contributors from Tanzania, South Africa and Norway demonstrate the importance of scholarly and professional networks that connect the different countries of the African continent with each other and with the larger international scholarly community. If the published proceedings from the first symposium mentioned above represented a first in the history of ethnomusicological publishing in Uganda, this second book in the series shows that professionalised ethnomusicology in Uganda continues to gain ground and make contributions to music research in Uganda, Africa, and the global ethnomusicological community. The chapters collected here show that ethnomusicology in Uganda has a healthy institutional basis and promises to continue to make contributions that are relevant locally, regionally, and internationally.



Experiencing Rhythm


Experiencing Rhythm
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Author : Jenny Fuhr
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2014-07-18

Experiencing Rhythm written by Jenny Fuhr and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-18 with Music categories.


How is “rhythm” experienced? What role does “rhythm” play in musicians’ search for a collective musical identity? These questions are answered in this book on the fascinating blend of musical styles and influences within contemporary Malagasy music. Madagascar is the fourth largest island in the world, “the footprint between Africa and Asia,” with a history marked by many waves of migration. Over the centuries, a wide range of styles of music, of instruments and of dance have become a part of the island’s musical palette. Despite this and the resulting diversity of regional musical particularities, musicians claim there is one element they all share: a common rhythmical base. To explore this claim and the meaning of “rhythm” in the Malagasy context, Jenny Fuhr makes use of her dual role as musician and researcher. Self-reflexive field research combined with learning to play and perform Malagasy music enables a profound intercultural dialogue. This book shows how her intense involvement in music-making and a constant dialogue between musical experiences and discourses opens up new paths of understanding. In doing so, it challenges prevalent Western analytical perspectives on music and demonstrates the need for a more performance-based approach to ethnomusicology.



African Music


African Music
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Author : Alexander Akorlie Agordoh
language : en
Publisher: Nova Publishers
Release Date : 2005

African Music written by Alexander Akorlie Agordoh and has been published by Nova Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Music categories.


It is customary in the Western world for people to use the term 'African music' as if it were a single clearly identifiable phenomenon. One should not be surprised at the diversity of music and the difficulty of isolating distinctly African features common to the whole continent. This important book is an overview of music in Africa.



Trends In African Popular Music


Trends In African Popular Music
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Author : Ikenna Emmanuel Onwuegbuna
language : en
Publisher: Xlibris Corporation
Release Date : 2015-07-25

Trends In African Popular Music written by Ikenna Emmanuel Onwuegbuna and has been published by Xlibris Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-25 with Music categories.


Popular music —an acculturative product of the African folk music—scrutinized along the lines of musical and social processes as inseparable pair in developing the various genres of the eclectic musical form. In Nigeria, it is the congruent collaboration of creativity and politico-socio-economic activities of the mid-1940s (the period following the World War II) that evolved the various genres of popular music of the land—a process that is still in being! The social processes that span through the diverse fields of economics, politics, linguistics, sociology, philosophy, and religion made up a manifold agency of acculturation, commercialization, urbanization, and class stratifications. Similarly, the musical processes emanating from the folk musical practices of conception, composition, and classification of genres; recruitment of group members and administrative personnel; training, packaging, costuming, and aesthetics; and then the performance proper are carried over into a parallel development of a neo-folk form that became popular. The popularity of the new form is due to a socio-musical interchange that is both structural and functional. The peculiar nature of the product of this new musical expression—pop—therefore presents four possible angles for definition. The definitions could be stylistic, sociological, process- or theory-based. The genres developed include highlife, afrobeat, rock, calypso, disco, hip hop, rhythm ’n’ blues, funk, and reggae. However, the star feature of this investigation is the Afro-reggae genre of Nigeria. The primary research process of survey was backed up by historical and descriptive methods to unearth the leaning on the rhythm of social life by popular music artistes to develop the African reggae genre, especially in Nigeria.



Music And Identity


Music And Identity
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Author : Eric Ayisi Akrofi
language : en
Publisher: AFRICAN SUN MeDIA
Release Date : 2006-06-01

Music And Identity written by Eric Ayisi Akrofi and has been published by AFRICAN SUN MeDIA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-06-01 with Music categories.


"Due to significant political and social changes over the last decade in their countries and worldwide, many scholars in the Nordic nations and in Southern Africa have been researching on 'music and identity' - an area with a paucity of literature. It is our hope that this book will be beneficial to scholars interested in the field of music and identity. This volume is the result of the Swedish South African Research Network (SSARN) project, funded from 2004-2006 by the Swedish International Development Cooperation Agency (SIDA) and the National Research Foundation (NRF) of South Africa, under the theme 'Music and Identity'. SSARN was founded by Stig-Magnus Thorsén of the University of Gothenburg, Sweden, in 2002 when he invited Nordic and Southern African scholars to participate in a research group focusing broadly on the topic 'Music and Identity'"--Publisher's website.