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Self Fashioning And Reflexive Modernity In Modern Chinese Poetry 1919 1949


Self Fashioning And Reflexive Modernity In Modern Chinese Poetry 1919 1949
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Self Fashioning And Reflexive Modernity In Modern Chinese Poetry 1919 1949


Self Fashioning And Reflexive Modernity In Modern Chinese Poetry 1919 1949
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Author : Jiayan Mi
language : de
Publisher:
Release Date : 2004

Self Fashioning And Reflexive Modernity In Modern Chinese Poetry 1919 1949 written by Jiayan Mi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Chinese poetry categories.




Self Fashioning And Reflexive Modernity In Modern Chinese Poetry 1919 1949


Self Fashioning And Reflexive Modernity In Modern Chinese Poetry 1919 1949
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Author : Jiayan Mi
language : en
Publisher: Edwin Mellen Press
Release Date : 2004

Self Fashioning And Reflexive Modernity In Modern Chinese Poetry 1919 1949 written by Jiayan Mi and has been published by Edwin Mellen Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Literary Criticism categories.


This study explores diverse modes of self-fashioning in the discursive formation of Chinese modernity between 1919 and 1949 in modern Chinese poetry.



Zhuangzi And Modern Chinese Literature


Zhuangzi And Modern Chinese Literature
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Author : Liu Jianmei
language : en
Publisher: Oxford University Press
Release Date : 2016-01-04

Zhuangzi And Modern Chinese Literature written by Liu Jianmei and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-01-04 with Literary Criticism categories.


This is a powerful account of how the ruin and resurrection of Zhuangzi in modern China's literary history correspond to the rise and fall of modern Chinese individuality. Liu Jianmei highlights two central philosophical themes of Zhuangzi: the absolute spiritual freedom as presented in the chapter of "Free and Easy Wandering" and the rejection of absolute and fixed views on right and wrong as seen in the chapter of "On the Equality of Things." She argues the twentieth century reinterpretation and appropriation of these two important philosophical themes best testify to the dilemma and inner-struggle of modern Chinese intellectuals. In the cultural environment in which Chinese writers and scholars were working, the pursuit of individual freedom as well as the more tolerant and multifaceted cultural mentality has constantly been downplayed, suppressed, or criticized. By addressing a large number of modern Chinese writers, including Guo Moruo, Hu Shi, Lu Xun, Zhou Zuoren, Lin Yutang, Fei Ming, Liu Xiaofeng, Wang Zengqi, Han Shaogong, Ah Cheng, Yan Lianke, and Gao Xingjian, the author provides an insightful and engaging study of how they have embraced, rejected, and returned to ancient thought and how the spirit of Zhuangzi has illuminated their writing and thinking through the turbulent eras of modern China. This book not only explores modern Chinese writers' complicated relationship with "tradition," but also sheds light on if the freedom of independence, non-participation, and roaming and the more encompassing cultural space inspired by Zhuangzi's spirit were allowed to exist in the modern Chinese literary context. Involving the interplay between philosophy, literature, and history, Liu delineates a neglected literary tradition influenced by Zhuangzi and Daoism and traces its struggles to survive in modern and contemporary Chinese culture.



Routledge Handbook Of Modern Chinese Literature


Routledge Handbook Of Modern Chinese Literature
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Author : Ming Dong Gu
language : en
Publisher: Routledge
Release Date : 2018-09-03

Routledge Handbook Of Modern Chinese Literature written by Ming Dong Gu and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-03 with Literary Criticism categories.


The Routledge Handbook of Modern Chinese Literature presents a comprehensive overview of Chinese literature from the 1910s to the present day. Featuring detailed studies of selected masterpieces, it adopts a thematic-comparative approach. By developing an innovative conceptual framework predicated on a new theory of periodization, it thus situates Chinese literature in the context of world literature, and the forces of globalization. Each section consists of a series of contributions examining the major literary genres, including fiction, poetry, essay drama and film. Offering an exciting account of the century-long process of literary modernization in China, the handbook’s themes include: Modernization of people and writing Realism, rmanticism and mdernist asthetics Chinese literature on the stage and screen Patriotism, war and revolution Feminism, liberalism and socialism Literature of reform, reflection and experimentation Literature of Taiwan, Hong Kong and new media This handbook provides an integration of biographical narrative with textual analysis, maintaining a subtle balance between comprehensive overview and in-depth examination. As such, it is an essential reference guide for all students and scholars of Chinese literature.



Fragmenting Modernisms


Fragmenting Modernisms
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Author : Carolyn FitzGerald
language : en
Publisher: BRILL
Release Date : 2013-07-07

Fragmenting Modernisms written by Carolyn FitzGerald and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-07 with Literary Criticism categories.


In Fragmenting Modernisms, Carolyn FitzGerald traces the evolution of Chinese modernism during the War of Resistance against Japan (1937-45) and Chinese Civil War (1945-49) through a series of close readings of works of fiction, poetry, film, and visual art, produced in various locations throughout wartime China. Showing that the culture of this period was characterized by a high degree of formal looseness, she argues that such aesthetic fluidity was created in response to historical conditions of violence and widespread displacement. Moreover, she illustrates how the innovative formal experiments of uprooted writers and artists expanded the geographic and aesthetic boundaries of Chinese modernism far beyond the coastal cities of Shanghai and Beijing.



A Companion To Modern Chinese Literature


A Companion To Modern Chinese Literature
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Author : Yingjin Zhang
language : en
Publisher: John Wiley & Sons
Release Date : 2015-08-13

A Companion To Modern Chinese Literature written by Yingjin Zhang and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-13 with Literary Criticism categories.


This wide-ranging Companion provides a vital overview of modern Chinese literature in different geopolitical areas, from the 1840s to now. It reviews major accomplishments of Chinese literary scholarship published in Chinese and English and brings attention to previously neglected, important areas. Offers the most thorough and concise coverage of modern Chinese literature to date, drawing attention to previously neglected areas such as late Qing, Sinophone, and ethnic minority literature Several chapters explore literature in relation to Sinophone geopolitics, regional culture, urban culture, visual culture, print media, and new media The introduction and two chapters furnish overviews of the institutional development of modern Chinese literature in Chinese and English scholarship since the mid-twentieth century Contributions from leading literary scholars in mainland China and Hong Kong add their voices to international scholarship



Baudelaire In China


Baudelaire In China
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Author : Gloria Bien
language : en
Publisher: University of Delaware
Release Date : 2012-12-14

Baudelaire In China written by Gloria Bien and has been published by University of Delaware this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-14 with Literary Criticism categories.


Baudelaire's work entered China in the twentieth century amidst political and social upheavals accompanied by a "literary revolution" that called for classical models and modes of expression to be replaced by vernacular language and contemporary content. Chinese writers welcomed their meeting with the West and openly embraced Western literature as providing models in developing their "new" literature. Baudelaire's reception in China provides a representative study of this "meeting of East and west." His work, which has been declared to stand between tradition and modernity, also lies at the intersection between classical and modern literature in China. Many of the best known and most highly regarded writers in twentieth-century China were drawn to Baudelaire's work, and some addressed it directly in their own writings. Bien draws upon H.R. Jauss's theory of the shifting and expanding horizons of expectation in the reading and interpretation of a literary work, and upon James J.Y. Lin's notion of "worlds" received and created by both author and reader, to show how poetic lines, images, and ideas, as well as Chinese critics' comments, eventually weave into a rich picture of Baudelaire's reception in China.



Chinese Ecocinema


Chinese Ecocinema
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Author : Sheldon H. Lu
language : en
Publisher: Hong Kong University Press
Release Date : 2009-12-01

Chinese Ecocinema written by Sheldon H. Lu and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-12-01 with Social Science categories.


This anthology is a book-length study of China's ecosystem through the lens of cinema. Proposing 'ecocinema' as a new critical framework, the volume collectively investigates a wide range of urgent topics in today's world.



The Translatability Of Revolution


The Translatability Of Revolution
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Author : Pu Wang
language : en
Publisher: BRILL
Release Date : 2020-10-20

The Translatability Of Revolution written by Pu Wang and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-20 with Literary Criticism categories.


"The first comprehensive study of the lifework of Guo Moruo (1892–1978) in English, this book explores the dynamics of translation, revolution, and historical imagination in twentieth-century Chinese culture. Guo was a romantic writer who eventually became Mao Zedong’s last poetic interlocutor; a Marxist historian who evolved into the inaugural president of China’s Academy of Sciences; and a leftist politician who devoted almost three decades to translating Goethe’s Faust. His career, embedded in China’s revolutionary century, has generated more controversy than admiration. Recent scholarship has scarcely treated his oeuvre as a whole, much less touched upon his role as a translator.Leaping between different genres of Guo’s works, and engaging many other writers’ texts, The Translatability of Revolution confronts two issues of revolutionary cultural politics: translation and historical interpretation. Part 1 focuses on the translingual making of China’s revolutionary culture, especially Guo’s translation of Faust as a “development of Zeitgeist.” Part 2 deals with Guo’s rewritings of antiquity in lyrical, dramatic, and historiographical-paleographical forms, including his vernacular translation of classical Chinese poetry. Interrogating the relationship between translation and historical imagination—within revolutionary cultural practice—this book finds a transcoding of different historical conjunctures into “now-time,” saturated with possibilities and tensions."



Paris And The Art Of Transposition


Paris And The Art Of Transposition
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Author : Angie Chau
language : en
Publisher: University of Michigan Press
Release Date : 2023-12-11

Paris And The Art Of Transposition written by Angie Chau and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-12-11 with Literary Criticism categories.


A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context.