Subjects And Narratives In Archaeology
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Subjects And Narratives In Archaeology
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Author : Ruth M. Van Dyke
language : en
Publisher: University Press of Colorado
Release Date : 2015-04-15
Subjects And Narratives In Archaeology written by Ruth M. Van Dyke and has been published by University Press of Colorado this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-15 with Social Science categories.
Seeking to move beyond the customary limits of archaeological prose and representation, Subjects and Narratives in Archaeology presents archaeology in a variety of nontraditional formats. The volume demonstrates that visual art, creative nonfiction, archaeological fiction, video, drama, and other artistic pursuits have much to offer archaeological interpretation and analysis. Chapters in the volume are augmented by narrative, poetry, paintings, dialogues, online databases, videos, audio files, and slideshows. The work will be available in print and as an enhanced ebook that incorporates and showcases the multimedia elements in archaeological narrative. While exploring these new and not-so-new forms, the contributors discuss the boundaries and connections between empirical data and archaeological imagination. Both a critique and an experiment, Subjects and Narratives in Archaeology addresses the goals, advantages, and difficulties of alternative forms of archaeological representation. Exploring the idea that academically sound archaeology can be fun to create and read, the book takes a step beyond the boundaries of both traditional archaeology and traditional publishing.
Subjects And Narrative In Archaeology
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Author : Ruth M. Van Dyke
language : en
Publisher: University Press of Colorado
Release Date : 2015-04-03
Subjects And Narrative In Archaeology written by Ruth M. Van Dyke and has been published by University Press of Colorado this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-03 with Social Science categories.
Seeking to move beyond the customary limits of archaeological prose and representation, Subjects and Narratives in Archaeology presents archaeology in a variety of nontraditional formats. The volume demonstrates that visual art, creative nonfiction, archaeological fiction, video, drama, and other artistic pursuits have much to offer archaeological interpretation and analysis. Chapters in the volume are augmented by narrative, poetry, paintings, dialogues, online databases, videos, audio files, and slideshows. The work will be available in print and as an enhanced ebook that incorporates and showcases the multimedia elements in archaeological narrative. While exploring these new and not-so-new forms, the contributors discuss the boundaries and connections between empirical data and archaeological imagination. Both a critique and an experiment, Subjects and Narratives in Archaeology addresses the goals, advantages, and difficulties of alternative forms of archaeological representation. Exploring the idea that academically sound archaeology can be fun to create and read, the book takes a step beyond the boundaries of both traditional archaeology and traditional publishing.
Researching The Archaeological Past Through Imagined Narratives
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Author : Daniël van Helden
language : en
Publisher: Routledge
Release Date : 2019-11-26
Researching The Archaeological Past Through Imagined Narratives written by Daniël van Helden and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-26 with Social Science categories.
Archaeological interpretation is an imaginative act. Stratigraphy and artefacts do not tell us what the past was like; that is the task of the archaeologist. The diverse group of contributors to this volume address the relationship between archaeology and imagination through the medium of historical fiction and fictive techniques, both as consumers and as producers. The fictionalisation of archaeological research is often used to disseminate the results of scholarly or commercial archaeology projects for wider public outreach. Here, instead, the authors focus on the question of what benefits fiction and fictive techniques, as inspiration and method, can bring to the practice of archaeology itself. The contributors, a mix of archaeologists, novelists and other artists, advance a variety of theoretical arguments and examples to advance the case for the value of a reflexive engagement between archaeology and fiction. Themes include the similarities and differences in the motives and methods of archaeologists and novelists, translation, empathy, and the need to humanise the past and diversify archaeological narratives. The authors are sensitive to the epistemological and ethical issues surrounding the influence of fiction on researchers and the incorporation of fictive techniques in their work. Sometimes dismissed as distracting just-so stories, or even as dangerously relativistic narratives, the use of fictive techniques has a long history in archaeological research and examples from the scholarly literature on many varied periods and regions are considered. The volume sets out to bring together examples of these disparate applications and to focus attention on the need for explicit recognition of the problems and possibilities of such approaches, and on the value of further research about them.
Appropriate Narratives
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Author : Elisabeth Niklasson
language : en
Publisher: Archaeolingua
Release Date : 2013
Appropriate Narratives written by Elisabeth Niklasson and has been published by Archaeolingua this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Archaeologists categories.
How do different publics receive and transform archaeologists' stories? Archaeologists frequently - and often disappointingly - realise that their academic results are heavily "misunderstood" and transformed when their stories enter public discourse, even if they themselves have simplified their stories before handing them over to the visitor, listener or reader. The eleven authors of this book regard such public receptions of archaeological narratives as productive transformations in their own right and reject an old fashioned notion of academic knowledge versus the misunderstood and deteriorated narratives of "the villagers". The paternalistic guidance of the public towards the academically sanctioned truth, as endorsed by modernity, has meant that these appropriations have consistently been disregarded and deemed useless. However, if we view such public transformations of archaeological knowledge as attempts to make archaeologists' results meaningful outside the academic sphere, they become vital for archaeologists to understand their own place in wider society. More specifically, such analysis of what is received on different levels and how archaeological narratives are transformed, will enhance archaeologists' ability to meet requirements of different publics and relate to their preconceptions of both archaeologists and objects.
Object Stories
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Author : Steve Brown
language : en
Publisher: Routledge
Release Date : 2016-06-16
Object Stories written by Steve Brown and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-16 with Social Science categories.
Archaeologists are synonymous with artifacts. With artifacts we construct stories concerning past lives and livelihoods, yet we rarely write of deeply personal encounters or of the way the lives of objects and our lives become enmeshed. In this volume, 23 archaeologists each tell an intimate story of their experience and entanglement with an evocative artifact. Artifacts range from a New Britain obsidian tool to an abandoned Viking toy boat, the marble finger of a classical Greek statue and ordinary pottery fragments from Roman England and Polynesia. Other tales cover contemporary objects, including a toothpick, bell, door, and the blueprint for a 1970s motorcar. These creative stories are self-consciously personal; they derive from real world encounter viewed through the peculiarities and material intimacy of archaeological practice. This text can be used in undergraduate and graduate courses focused on archaeological interpretation and theory, as well as on material culture and story-telling.
Archaeological Theory In The New Millennium
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Author : Oliver J. T. Harris
language : en
Publisher: Taylor & Francis
Release Date : 2017-06-26
Archaeological Theory In The New Millennium written by Oliver J. T. Harris and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-06-26 with Social Science categories.
Archaeological Theory in the New Millennium provides an account of the changing world of archaeological theory and a challenge to more traditional narratives of archaeological thought. It charts the emergence of the new emphasis on relations as well as engaging with other current theoretical trends and the thinkers archaeologists regularly employ. Bringing together different strands of global archaeological theory and placing them in dialogue, the book explores the similarities and differences between different contemporary trends in theory while also highlighting potential strengths and weaknesses of different approaches. Written in a way to maximise its accessibility, in direct contrast to many of the sources on which it draws, Archaeological Theory in the New Millennium is an essential guide to cutting-edge theory for students and for professionals wishing to reacquaint themselves with this field.
Archaeology Is A Brand
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Author : Cornelius Holtorf
language : en
Publisher: Routledge
Release Date : 2016-07-01
Archaeology Is A Brand written by Cornelius Holtorf and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-07-01 with Social Science categories.
What impact is there on the field to recognize that archaeology is a regular feature in daily life and popular culture? Based upon the study of England, Germany, Sweden and the USA, Cornelius Holtorf examines the commonalities and peculiarities of media portrayal of archaeology in these countries, and the differences between media presentations and audience knowledge and attraction to the subject, In his normal engaging, populist style, Holtorf discusses the main strategies available to archaeologists in engaging with their popular representations. Possessors of a widely recognized, positively valued and well underpinned brand, archaeologists need to take more seriously the appeal of their work.
Media Archaeology
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Author : Erkki Huhtamo
language : en
Publisher: Univ of California Press
Release Date : 2011-06-12
Media Archaeology written by Erkki Huhtamo and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-06-12 with Art categories.
“Huhtamo and Parikka, from the first and second generations of media archaeology, have brought together the best writings from almost all of the best authors in the field. Whether we speak of cultural materialism, media art history, new historicism or software studies, the essays compiled here provide not only an anthology of innovative historical case studies, but also a methodology for the future of media studies as material and historical analysis. Media Archaeology is destined to be a key handbook for a new generation of media scholars.” —Sean Cubitt, author of The Cinema Effect "Taken together, this excellent collection of essays by a wide range of scholars and practitioners demonstrates how the emerging field of media archaeology not only excavates the ways in which newer media work to remediate earlier forms and practices but also sketches out how older media help to premediate new ones." —Richard Grusin, author of Premediation: Affect and Mediality after 9/11 “In Media Archaeology, a constellation of interdisciplinary writers explore society’s relationship with the technological imaginary through history, with fascinating essays on influencing machines, Freud as media theorist, interactive games from the 19th century to the present day, just to name a few. As an artist, my mind is set on fire by discussions of the marvelous inventions that never made it to the mainstream, such as optophonic poetry, Christopher Strachey’s 1952 ‘Love letter generator’ for the Manchester Mark II computer, and the ‘Baby talkie.’” —Zoe Beloff, artist and editor of The Coney Island Amateur Psychoanalytic Society and Its Circle "A long-awaited synthesis addressing media archaeology in all of its epistemological complexity. With wide-ranging intellectual breath and creative insight, Huhtamo and Parikka bring together an eminent array of international scholars in film and media studies, literary criticism, and history of science in the spirit of making the discourse of the humanities legible to artist-intellectuals. This foundational volume enables a sophisticated understanding of reproducible audiovisual media culture as apparatus, historical form, and avant-garde space of play." —Peter J. Bloom, author of French Colonial Documentary: Mythologies of Humanitarianism "An essential read for everyone interested in the histories of media and art." —Oliver Grau, author of MediaArtHistories "Media archaeology is a wonderful new shadow field. If you are willing to step outside the glow of new media, this book's approaches can shift how you experience the objects and experiences that fill the new everyday of contemporary life. No one captures the beauty of studying new media in the shadow of older media implements and practices better than Erkki Huhtamo, the Finnish writer, curator, and scholar of media technology and design famous for his creative work as a preservationist and an interpreter of pre-cinematic technologies of visual display. He has teamed up here with Jussi Parikka, the Finnish scholar who has brought us an insect theory of media, to give us this long-awaited collection of essays in media archaeology. The surprise of the book is that the essays collectively bring forward a range of approaches to considering archaeological practice, giving us new ways to think about our embodied and subjective orientations to technologies and objects through the lens of the material remnants of practice, rather than offering a narrow definition of the field. The collection moves between computational machines and influencing machines, preservation and imagination, offering a range of ways to live the new everyday of media experience through the imaginary of archaeology." —Lisa Cartwright, co-author of Practices of Looking: An Introduction to Visual Culture “Where McLuhan’s Understanding Media ends, Media Archaeology actually begins. Refusing the often futile search for the eternal laws of media, Media Archaeology does something more difficult and rare. It literally brings the history of media alive by drawing into presence the enigmatic, heterogeneous, unruly past of the media—its artifacts, machines, imaginaries, tactics, and games. What results is a fabulous cabinet of (media) memories: the imaginary moving with kinetic frenzy, histories of what happens when media collide in the electronic space of the virtual, and stories about those strange interstitial spaces between analogue and digital.” —Arthur Kroker, author of The Will to Technology and the Culture of Nihilism “Rupturing the continuities and established values of traditional media history, this exciting and thought-provoking collection makes a significant contribution to our understanding of media culture, and demonstrates that the presence of the past in present-day media is central to the recognition and re-cognition that media archaeology promotes.” —John Fullerton, editor of Screen Culture: History and Textuality “Here, at last, is a collection of essays that are a critical step to comprehending the history of our impulse to see ourselves in the machines we have made. This could be the beginning of 'Archaeology of Intention.'" —Bernie Lubell, artist “Huhtamo and Parikka’s expertly curated collection is a kaleidoscopic tour of media archaeology, giving us forceful evidence of that unruly domain’s vitality while preserving its wonderful unpredictability. With this essential volume, countless new paths have been opened up for media and cultural historians." —Charles R. Acland, author of Screen Traffic “This brilliant collection of essays provides much needed material and historical grounding for our understanding of new media. At the same time, it animates that ground by recognizing the integral roles that imagination, embodiment, and even productive disturbance play in media historiography. Yet these essays constitute more than a collection of historical case studies; together, they transform the book’s subject into its overall method. Media Archaeology performs media archaeology. Huhtamo and Parikka excavate the intellectual traditions and map the epistemological terrain of media archaeology itself, demonstrating that the field is ripe with possibilities not only for further historical examination, but also for imagining exciting new scholarly and creative futures.” —Shannon Mattern, The New School
Stone Worlds
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Author : Barbara Bender
language : en
Publisher: Left Coast Press
Release Date : 2007
Stone Worlds written by Barbara Bender and has been published by Left Coast Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with History categories.
This book represents an innovative experiment in presenting the results of a large-scale, multidisciplinary archaeological project, that of the Neolithic and Bronze Age landscapes on Bodmin Moor of Southwest England.
Carl W Blegen
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Author : Jack L. Davis
language : en
Publisher: Lockwood Press
Release Date : 2015-01-01
Carl W Blegen written by Jack L. Davis and has been published by Lockwood Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-01 with Biography & Autobiography categories.
Carl Blegen is the most famous American archaeologist ever to work in Greece, and no American has ever had a greater impact on Greek archaeology. Yet Blegen, unlike several others of his generation, has found no biographer. In part, the explanation for this must lie in the fact that his life was so multifaceted: not only was he instrumental in creating the field of Aegean prehistory, but Blegen, his wife, and their best friends, the Hills ("the family"), were also significant forces in the social and intellectual community of Athens. Authors who have contributed to this book have each researched one aspect of Blegen's life, drawing on copious documentation in the United States, England, and Greece. The result is a biography that sets Blegen and his closest colleagues in the social and academic milieu that gave rise to the discipline of classical archaeology in Greece.