The Cinematic Text


The Cinematic Text
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The Cinematic Text


The Cinematic Text
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Author : R. Barton Palmer
language : en
Publisher:
Release Date : 1989

The Cinematic Text written by R. Barton Palmer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Film criticism categories.


This third volume in the excellent series "Georgia State Literary Studies" is edited by an associate professor of English at Georgia State University in Atlanta. As Palmer correctly points out in his introduction, the major concerns of film theory have evolved from the narrative and linguist approaches of literary theory, and the book presents a range of critical methodologies including deconstruction, feminist criticism, and semiotics. The first section of the book presents a series of essays that use various theoretical models in analyzing specific films and filmmakers. The second section delves into the larger issues of modern film theory and includes two extended articles on the "translingistics" of the Russian theoretician Mikhail Bakhtin. Perhaps the most impressive piece in the text is the penultimate essay by David Bordwell, a sweeping reevalution of the field.



Understanding Film Texts


Understanding Film Texts
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Author : Patrick Phillips
language : en
Publisher: British Film Institute
Release Date : 2000

Understanding Film Texts written by Patrick Phillips and has been published by British Film Institute this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Juvenile Nonfiction categories.


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Philosophy And Film


Philosophy And Film
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Author : Cynthia A. Freeland
language : en
Publisher: Routledge
Release Date : 2016-01-08

Philosophy And Film written by Cynthia A. Freeland and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-01-08 with Philosophy categories.


Philosophy and Film moves from broad theoretical reflections on film as a medium to concrete examinations of individual films.



Film Text Analysis


Film Text Analysis
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Author : Janina Wildfeuer
language : en
Publisher: Routledge
Release Date : 2016-10-04

Film Text Analysis written by Janina Wildfeuer and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-10-04 with Social Science categories.


This book examines film as a multimodal text and an audiovisual synthesis, bringing together current work within the fields of narratology, philosophy, multimodal analysis, sound as well as cultural studies in order to cover a wide range of international academic interest. The book provides new insights into current work and turns the discussion towards recent research questions and analyses, representing and constituting in each contribution new work in the discipline of film text analysis. With the help of various example analyses, all showing the methodological applicability of the discussed issues, the collection provides novel ways of considering film as one of the most complex and at the same time broadly comprehensible texts.



A Dictionary Of Film Studies


A Dictionary Of Film Studies
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Author : Annette Kuhn
language : en
Publisher: OUP Oxford
Release Date : 2012-06-21

A Dictionary Of Film Studies written by Annette Kuhn and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06-21 with Performing Arts categories.


Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.



Constructivism In Film


Constructivism In Film
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Author : Vlada Petrić
language : en
Publisher:
Release Date : 1987

Constructivism In Film written by Vlada Petrić and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Social Science categories.


Vlada Petric explicates the cinematic text of one of the most famous works of avant-garde nonfiction film, Dziga Vertov's Man with a Movie Camera



The Cinematic Political


The Cinematic Political
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Author : Michael J. Shapiro
language : en
Publisher: Routledge
Release Date : 2019-11-01

The Cinematic Political written by Michael J. Shapiro and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-01 with Political Science categories.


In this book, Michael J. Shapiro stages a series of pedagogical encounters between political theory, represented as a compositional challenge, and cinematic texts, emphasizing how to achieve an effective research paper/essay by heeding the compositional strategies of films. The text’s distinctiveness is its focus on the intermediation between two textual genres. It is aimed at providing both a conceptual introduction to the politics of aesthetics and a guide to writing strategies. In its illustrations of encounters between political theory and cinema, the book’s critical edge is its emphasis on how to intervene in cinematic texts with innovative conceptual frames in ways that challenge dominant understandings of life worlds. The Cinematic Political is designed as a teaching resource that introduces students to the relationship between film form and political thinking. With diverse illustrative investigations, the book instructs students on how to watch films with an eye toward writing a research paper in which a film (or set of films) constitutes the textual vehicle for political theorizing.



Adaptations


Adaptations
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Author : Deborah Cartmell
language : en
Publisher: Routledge
Release Date : 2013-06-17

Adaptations written by Deborah Cartmell and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-06-17 with Social Science categories.


Adaptations considers the theoretical and practical difficulties surrounding the translation of a text into film, and the reverse process; the novelisation of films. Through three sets of case studies, the contributors examine the key debates surrounding adaptations: whether screen versions of literary classics can be faithful to the text; if something as capsulated as Jane Austens irony can even be captured on film; whether costume dramas always of their own time and do adaptations remake their parent text to reflect contemporary ideas and concerns. Tracing the complex alterations which texts experience between different media, Adaptations is a unique exploration of the relationship between text and film.



The End


The End
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Author : Richard John Neupert
language : en
Publisher: Wayne State University Press
Release Date : 1995

The End written by Richard John Neupert and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Literary Criticism categories.


Given the importance that spectators grant to the final moments of a motion picture, it is surprising to find so little written on how films end and how audiences interpret those closing moments. This study investigates endings in film and the lively role they play in how and why viewers make sense of movies. Relying upon contemporary literary criticism and film theory, the author analyses narrative strategies in films ranging from the classical Hollywood motion picture to the more modern European art cinema. To assist readers in understanding the various functions of endings, the films are divided into four critical categories: the "Closed Text" film, typical of classical works; the "Open Story" films; the "Open Discourse" film; and the "Open Text" film which struggles to defy story resolution. Detailed textual analysis of sample films reveal how all of the devices of filmic narration - from "mise-en-scene" to soundtracks - direct a viewer's perception, comprehension and interpretation of closure in films. Among the sample films that are featured as test cases for studying endings are "The Quiet Man" (Ford, 1950), "The 400 Blows" (Truffaut, 1959), "Weekend" (Godard, 1967), "Tout va bien" (Godard, 1972), and "Earth" (Dovzhenko, 1930). To round out his informative study of endings in films, Neupert also examines a host of diverse titles, including "Do the Right Thing" (Lee, 1989), "Open City" (Rossellini, 1945) and "The Graduate" (Nichols, 1967).



Symbolic Narratives African Cinema


Symbolic Narratives African Cinema
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Author : June Givanni
language : en
Publisher:
Release Date : 2000

Symbolic Narratives African Cinema written by June Givanni and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Juvenile Nonfiction categories.


In the conference Africa and the History of Cinematic ideas which took place in London in 1995, film-makers, cultural theorists and critics gathered to debate a range of issues that both united and divided them. These included the historical contexts for African cinema and the implication of new distribution and exhibition networks for a group of increasingly diasporic cinemas. The event provided a forum for debate between the different African cinematic community and for exchanges of views on different topics ranging from the problems of production, exhibition and distribution, to the problematics of modernity, post-colonial theory and the stubborn presence of Western cultural imperialism.