The Curatorial
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The Curatorial
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Author : Jean-Paul Martinon
language : en
Publisher: A&C Black
Release Date : 2013-10-24
The Curatorial written by Jean-Paul Martinon and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-24 with Philosophy categories.
Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times.
The Curatorial Condition
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Author : Beatrice Von Bismarck
language : en
Publisher: National Geographic Books
Release Date : 2022-11-15
The Curatorial Condition written by Beatrice Von Bismarck and has been published by National Geographic Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-11-15 with Art categories.
An analyses of the relations created by the curatorial—relations that also constitute it. In spite of the heightened interest in the curatorial since the late twentieth century, the structural conditions and potentials underpinning its special sociocultural status have yet to be defined. Taking this as a starting point, in this book, Beatrice von Bismarck outlines the curatorial—that field of cultural activity and knowledge which relates to the becoming-public of art and culture—as a domain of practice and meaning with its own structures, conditions, rules, and procedures. Von Bismarck focuses on the relations created by the curatorial—relations that also constitute it. By concentrating on the dynamic fabric of relations between human and nonhuman participants, she carries out a shift within the discourse on the curatorial: rather than foregrounding partial definitions of the activity of curating, the subjectivization of the curator, and the presentation format of the exhibition, she emphasizes the interplay of all these factors. She proposes a conceptual framework geared toward highlighting the activity, the subject position, and the resulting product as always already dynamically interrelated in its genesis, articulation, and function. Not least, this situates the curatorial condition in the context of key parameters of societal developments over the last half century.
The Curatorial Conundrum
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Author : Paul O'Neill
language : en
Publisher: MIT Press
Release Date : 2016-05-20
The Curatorial Conundrum written by Paul O'Neill and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-20 with Art categories.
The future of curatorial practice: how education, research, and institutions can adapt to the expansion of the curatorial field. Today curators are sometimes more famous than the artists whose work they curate, and curatorship involves more than choosing objects for an exhibition. The expansion of the curatorial field in recent decades has raised questions about exhibition-making itself and the politics of production, display, and distribution. The Curatorial Conundrum looks at the burgeoning field of curatorship and tries to imagine its future. Indeed, practitioners and theorists consider a variety of futures: the future of curatorial education; the future of curatorial research; the future of curatorial and artistic practice; and the institutions that will make these other futures possible. The contributors examine the proliferation of graduate programs in curatorial studies over the last twenty years, and consider what can be taught without giving up what is precisely curatorial, within the ever-expanding parameters of curatorial practice in recent times. They discuss curating as collaborative research, asking what happens when exhibition operates as a mode of research in its own right. They explore curatorial practice as an exercise in questioning the world around us; and they speculate about what it will take to build new, innovative, and progressive curatorial research institutions. Contributors Nancy Adajania, Mélanie Bouteloup, Nikita Yingqian Cai, Luis Camnitzer, Eddie Chambers, Zasha Cerizza Colah, Galit Eilat, Liam Gillick, Koyo Kouoh, Miguel A. López, Hans Ulrich Obrist, Paul O'Neill, Tobias Ostrander, João Ribas, Sarah Rifky, Sumesh Sharma, Simon Sheikh, Lucy Steeds, Jeannine Tang, David The, Jelena Vesić & Vladimir Jerić Vlidi, What, How & for Whom/WHW, Mick Wilson, Vivian Ziherl Copublished with the Center for Curatorial Studies Bard College/Luma Foundation
The Culture Of Curating And The Curating Of Culture S
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Author : Paul O'Neill
language : en
Publisher: MIT Press
Release Date : 2016-09-02
The Culture Of Curating And The Curating Of Culture S written by Paul O'Neill and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-02 with Art categories.
How curating has changed art and how art has changed curating: an examination of the emergence contemporary curatorship. Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O'Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O'Neill describes how, by the 1980s, curated group exhibitions—large-scale, temporary projects with artworks cast as illustrative fragments—came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O'Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated—and authorized—the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O'Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
Performing The Curatorial
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Author : Maria Lind
language : en
Publisher:
Release Date : 2012
Performing The Curatorial written by Maria Lind and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Art categories.
The curatorial includes the post production artistic practices that bring together within a particular time and space related framework disparate images, objects, as well as other material and immaterial phenomena. In its performative aspects that seek to challenge the status quo, the curatorial also includes elements of choreography, orchestration and administrative logistics. Edited by director and writer Maria Lind, this book brings together a diverse group of curators, artists, art historians, educators and thinkers, all of whom reflect on the curatorial motives, tendencies and tactics, pitfalls and exegeses in translating and thus performing cultural heritage. Contributors include Doug Ashford, Beatrice von Bismarck and Eungie Joo.
What Museums Do
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Author : Song Sujong
language : en
Publisher:
Release Date : 2018
What Museums Do written by Song Sujong and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Art museum curators categories.
Cultures Of The Curatorial 3
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Author : Beatrice Von Bismarck
language : en
Publisher: National Geographic Books
Release Date : 2015-09-04
Cultures Of The Curatorial 3 written by Beatrice Von Bismarck and has been published by National Geographic Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-04 with Art categories.
A curatorial situation is always one of hospitality. It implies invitations to artists, artworks, curators, audiences, and institutions; people and objects are received, welcomed, and temporarily brought together. It offers resources for material and physical support while also responding to a need for recognition, respect, or attention. Finally, and very importantly, a curatorial situation operates in the space between an unconditional acceptance of the other and exclusions legitimized through various rules and regulations. This publication analyzes, from the perspective of hospitality, the curatorial within the current sociopolitical context through key topics concerning immigration, conditions along borders, and accommodations for refugees. The contributions in this volume, by international curators, artists, critics, and theoreticians, deal with conditions of decontextualization and displacement, encounters between the local and the foreign, as well as the satisfaction of basic human needs. Hospitality: Hosting Relations in Exhibitions is the third volume in the Cultures of the Curatorial book series. Copublished with Kulturen des Kuratorischen, Hochschule für Grafik und Buchkunst Leipzig Contributors Beatrice von Bismarck, Nanne Buurman, Maja Ćirić, Alice Creischer, Andrea Fraser, Lorenzo Fusi, Wiebke Gronemeyer, Erik Hagoort, Anthony Huberman, Thomas Locher, Benjamin Meyer-Krahmer, Dieter Roelstraete, Stefan Römer, Jörn Schafaff, Andreas Siekmann, Ruth Sonderegger
Curatorial Challenges
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Author : Malene Vest Hansen
language : en
Publisher: Routledge
Release Date : 2019-03-20
Curatorial Challenges written by Malene Vest Hansen and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-20 with Social Science categories.
Curatorial Challenges investigates the challenges faced by curators in contemporary society and explores which practices, ways of thinking, and types of knowledge production curating exhibitions could challenge. Bringing together international curators and researchers from the fields of art and cultural history, the book provides new research and perspectives on the curatorial process and aims to bridge the traditional gap between theoretical and academic museum studies and museum practices. The book focuses on exhibitions as a primary site of cultural exchange and argues that, as highly visible showcases, producers of knowledge, and historically embedded events, exhibitions establish and organize meanings of art and cultural heritage. Temporary exhibitions continue to increase in cultural significance and yet the traditional role of the museum as a Bildung institution has changed. As exhibitions gain in significance, so too do curatorial strategies. Arguing that new research is needed to help understand these changes, the book presents original research that explores how curatorial strategies inform both art and cultural history museums in contemporary society. The book also investigates what sort of critical, transformative, and perhaps even conservative, potential can be traced in exhibition cultures. Curatorial Challenges fosters innovative interdisciplinary exchange and brings new insights to the field of curatorial studies. As such, it should be of great interest to academics, researchers, and postgraduate students engaged in the study of curatorial practice, museum studies, the making of exhibitions, museum communication, and art history.
Rethinking Curating
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Author : Beryl Graham
language : en
Publisher: MIT Press
Release Date : 2015-08-21
Rethinking Curating written by Beryl Graham and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-21 with Art categories.
Redefining curatorial practice for those working with new kinds of art. As curator Steve Dietz has observed, new media art is like contemporary art—but different. New media art involves interactivity, networks, and computation and is often about process rather than objects. New media artworks are difficult to classify according to the traditional art museum categories determined by medium, geography, and chronology and present the curator with novel challenges involving interpretation, exhibition, and dissemination. This book views these challenges as opportunities to rethink curatorial practice. It helps curators of new media art develop a set of flexible tools for working in this fast-moving field, and it offers useful lessons from curators and artists for those working in such other areas of art as distributive and participatory systems. The authors, both of whom have extensive experience as curators, offer numerous examples of artworks and exhibitions to illustrate how the roles of curators and audiences can be redefined in light of new media art's characteristics. Rethinking Curating offers curators a route through the hype around platforms and autonomous zones by following the lead of current artists' practice.
The Curatorial Complex
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Author : Wiebke Gronemeyer
language : en
Publisher: Brill Fink
Release Date : 2018
The Curatorial Complex written by Wiebke Gronemeyer and has been published by Brill Fink this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Art museums categories.
By analyzing how artistic and curatorial practices can activate processes and generate structures that facilitate dialogical spaces of communication between curators, artists and their publics, The Curatorial Complex addresses the social dimensions of knowledge production for the ways people and art come together in the curated encounter. Questions around what knowledge is and how it can be produced are paired with critically addressing in the proliferation of knowledge production as part of the intellectualization of the art field and its commodification in the knowledge economy. The Curatorial Complex beschreibt, wie Wissen über Kunst in und durch Gesellschaft entsteht. Künstler, Ausstellungsmacher und Vermittler schaffen dialogische Kommunikationsräume, in denen soziale, politische, und kulturelle Dimensionen unseres Lebens exemplarisch verhandelt werden. Das Verhältnis von Kunst und Gesellschaft betreffend hat kuratorische Praxis die Funktion, sowohl Reflexionsräume zu schaffen, als auch Wissen zu generieren. Durch die Analyse, wie künstlerische und kuratorische Praktiken Prozesse aktivieren und Strukturen erzeugen können, die dialogische Kommunikationsräume zwischen Kuratoren, Künstlern und ihrem Publikum eröffnen, wird hinterfragt, was für ein Wissen denn überhaupt generiert wird, wenn Menschen Kunst begegnen. Aus Perspektive der kuratorischen Handlung wird die gesellschaftsbildende Dimension dieser Begegnung vor dem Hintergrund der Intellektualisierung des Kunstfeldes und seiner Kommodifizierung in der Wissensökonomie untersucht.