The Man With The Movie Camera
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Constructivism In Film A Cinematic Analysis
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Author : Vlada Petric
language : en
Publisher: CUP Archive
Release Date : 1993-06-25
Constructivism In Film A Cinematic Analysis written by Vlada Petric and has been published by CUP Archive this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-06-25 with Performing Arts categories.
Vlada Petric explicates the cinematic text of one of the most famous works of avant-garde nonfiction film, Dziga Vertov's Man with a Movie Camera
The Man With The Movie Camera
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Author : Graham Roberts
language : en
Publisher:
Release Date : 2002
The Man With The Movie Camera written by Graham Roberts and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Chelovek s kinoapparatom (Motion picture) categories.
Constructivism In Film A Cinematic Analysis
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Author : Vlada Petrić
language : en
Publisher: Cambridge University Press
Release Date : 2012
Constructivism In Film A Cinematic Analysis written by Vlada Petrić and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Art categories.
This book examines the radical experiments of early Soviet filmmakers, with a detailed analysis of The Man with the Movie Camera (1929).
Man With A Movie Camera
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Author :
language : en
Publisher:
Release Date : 2002
Man With A Movie Camera written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with categories.
The Men With The Movie Camera
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Author : Philip Cavendish
language : en
Publisher: Berghahn Books
Release Date : 2013-12-30
The Men With The Movie Camera written by Philip Cavendish and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-30 with Performing Arts categories.
Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.
Kino Eye
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Author : Dziga Vertov
language : en
Publisher: Univ of California Press
Release Date : 1984
Kino Eye written by Dziga Vertov and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Literary Criticism categories.
Dziga Vertov was one of the greatest innovators of Soviet cinema. The radical complexity of his work—in both sound and silent forms—has given it a central place within contemporary theoretical inquiry. Vertov's writings, collected here, range from calculated manifestos setting forth his heroic vision of film's potential to dark ruminations on the inactivity forced upon him by the bureaucratization of the Soviet state.
The Man With The Movie Camera
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Author : Graham Roberts
language : en
Publisher: I.B. Tauris
Release Date : 2001-03-21
The Man With The Movie Camera written by Graham Roberts and has been published by I.B. Tauris this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-03-21 with Performing Arts categories.
The "KINO Russian Cinema" series has been expanding to provide students and general readers with readable companion handbooks to important and interesting films of Russian cinema from its beginnings to contemporary times. This volume investigates the production, context and reception of the film "The Man with the Movie Camera" directed by Dziya Ventov, the people who made it, and the film itself, including its place in Russian and World cinema.
Dziga Vertov And Man With The Movie Camera
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Author : Bertrand J. L. Sauzier
language : en
Publisher:
Release Date : 1982
Dziga Vertov And Man With The Movie Camera written by Bertrand J. L. Sauzier and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with categories.
Dziga Vertov
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Author : John MacKay
language : en
Publisher: Film and Media Studies
Release Date : 2018
Dziga Vertov written by John MacKay and has been published by Film and Media Studies this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Biography & Autobiography categories.
For 60 years, the Soviet filmmaker Dziga Vertov, creator of the famed Man with a Movie Camera (1929), has been recognized as a founding figure of documentary, avant-garde, and political-propaganda film. This book addresses Vertov's formative years in prerevolutionary and Soviet Russia, alongside his interests in music, poetry and technology.
Film Form
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Author : Sergei Eisenstein
language : en
Publisher: HMH
Release Date : 2014-06-17
Film Form written by Sergei Eisenstein and has been published by HMH this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-17 with Performing Arts categories.
A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.