The New Iranian Cinema
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Life And Art
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Author : Rose Issa
language : en
Publisher:
Release Date : 1999
Life And Art written by Rose Issa and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Cinema categories.
The New Iranian Cinema
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Author : Richard Tapper
language : en
Publisher:
Release Date : 2002
The New Iranian Cinema written by Richard Tapper and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Motion pictures categories.
Iranian Cinema And The Islamic Revolution
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Author : Shahla Mirbakhtyar
language : en
Publisher: McFarland
Release Date : 2015-02-18
Iranian Cinema And The Islamic Revolution written by Shahla Mirbakhtyar and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-02-18 with Performing Arts categories.
In spite of international award-winning productions, Iran's cinema is underexposed. Because of the prevailing religious, political and social atmosphere in Iran, the country's cinema remained stagnant for more than 50 years. Although the "new" Iranian cinema had begun to develop before the 1979 revolution, the political changes gave rise to a new wave of expression. This volume examines the two waves of modern Iranian cinema: before and after the Islamic Revolution of 1979. The first began about 1969, and the second started in 1984 and carried its momentum through 1997. Topics discussed include the effect of cultural mores on cinematic growth, the development of Iranian cinema as a reaction against commercial cinema and the effect of politics on the film industry. Foreign influence (largely American and Indian) on Iranian films is also examined. Critical sources used are primarily Persian to give the reader a culturally inclusive view of each production. Specific films discussed include Fickle, The Cow, Mud-brick and Mirror, Captain Khorshid and Downpour. A chapter-by-chapter filmography is included.
The New Iranian Cinema
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Author : Richard Tapper
language : en
Publisher: Harvard Common Press
Release Date : 2002-09-06
The New Iranian Cinema written by Richard Tapper and has been published by Harvard Common Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-09-06 with Business & Economics categories.
Iranian cinema is today widely recognised not merely as a distinctive national cinema, but as one of the most innovative and exciting mzzin the world. This book shows how contemporary Iranian film has firm roots, both from before the revolution and in richer and more profound cultural traditions that have survived many centuries of political and social change.
The Politics Of Iranian Cinema
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Author : Saeed Zeydabadi-Nejad
language : en
Publisher: Routledge
Release Date : 2009-12-04
The Politics Of Iranian Cinema written by Saeed Zeydabadi-Nejad and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-12-04 with History categories.
Iran has undergone considerable social and political upheaval since the revolution and this has been reflected in its cinema. Focusing on the practices of regulation, production and reception of films in Iran, this book explores the politics of Iranian cinema in its post-revolutionary context.
The Development Of Iranian Cinema After The Islamic Revolution
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Author : Sophie Duhnkrack
language : en
Publisher: GRIN Verlag
Release Date : 2009-05-28
The Development Of Iranian Cinema After The Islamic Revolution written by Sophie Duhnkrack and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-05-28 with Religion categories.
Thesis (M.A.) from the year 2009 in the subject Orientalism / Sinology - Islamic Studies, grade: 85, Ben Gurion University, course: The 1979 Iranian Revolution: A Thirty-Year Perspective, language: English, abstract: An analysis of the recent development of Iranian Cinema should primarily mention its origins and history, especially since Iranian cinema always has been so closely linked to the political circumstances dominating the social reality. Its outset is generally accepted to have begun around 1900, when Mirza Ebrahim Khan Akkas Bashi, the official photographer of Muzaffar al-Din Shah, shot the first Iranian documentary.... As Richard Tapper states in his work, The New Iranian Cinema, “both government and religious authorities sought to control the images to be shown publicly.” ‘Formal censorship’ began in the 1920s, when the imported films exhibiting women, sex and amusement dominated the Iranian market. In contrast to this permissive attitude, depicting the political or social reality critically in local productions was taboo. Until the Second World War “nothing worthy of being called ‘national cinema’” was produced. In these decades, Iranian films were mainly remakes of foreign works, mainly Indian or Egyptian, and normally they lacked artistic quality. This genre of films is known as “Film Farsi.” Along with the development of film comes the history of censorship, which tries to curb the freedom of expression in increasingly institutionalized manners. Indeed, in 1950 a committee for the supervision of locally produced or imported films was established. This might have contributed to the fact that in the 1950s and 1960s, next to the import of American and Indian films, only “commercial films” were famous in Iran, whose sole aim was to entertain and to fill the cash tills. In this period too, the censorship worried more about the expression of political opinions than about the demonstration of sex. However, on the edge of mainstream productions slowly evolved few other interesting and formative films. “1969 is generally agreed to mark the birth of Iranian art cinema, called the New Wave.” In the following period various films were successfully presented to international film festivals. However, from its beginning on, the evolution of Iranian cinema was constantly accompanied by a consistent religious opposition. Through the lens of many Iranian clerics, films were immoral. They denounced cinema as a tool to access corrupt western influence into Iran. This suspicion and aversion against cinema, which was deep-rooted in many Iranian clergymen found later on as well expression in the Islamic Republic.
Iranian Cinema Uncensored
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Author : Shiva Rahbaran
language : en
Publisher: Bloomsbury Publishing
Release Date : 2015-12-18
Iranian Cinema Uncensored written by Shiva Rahbaran and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-12-18 with Performing Arts categories.
The New Iranian Cinema is considered by many to be the most fascinating cultural phenomenon produced within the Islamic Republic of Iran. Containing twelve first-hand interviews with the most renowned film-makers living and working in contemporary Iran, this book provides insights into film-making within a society often at odds with its rulers. Reflecting upon the 1979 revolution and its influence on their work, as well as the effect of their films on Iranian audiences, film-makers such as Abbas Kiarostami and Jafar Panahi highlight the key issues surrounding the reception of Iranian cinema in the West and also its role in the development of Iran's global image. Through these conversations Shiva Rahbaran reveals that the seeds of the New Iranian Cinema were sown long before the revolution, and that Iranian film-makers gave rise to a cinema which became a global phenomenon despite censorship, sanctions and political isolation.
Iranian Cinema In A Global Context
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Author : Peter Decherney
language : en
Publisher: Routledge
Release Date : 2014-09-15
Iranian Cinema In A Global Context written by Peter Decherney and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-15 with Social Science categories.
Iranian films have been the subject of much critical and scholarly attention over the past several decades, and Iranian filmmakers are mainstays of international film festivals. Yet most of the attention has been focused on a small segment of Iranian film production: auteurist art cinema. Iranian Cinema in a Global Context, on the other hand, takes account of the wide range of Iranian cinema, from popular youth films to low budget underground films. The volume also reassesses the global circulation of Iranian art cinema, looking at its reception at international festivals, in university curricula, and at the Academy Awards. A final theme of the volume explores the intersection between politics and film, with essays on post-Khatami reform influences, representations of ineffective drug policies, and the representation of Jewish characters in Iranian film. Taken together, the essays in this volume present a new definition of the field of Iranian film studies, one that engages global media flows, transmedia interaction, and a heterogeneous Iranian national cinema.
The New Wave Cinema In Iran
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Author : Parviz Jahed
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2022-06-02
The New Wave Cinema In Iran written by Parviz Jahed and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-06-02 with Performing Arts categories.
The New Wave Cinema in Iran is a historical and analytical study of the Iranian New Wave Cinema (Mowj-e No) as an artistic and intellectual movement that came to its best early productions between 1958 and 1978. As the movement has a long history, Parviz Jahed focuses on the development and the early progression of the movement in the 1960s and explores its emergence and development in the context of the cultural and social conditions of Iran during this period. Jahed first defines the term 'New Wave' in Iran's film culture, in order to identify the root elements that gave traction to this movement. He analyses the degree to which different elements and factors have contributed to the formation of this cinema, accounting for the different approaches of Iranian intellectual filmmakers towards modernity and a modern form of cinema in Iran. The book finishes by studying the works of three intellectual figures and influential filmmakers of the 1960s, Ebrahim Golestan, Farrokh Ghaffari, and Feraydoon Rahnama, who are arguably considered the forerunners of the New Wave Cinema in Iran.
Iranian Cinema
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Author : Hamid Reza Sadr
language : en
Publisher: Bloomsbury Publishing
Release Date : 2006-09-29
Iranian Cinema written by Hamid Reza Sadr and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-09-29 with Performing Arts categories.
Recent, post-revolutionary Iranian cinema has of course gained the attention of international audiences who have been struck by its powerful, poetic and often explicitly political explorations. Yet mainstream, pre-revolutionary Iranian cinema, with a history stretching back to the early twentieth century, has been perceived in the main as lacking in artistic merit and, crucially, as apolitical in content. This highly readable history of Iran as revealed through the full breadth of its cinema re-reads the films themselves to tell the full story of shifting political, economic and social situations. Sadr argues that embedded within even the seemingly least noteworthy of mainstream Iranian films, we find themes and characterisations which reveal the political contexts of their time and which express the ideological underpinnings of a society. Beginning with the introduction of cinema to Iran through the Iranian monarchy, the book covers the broad spectrum of Iran's cinema, offering vivid descriptions of all key films. "Iranian Cinema" looks at recurring themes and tropes, such as the rural versus the 'corrupt' city and, recently, the preponderance of images of childhood, and asks what these have revealed about Iranian society. The author brings the story up to date explaining Iranian filmmaking after the events of September 11, from Mohsen Makhmalbaf's astonishing Kandahar to Saddiq Barmak's angry work Osama, to explore this most recent and breathtaking revival in Iranian cinema.