The Practice Of Medieval Music
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Medieval Music In Practice
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Author : Judith Ann Peraino
language : en
Publisher: American Institute of Musicology, Gmbh
Release Date : 2013
Medieval Music In Practice written by Judith Ann Peraino and has been published by American Institute of Musicology, Gmbh this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Music categories.
Richard Crocker once wrote "we understand many things about the history of music--specifically its development--better from the earlier periods." Since his first publications in 1958, Crocker pioneered a radically phenomenological and critical approach to the study of early music and musical style. Medieval Music in Practice: Studies in Honor of Richard Crocker brings together eleven essays that take up Crocker's call to consider the continuity of medieval and later musical practices in performance, composition, and pedagogy. Two introductory essays open this collection. Judith Peraino surveys the disciplinary questions that emerge in Crocker's work: What constitutes a coherent category of music? What are the "ruling ideas" of musicology? Richard Taruskin pays tribute to Crocker's remarkable prescience in the 1960s of anti-essentialist and anti-universalist arguments that characterized "new musicology" in the 1980s. Nine further essays focus on repertories from the eleventh century to the sixteenth century, reflecting different facets of Crocker's scholarly legacy: Lori Kruckenberg, James Grier, and Margot Fassler explore the use of medieval chant in the crafting of personal and institutional histories; Sarah Fuller, Margaret Hasselman, and Julie Cumming consider pedagogy, continuity, and intertextuality in Medieval and Renaissance compositions; Sean Curran, Anna Maria Busse Berger, and Dorit Tanay examine the material, written artifacts of Medieval music for information about its contexts and meanings. Scholars of early music and those interested in the intellectual history of musicology will find in these essays new historical discoveries and critical insights that enrich our view of the practice of medieval music as well as our practice of musicology. For more information, see http: //www.corpusmusicae.com/misc/misc_cc008.htm
Improvisation And Inventio In The Performance Of Medieval Music
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Author : Mariani Smith Mariani
language : en
Publisher: Oxford University Press
Release Date : 2017
Improvisation And Inventio In The Performance Of Medieval Music written by Mariani Smith Mariani and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with History categories.
Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present, emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
Improvisation And Inventio In The Performance Of Medieval Music
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Author : Angela Mariani
language : en
Publisher: Oxford University Press
Release Date : 2017-08-02
Improvisation And Inventio In The Performance Of Medieval Music written by Angela Mariani and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-08-02 with History categories.
Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
Music As Concept And Practice In The Late Middle Ages
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Author : Reinhard Strohm
language : en
Publisher:
Release Date : 2001
Music As Concept And Practice In The Late Middle Ages written by Reinhard Strohm and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Music categories.
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
The Practice Of Medieval Music
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Author : Thomas Forrest Kelly
language : en
Publisher: Ashgate Publishing
Release Date : 2010
The Practice Of Medieval Music written by Thomas Forrest Kelly and has been published by Ashgate Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Music categories.
Focuses on how music functioned in the middle ages, what it meant to its hearers, and how it was performed. This title introduces the reader to the practical detail and complex intricacies of the performance of medieval music in the liturgy. It also offers perspectives to the understanding of the growth of the Roman liturgy.
The Sound Of Medieval Song
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Author : Timothy J. McGee
language : en
Publisher: Clarendon Press
Release Date : 1998-04-02
The Sound Of Medieval Song written by Timothy J. McGee and has been published by Clarendon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-04-02 with Music categories.
The Sound of Medieval Song is a study of how sacred and secular music was actually sung during the Middle Ages. The source of the information is the actual notation in the early manuscripts as well as statements found in approximately 50 theoretical treatises written between the years 600-1500. The writings describe various singing practices and both desirable and undesirable vocal techniques, providing a fairly accurate picture of how singers approached the music of the period. Detailed descriptions of the types and uses of improvised ornament indicate that in performance the music was highly ornate, and included trill, gliss, reverberation, pulsation, pitch inflection, non-diatonic tones, and cadenza-like passages of various lengths. The treatises also provide evidence of stylistic differences in various geographical locations. McGee draws conclusions about the kind of vocal production and techniques necessary in order to reproduce the music as it was performed during the Middle Ages, aligning the practices much more closely with those of the Middle East than has ever been previously acknowledged.
A Performer S Guide To Medieval Music
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Author : Ross W. Duffin
language : en
Publisher: Indiana University Press
Release Date : 2000
A Performer S Guide To Medieval Music written by Ross W. Duffin and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Music categories.
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Companion To Medieval And Renaissance Music
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Author : Tess Knighton
language : en
Publisher: Univ of California Press
Release Date : 1997
Companion To Medieval And Renaissance Music written by Tess Knighton and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Art categories.
With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginning of the Christian era to 1600. Fifty essays comment on the social, historical, theoretical, and performance contexts of the music and musicians of the period to offer fresh perspectives on musical styles, research sources, and performance practices of the medieval and Renaissance periods.
Music And Instruments Of The Middle Ages
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Author : Tess Knighton
language : en
Publisher: Boydell & Brewer
Release Date : 2020
Music And Instruments Of The Middle Ages written by Tess Knighton and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Conductus categories.
Essays on important topics in early music.
Composing Community In Late Medieval Music
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Author : Jane D. Hatter
language : en
Publisher: Cambridge University Press
Release Date : 2019-05-02
Composing Community In Late Medieval Music written by Jane D. Hatter and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-02 with Art categories.
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.