Theory And Method In Ethnomusicology
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Theory And Method In Ethnomusicology
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Author : Bruno Nettl
language : en
Publisher: New York, Free P. of Glencoe
Release Date : 1964
Theory And Method In Ethnomusicology written by Bruno Nettl and has been published by New York, Free P. of Glencoe this book supported file pdf, txt, epub, kindle and other format this book has been release on 1964 with Music categories.
Theory And Method In Ethnomusicology
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Author : Bruno Nettl
language : en
Publisher:
Release Date : 1964
Theory And Method In Ethnomusicology written by Bruno Nettl and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1964 with Ethnomusicology categories.
Theory And Method In Historical Ethnomusicology
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Author : Jonathan McCollum
language : en
Publisher: Lexington Books
Release Date : 2014-09-11
Theory And Method In Historical Ethnomusicology written by Jonathan McCollum and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-11 with Music categories.
Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that “the term ‘historical ethnomusicology’ has begun to appear in programs of conferences and in publications” (Nettl 2005, 274), and as recently as 2012 scholars similarly noted “an increasing concern with the writing of musical histories in ethnomusicology” (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are “all ethnomusicologists now” and that “all ethnomusicology is historical” (Stobart, 2008), yet we sense that such arguments—while useful, and theoretically correct—may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography––and the related application of new technologies––impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.
Ethnomusicological Theory And Method
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Author : Kay Kaufman Shelemay
language : en
Publisher: Garland Publishing
Release Date : 1990
Ethnomusicological Theory And Method written by Kay Kaufman Shelemay and has been published by Garland Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Music categories.
Theory Method Sustainability And Conflict
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Author : Svanibor Pettan
language : en
Publisher: Oxford University Press
Release Date : 2019-02-20
Theory Method Sustainability And Conflict written by Svanibor Pettan and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-02-20 with Music categories.
The nine ethnomusicologists who contributed to this volume, balanced in age and gender and hailing from a diverse array of countries, share the goal of stimulating further development in the field of ethnomusicology. By theorizing applied ethnomusicology, offering histories, and detailing practical examples, they explore the themes of peace and conflict studies, ecology, sustainability, and the theoretical and methodological considerations that accompany them. Theory, Method, Sustainability, and Conflict is the first of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology, which can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.
Shadows In The Field
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Author : Gregory F. Barz
language : en
Publisher: Oxford University Press
Release Date : 2008-09-09
Shadows In The Field written by Gregory F. Barz and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-09-09 with Music categories.
Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomusicological or anthropological method. The focus in ethnomusicological writing and teaching has traditionally centered around analyses and ethnographic representations of musical cultures, rather than on the personal world of understanding, experience, knowing, and doing fieldwork. Shadows in the Field deliberately shifts the focus of ethnomusicology and of ethnography in general from representation (text) to experience (fieldwork). The "new fieldwork" moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts. In this new edition of Shadows in the Field, renowned ethnomusicologists explore the roles they themselves act out while performing fieldwork and pose significant questions for the field: What are the new directions in ethnomusicological fieldwork? Where does fieldwork of "the past" fit into these theories? And above all, what do we see when we acknowledge the shadows we cast in the field? The second edition of Shadows in the Field includes updates of all existing chapters, a new preface by Bruno Nettl, and seven new chapters addressing critical issues and concerns that have become increasingly relevant since the first edition.
Theory For Ethnomusicology
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Author : Harris M. Berger
language : en
Publisher: Routledge
Release Date : 2019-05-31
Theory For Ethnomusicology written by Harris M. Berger and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-31 with Music categories.
Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline’s past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008. A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field’s relevance and pointing the way toward new horizons of research. New to this edition: Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements.
Theory For Ethnomusicology
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Author : Ruth M. Stone
language : en
Publisher: Routledge
Release Date : 2015-07-14
Theory For Ethnomusicology written by Ruth M. Stone and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-14 with Music categories.
For courses in ethnomusicological theory. This book covers ethnomusicological theory, exploring some of the underpinnings of different approaches and analyzing differences and commonalities in these orientations. This text addresses how ethnomusicologists have used and applied these theories in ethnographic research.
The Garland Library Of Readings In Ethnomusicology Ethnomusicological Theory And Method
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Author : Kay Kaufman Shelemay
language : en
Publisher:
Release Date : 1990
The Garland Library Of Readings In Ethnomusicology Ethnomusicological Theory And Method written by Kay Kaufman Shelemay and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Ethnomusicology categories.
On Methods Of Music Theory And Ethno Musicology
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Author : Nico Schüler
language : en
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Release Date : 2005
On Methods Of Music Theory And Ethno Musicology written by Nico Schüler and has been published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Music categories.
Although all research makes use of specific research methods, much music scholarship is being published without any reference to, or reflection on, the premises of the methods employed. In other words, published articles and books are often lacking a discussion of the scope and limitations of the research methods. Furthermore, music theory, musicology, ethnomusicology, music psychology, etc., are not independent disciplines, nor is research in those areas an activity to be defined once and for all. These areas have strong methodological relationships to each other as well as to areas outside the field of music. This book discusses some of the methodological premises, on which music research in the areas of music theory, (ethno-) musicology, and music psychology is based, and focuses on selected interdisciplinary approaches. It also discusses teaching approaches to music theory.