Verbatim Theatre The Role Of The Playwright And The Actors


Verbatim Theatre The Role Of The Playwright And The Actors
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Verbatim Theatre The Role Of The Playwright And The Actors


Verbatim Theatre The Role Of The Playwright And The Actors
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Author : Kassidy-Rose McMahon
language : en
Publisher: GRIN Verlag
Release Date : 2022-06-08

Verbatim Theatre The Role Of The Playwright And The Actors written by Kassidy-Rose McMahon and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-06-08 with Performing Arts categories.


Seminar paper from the year 2018 in the subject Theater Studies, Dance, grade: Undergraduate, Griffith University (School of Humanities, Languages and Social Science), course: Contemporary Theatre and Its Origins, language: English, abstract: This presentation explores the role of the playwright and the actors in Verbatim Theatre performance.



Beyond Documentary Realism


Beyond Documentary Realism
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Author : Cyrielle Garson
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2021-02-22

Beyond Documentary Realism written by Cyrielle Garson and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-02-22 with Literary Criticism categories.


Verbatim theatre, a type of performance based on actual words spoken by ''real people'', has been at the heart of a remarkable and unexpected renaissance of the genre in Great Britain since the mid-nineties. The central aim of the book is to critically explore and account for the relationship between contemporary British verbatim theatre and realism whilst questioning the much-debated mediation of the real in theses theatre practices.



Telling The Truth


Telling The Truth
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Author : Robin Belfield
language : en
Publisher:
Release Date : 2018-02

Telling The Truth written by Robin Belfield and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-02 with Experimental theater categories.


A practical guide to creating and producing verbatim theatre, by an experienced theatre-maker and practitioner.



Creating Verbatim Theatre From Oral Histories


Creating Verbatim Theatre From Oral Histories
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Author : Clare Summerskill
language : en
Publisher: Routledge
Release Date : 2020-09-13

Creating Verbatim Theatre From Oral Histories written by Clare Summerskill and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-13 with History categories.


Offering a roadmap for practicing verbatim theatre (plays created from oral histories), this book outlines theatre processes through the lens of oral history and draws upon oral history scholarship to bring best practices from that discipline to theatre practitioners. This book opens with an overview of oral history and verbatim theatre, considering the ways in which existing oral history debates can inform verbatim theatre processes and highlights necessary ethical considerations within each field, which are especially prevalent when working with narrators from marginalised communities. It provides a step-by-step guide to creating plays from interviews and contains practical guidance for determining the scope of a theatre project: identifying narrators and conducting interviews, developing a script from excerpts of interview transcripts and outlining a variety of ways to create verbatim theatre productions. By bringing together this explicit discussion of oral history in relationship to theatre based on personal testimonies, the reader gains insight into each field and the close relationship between the two. Supported by international case studies that cover a wide range of working methods and productions, including The Laramie Project and Parramatta Girls, this is the perfect guide for oral historians producing dramatic representations of the material they have sourced through interviews, and for writers creating professional theatre productions, community projects or student plays.



Verbatim Verbatim


Verbatim Verbatim
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Author : Will Hammond
language : en
Publisher: Bloomsbury Publishing
Release Date : 2012-09-24

Verbatim Verbatim written by Will Hammond and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-09-24 with Performing Arts categories.


Five specially commissioned discussions of verbatim theatre - in the words of the people who make it. 'What a verbatim play does is flash your research nakedly. It’s like cooking a meal but the meat is left raw.’ - Max Stafford-Clark Plays which use people’s actual words as the basis for their dramaare not a new phenomenon. But from the stages of national theatres to fringe venues and universities everywhere, ‘verbatim’ theatre, as it has come to be known, is currently enjoying unprecedented attention and success. It has also attracted high-profile criticism and impassioned debate. In these wide-ranging essays and interviews, six leading dramatists describe their varying approaches to verbatim, examine the strengths and weaknesses of its techniques and explore the reasons for its current popularity. They discuss frankly the unique opportunities and ethical dilemmas that arise when portraying real people on stage, and consider some of the criticisms levelled at this controversial documentary form. 'The intention is always to arrive at the truth.' - Nicolas Kent



Verbatim Theatre Methodologies For Community Engaged Practice


Verbatim Theatre Methodologies For Community Engaged Practice
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Author : Sarah Peters
language : en
Publisher: Taylor & Francis
Release Date : 2023-08-01

Verbatim Theatre Methodologies For Community Engaged Practice written by Sarah Peters and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-08-01 with Performing Arts categories.


Verbatim Theatre Methodologies for Community-Engaged Practice offers a framework for developing original community-engaged productions using a range of verbatim theatre approaches. This book's methodologies offer an approach to community-engaged productions that fosters collaborative artistry, ethically nuanced practice, and social intentionality. Through research-based discussion, case study analysis, and exercises, it provides a historical context for verbatim theatre; outlines the ethics and methods for community immersion that form the foundation of community-engaged best practice; explores the value of interviews and how to go about them; provides clear pathways for translating gathered data into an artistic product; and offers rehearsal room strategies for playwrights, producers, directors, and actors in managing the specific context of the verbatim theatre form. Based on diverse, real-world practice that spans regional, metropolitan, large-scale, micro, independent, commercial, and curriculum-based work, this is a practical and accessible guide for undergraduates, artists, and researchers alike.



Acting In Real Time


Acting In Real Time
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Author : Paul Binnerts
language : en
Publisher: University of Michigan Press
Release Date : 2012-06-25

Acting In Real Time written by Paul Binnerts and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06-25 with Performing Arts categories.


A new theory of acting that tears down the theatrical "Fourth Wall"



The Elements Of Playwriting


The Elements Of Playwriting
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Author : Louis E. Catron
language : en
Publisher: Waveland Press
Release Date : 2017-12-06

The Elements Of Playwriting written by Louis E. Catron and has been published by Waveland Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-06 with Performing Arts categories.


Louis Catron imbued experienced and fledgling playwrights with inspiration, guidance, and a passport to maximizing their writing skills as well as their overall ability to transform written words into a stage production. He understood that being a playwright is more than putting pen to paper. It involves expressing a personal point of view, bringing a vision to life, developing dimensional characters, structuring a play’s action, and finding producers, directors, and actors to bring the work to life. In the second edition Norman Bert infuses the enduring merits of Catron’s original work with examples, technological developments, and trends geared to today’s readers. Bert’s play references are familiar to contemporary students, including examples from plays written since 2000. He includes useful information on web-based research and the electronic submission process. A new chapter focuses on the playwright’s responsibility to lay the groundwork for production elements like casting, design, theatre architecture as it impacts audience–performer relationships, staging modes, and the uses and expectations of stage directions. Also new to this edition are reading resources for delving deeper into topics discussed.



Theatre Of Testimony


Theatre Of Testimony
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Author : Helena Enright
language : en
Publisher:
Release Date : 2011

Theatre Of Testimony written by Helena Enright and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with categories.


The use of personal testimony in theatre is a central component to the practice of Verbatim Theatre. Verbatim Theatre is a form of documentary theatre and is enjoying an increased popularity on world stages in recent years. The last decade, in particular, has seen both established and emerging playwrights incorporating the testimony of others into their scripts. This has led to various concerns and questions pertaining to the practical and moral implications of the work particularly surrounding issues of authorship, authenticity, truth, aesthetics, theatricality and ethics. This study is a practice-led enquiry. A central component to the study is the writing and performance of three plays in order to arrive at a better understanding of these challenges. Three original plays, Walking Away, Under Pressure and Aquéro are presented in a series of case studies accompanied by a critical and reflexive analysis on the practice of writing and staging each play. This examination investigates both the creation of these plays - from interview to writing - and their performance - from the perspective of the playwright and to a lesser extent the actor, in addition to contextualising the ethical and moral ramifications involved in this type of practice. The Introduction explores a few of the general problems and challenges around the practice of staging testimony, outlines the nature of the research project and is followed by a discussion on practice-as-research and my particular research methodology and ethic. The dissertation is then divided into three parts. Chapter One begins with an overview of the documentary form and considers developments in the form that have facilitated the staging of testimony. The chapter then considers the terms Verbatim Theatre and Theatre of Testimony, arguing for a distinction to be made between the two terms and why Theatre of Testimony is the term most suited to my practice. It contends with an examination of the epistemology of testimony that new knowledge can be generated by attending to and nurturing the narrative essence of testimony. This chapter also examines the significance of the site of production of the testimonies and the extent to which this impacts on the dramaturgical choices made by the playwright. The chapter concludes with a discussion on the main questions, problems and challenges that have been identified by theatre practitioners, scholars and critics regarding the use of testimony in theatre. Part Two comprises of Chapters Two, Three and Four, which discuss the case studies. Each chapter provides a context for the research project, a script of the play, a DVD of a performance of the play and critical and reflexive commentary on the practice of writing and staging the play. The final section, Part Three, presents concluding thoughts on the research outcomes and considers the value and potential efficacy of employing 'reportage' as a legitimate dramaturgical choice when staging personal testimonies. Accompanying this thesis are three DVDs which include recordings of each script in performance.



Playwrights And Acting


Playwrights And Acting
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Author : James Mcteague
language : en
Publisher: Praeger
Release Date : 1994-12-30

Playwrights And Acting written by James Mcteague and has been published by Praeger this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-12-30 with Performing Arts categories.


This book analyzes the acting aesthetic of Brecht, Ionesco, Pinter, and Shepard and presents a detailed methodological approach to the performance of their plays. The originality of the book lies in the systematic and critical analysis of both the process of preparing a role and the shifting assumptions on matters essential for a coherent acting methodology for each playwright. The book is distinctive in that it focuses almost exclusively on the playwrights' published remarks concerning theatre and acting, supplemented with observations by actors and directors who were close collaborators with the playwrights on productions. The analysis begins with a chapter that examines and questions the applicability of the Stanislavsky system that still dominates the post-World War II theatrical scene. The following four chapters are devoted to the playwrights' construction of a coherent view of theatre and acting. An approach to acting is critically examined from the standpoint of the function, means and manner in which the role is realized with regard to the relationship of the actor to self, to the text, to the character and other characters, to the director, and to the audience. At the end of each chapter, a summary of the essential elements for an approach to the role is offered, accompanied by a proposed acting methodology. In the conclusion, an analysis is presented that recognizes what may be applied through Stanislavskian methods and the divergences which demand particularized responses to the plays of Brecht, Ionesco, Pinter, and Shepard.