Who S Who In Music And Drama


Who S Who In Music And Drama
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Who S Who In Music And Drama


Who S Who In Music And Drama
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Author : Harry Prescott Hanaford
language : en
Publisher:
Release Date : 1914

Who S Who In Music And Drama written by Harry Prescott Hanaford and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1914 with Musicians categories.




Who S Who In Music And Drama


Who S Who In Music And Drama
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Author : Dixie Hines
language : en
Publisher:
Release Date : 1914

Who S Who In Music And Drama written by Dixie Hines and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1914 with Actors categories.




The Musical As Drama


The Musical As Drama
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Author : H. Scott McMillin
language : en
Publisher: Princeton University Press
Release Date : 2014-11-28

The Musical As Drama written by H. Scott McMillin and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-28 with Music categories.


Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an "integrated" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and irreverent forms of popular entertainment from which it arose a century ago. Critics and composers have long held the musical to the standards applied to opera, asserting that each piece should work together to create a seamless drama. But McMillin argues that the musical is a different form of theater, requiring the suspension of the plot for song. The musical's success lies not in the smoothness of unity, but in the crackle of difference. While disparate, the dancing, music, dialogue, and songs combine to explore different aspects of the action and the characters. Discussing composers and writers such as Rodgers and Hammerstein, Stephen Sondheim, Kander and Ebb, Leonard Bernstein, and Jerome Kern, The Musical as Drama describes the continuity of this distinctively American dramatic genre, from the shows of the 1920s and 1930s to the musicals of today.



Music In English Drama From Shakespeare To Purcell


Music In English Drama From Shakespeare To Purcell
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Author : John S. Manifold
language : en
Publisher: Scholarly Press
Release Date : 1956-06

Music In English Drama From Shakespeare To Purcell written by John S. Manifold and has been published by Scholarly Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1956-06 with categories.




Melodramatic Voices Understanding Music Drama


Melodramatic Voices Understanding Music Drama
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Author : Professor Sarah Hibberd
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2013-01-28

Melodramatic Voices Understanding Music Drama written by Professor Sarah Hibberd and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-28 with Music categories.


The genre of mélodrame à grand spectacle that emerged in the boulevard theatres of Paris in the 1790s - and which was quickly exported abroad - expressed the moral struggle between good and evil through a drama of heightened emotions. Physical gesture, mise en scène and music were as important in communicating meaning and passion as spoken dialogue. The premise of this volume is the idea that the melodramatic aesthetic is central to our understanding of nineteenth-century music drama, broadly defined as spoken plays with music, operas and other hybrid genres that combine music with text and/or image. This relationship is examined closely, and its evolution in the twentieth century in selected operas, musicals and films is understood as an extension of this nineteenth-century aesthetic. The book therefore develops our understanding of opera in the context of melodrama's broader influence on musical culture during the nineteenth and twentieth centuries. This book will appeal to those interested in film studies, drama, theatre and modern languages as well as music and opera.



Giacomo Meyerbeer And Music Drama In Nineteenth Century Paris


Giacomo Meyerbeer And Music Drama In Nineteenth Century Paris
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Author : Mark Everist
language : en
Publisher: Taylor & Francis
Release Date : 2023-04-28

Giacomo Meyerbeer And Music Drama In Nineteenth Century Paris written by Mark Everist and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-28 with History categories.


Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.



Opera And Drama


Opera And Drama
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Author : Richard Wagner
language : en
Publisher: U of Nebraska Press
Release Date : 1995-01-01

Opera And Drama written by Richard Wagner and has been published by U of Nebraska Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-01-01 with Music categories.


With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. ø In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. ø This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.



Music Dance And Drama In Early Modern English Schools


Music Dance And Drama In Early Modern English Schools
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Author : Amanda Eubanks Winkler
language : en
Publisher: Cambridge University Press
Release Date : 2020-06-04

Music Dance And Drama In Early Modern English Schools written by Amanda Eubanks Winkler and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-04 with Art categories.


The first book to systematically analyze the role the performing arts played in English schools after the Reformation.



Sacred Music Drama


Sacred Music Drama
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Author : Carl Gerbrandt
language : en
Publisher: AuthorHouse
Release Date : 2006-12-28

Sacred Music Drama written by Carl Gerbrandt and has been published by AuthorHouse this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-12-28 with Reference categories.


“The indelible imprint of sacred music drama throughout history is undeniable . . . and its resurgence in the twentieth and twentieth-first centuries stirs the curiosity.” Carl Gerbrandt, in pursuing these issues, has brought to our fingertips a stimulating historical perspective on sacred music drama as well as an extensively annotated list of repertoire. Years of research have gone into providing information on centuries of sacred music dramas/operas which for the most part have been known to very few. Included in these pages of his Second Edition are over 330 sacred music dramas/operas, each with scholarly and practical information that will be of interest and great value to the opera director, the performer, the scholar, the conductor and the church musician. Gerbrandt's SETTING THE STAGE section is an enlightening overview of sacred music history. The repertoire selected includes works from the Middle Ages to works being written today. Each work is reviewed with regard to the source of libretto, the style and difficulty of its musical content, the date and location of the first performance, the number of acts and scenes, and the performance length of the work. Additionally, each role is listed by name and voicing, and in most cases, the vocal range is indicated. The choral demands, orchestrations and dance requirements are identified. A thorough plot synopsis as well as the location of scores and parts is given. Ten appendices cross-reference textual sources and topical content while assisting in the selection of works for worship services or theatrical performances. Select contact information of publishers and composers in also included. Sacred Music Drama: The Producer’s Guide fills a long standing void by acquainting directors, students, performers and interested readers with the numerous sacred music dramas which are available.



Drama In The Music Of Franz Schubert


Drama In The Music Of Franz Schubert
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Author : Joe Davies
language : en
Publisher:
Release Date : 2019

Drama In The Music Of Franz Schubert written by Joe Davies and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Music categories.


This book challenges the assumption that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies and chamber music, lacked comparable talent for drama. It is commonly assumed that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies, and chamber music, lacked comparable talent for drama. Challenging this view, Drama in the Music of Franz Schubert provides a timely re-evaluation of Schubert's operatic works, while demonstrating previously unsuspected locations of dramatic innovation in his vocal and instrumental music. The volume draws on a range of critical approaches and techniques, including semiotics, topic theory, literary criticism, narratology, and Schenkerian analysis, to situate Schubertian drama within its musical and cultural-historical context. In so doing, the study broadens the boundaries of what might be considered 'dramatic' within the composer's music and offers new perspectives for its analysis and interpretation. Drama in the Music of Franz Schubert will be of interest to musicologists, music theorists, composers, and performers, as well as scholars working in cultural studies, theatre, and aesthetics. JOE DAVIES is College Lecturer in Music at Lady Margaret Hall, University of Oxford. JAMES WILLIAM SOBASKIE is Associate Professor of Music at Mississippi State University. Contributors: Brian Black, Lorraine Byrne Bodley, Joe Davies, Xavier Hascher, Marjorie Hirsch, Anne Hyland, Christine Martin, Clive McClelland, James William Sobaskie, Lauri Suurpää, Laura Tunbridge, Susan Wollenberg, Susan Youens