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Zusammenhang Kontrapunkt Instrumentation Formenlehre


Zusammenhang Kontrapunkt Instrumentation Formenlehre
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Coherence Counterpoint Instrumentation Instruction In Form


Coherence Counterpoint Instrumentation Instruction In Form
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Author : Arnold Sch”nberg
language : en
Publisher: U of Nebraska Press
Release Date : 1994-01-01

Coherence Counterpoint Instrumentation Instruction In Form written by Arnold Sch”nberg and has been published by U of Nebraska Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-01-01 with Music categories.


Only Stravinsky can claim as much credit as Schoenberg for the most dramatic innovations in twentieth-century music. Inventor of the twelve-tone row, explorer of atonality and the hexachord, composer of tone poems, songs, and chamber music, and chief spokesman for the Vienna Circle, Schoenberg has become ever more influential as his successors have come to understand him. ø Fuller understanding has been delayed because many of his writings have not yet been edited or published. This volume collects four short works, each concentrated on a key issue in composition. Written in 1917, but altered and augmented many times in later years, the manuscripts edited and translated in this volume have never been published before. ø Their importance can permit no further delay since they present Schoenberg's thinking well after the publication in 1911 of Harmonielehre, his revolutionary theoretical book. The later texts provide numerous prospects for enhancing the study and appreciation of Schoenberg's compositions and theories. ø Also a painter, Schoenberg enjoyed the friendship of Kandinsky and the Berlin expressionists. This volume includes a frontispiece reproducing one of Schoenberg's paintings.



Zusammenhang Kontrapunkt Instrumentation Formenlehre


Zusammenhang Kontrapunkt Instrumentation Formenlehre
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Author : Arnold Schoenberg
language : en
Publisher:
Release Date : 1994

Zusammenhang Kontrapunkt Instrumentation Formenlehre written by Arnold Schoenberg and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with categories.




The Musical Idea And The Logic Technique And Art Of Its Presentation New Paperback English Edition


The Musical Idea And The Logic Technique And Art Of Its Presentation New Paperback English Edition
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Author : Arnold Schoenberg
language : en
Publisher: Indiana University Press
Release Date : 2006-07-18

The Musical Idea And The Logic Technique And Art Of Its Presentation New Paperback English Edition written by Arnold Schoenberg and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-07-18 with Music categories.


Presents one of the most important documents in twentieth century musical thought.



After Wagner


After Wagner
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Author : Mark Berry
language : en
Publisher: Boydell & Brewer Ltd
Release Date : 2014

After Wagner written by Mark Berry and has been published by Boydell & Brewer Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Music categories.


This book is both a telling of operatic histories 'after' Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The 'after' of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write 'after' himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the stheticist Richard Strauss. Discussion of Strauss's Capriccio, partly in the light of Schoenberg's Moses und Aron, reveals a more 'political' work than either first acquaintance or the composer's 'intention' might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner's Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly 'politically engaged' art. A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim's celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg's Lulu and Nono's Al gran sole carico d'amore. Throughout, the book invites us to consider how we might perceive the sthetic and political integrity of the operatic work 'after Wagner'. After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner's cultural impact on succeeding generations of composers. MARK BERRY is Senior Lecturer in Music at Royal Holloway, University of London.



Political And Religious Ideas In The Works Of Arnold Schoenberg


Political And Religious Ideas In The Works Of Arnold Schoenberg
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Author : Charlotte M. Cross
language : en
Publisher: Routledge
Release Date : 2013-06-17

Political And Religious Ideas In The Works Of Arnold Schoenberg written by Charlotte M. Cross and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-06-17 with Music categories.


The original essays in this collection chronicle the transformation of Arnold Schoenberg's works from music as pure art to music as a vehicle of religious and political ideas, during the first half of the twentieth century. This interdisciplinary volume includes contributions from musicologists, music theorists, and scholars of German literature and of Jewish studies.



Schoenberg S Models For Beginners In Composition


Schoenberg S Models For Beginners In Composition
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Author : Gordon Root
language : en
Publisher: Oxford University Press
Release Date : 2017-10

Schoenberg S Models For Beginners In Composition written by Gordon Root and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10 with Music categories.


Models for Beginners in Composition (1943) represents one of Arnold Schoenberg's earliest attempts to reach a broad American audience through his pedagogical ideas. In this newly revised edition, Gordon Root incorporates many of Schoenberg's corrections to the original manuscript. Significant commentary also traces Schoenberg's development of the two-measure phrase as the main component of his pedagogical method.



The Atonal Music Of Arnold Schoenberg 1908 1923


The Atonal Music Of Arnold Schoenberg 1908 1923
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Author : Bryan R. Simms
language : en
Publisher: Oxford University Press
Release Date : 2000-11-16

The Atonal Music Of Arnold Schoenberg 1908 1923 written by Bryan R. Simms and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-11-16 with Music categories.


Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new and richer understanding of Schoenberg's seminal work during this period.



Postmodern Music Postmodern Listening


Postmodern Music Postmodern Listening
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Author : Jonathan D. Kramer
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2016-08-11

Postmodern Music Postmodern Listening written by Jonathan D. Kramer and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-11 with Music categories.


Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.



Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 951


Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 951
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Author : Norton Dudeque
language : en
Publisher: Routledge
Release Date : 2017-07-05

Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 951 written by Norton Dudeque and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Arnold Schoenberg's theory of music has been much discussed but his approach to music theory needs a new historical and theoretical assessment in order to provide a clearer understanding of his contributions to music theory and analysis. Norton Dudeque's achievement in this book involves the synthesis of Schoenberg's theoretical ideas from the whole of the composer's working life, including material only published well after his death. The book discusses Schoenberg's rejection of his German music theory heritage and past approaches to music-theory pedagogy, the need for looking at musical structures differently and to avoid aesthetic and stylistic issues. Dudeque provides a unique understanding of the systematization of Schoenberg's tonal-harmonic theory, thematic/motivic-development theory and the links with contemporary and past music theories. The book is complemented by a special section that explores the practical application of the theoretical material already discussed. The focus of this section is on Schoenberg's analytical practice, and the author's response to it. Norton Dudeque therefore provides a comprehensive understanding of Schoenberg's thinking on tonal harmony, motive and form that has hitherto not been attempted.



Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 1951


Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 1951
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Author : Norton Dudeque
language : en
Publisher: Routledge
Release Date : 2017-07-05

Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 1951 written by Norton Dudeque and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Arnold Schoenberg's theory of music has been much discussed but his approach to music theory needs a new historical and theoretical assessment in order to provide a clearer understanding of his contributions to music theory and analysis. Norton Dudeque's achievement in this book involves the synthesis of Schoenberg's theoretical ideas from the whole of the composer's working life, including material only published well after his death. The book discusses Schoenberg's rejection of his German music theory heritage and past approaches to music-theory pedagogy, the need for looking at musical structures differently and to avoid aesthetic and stylistic issues. Dudeque provides a unique understanding of the systematization of Schoenberg's tonal-harmonic theory, thematic/motivic-development theory and the links with contemporary and past music theories. The book is complemented by a special section that explores the practical application of the theoretical material already discussed. The focus of this section is on Schoenberg's analytical practice, and the author's response to it. Norton Dudeque therefore provides a comprehensive understanding of Schoenberg's thinking on tonal harmony, motive and form that has hitherto not been attempted.