Kirchenmusiker Im Dritten Reich
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Kirchenmusiker Im Dritten Reich
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Author : Ulrich Bender
language : de
Publisher: BoD – Books on Demand
Release Date : 2011
Kirchenmusiker Im Dritten Reich written by Ulrich Bender and has been published by BoD – Books on Demand this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Church musicians categories.
Kirchenmusik Im Dritten Reich Julio Goslar Als Rassisch Verfolgter Kirchenmusiker W Hrend Der Ns Zeit
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Author : Tim Sammel
language : de
Publisher: GRIN Verlag
Release Date : 2021-02-16
Kirchenmusik Im Dritten Reich Julio Goslar Als Rassisch Verfolgter Kirchenmusiker W Hrend Der Ns Zeit written by Tim Sammel and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-02-16 with History categories.
Bachelorarbeit aus dem Jahr 2019 im Fachbereich Geschichte Europas - Zeitalter Weltkriege, , Sprache: Deutsch, Abstract: Ziel dieser Arbeit ist es, die Gesamtheit der Auseinandersetzungen zwischen evangelischer Kirche und Staat im Dritten Reich sowie die genauen Abläufe im Fall des Kirchenmusikers Goslar anhand der originalen Dokumente zu rekonstruieren. Dazu wird zunächst ein Überblick über die Kirchenmusik im Dritten Reich gegeben. Hierbei wird auch kurz auf die Chorarbeit eingegangen, da Julio Goslars kompositorische Tätigkeit sich auf vierstimmige Chorarrangements beschränkt hat. Anschließend wird die generelle Verfolgung von Kirchenmusikern beleuchtet, die in der genauen Beschreibung und Auswertung des Falles Julio Goslars fortgeführt wird. Auch die evangelische Kirchenmusik fiel nach der Machtergreifung Hitlers 1933 der Gleichschaltung zum Opfer. So wurde die Reichsmusikkammer als eine von sieben Einzelkammern der Reichskulturkammer zugeordnet. Für die kirchlichen Belange war Oskar Söhngen (1900-1983) zuständig. Er war von 1932 an Referent für Kirchenmusik und kirchliche Kunst beim Berliner Evangelischen Oberkirchenrat und somit an allen Prozessen maßgeblich beteiligt. Er sorgte unter anderem auch dafür, dass jeder evangelische Kirchenmusiker der Kontrolle des Staates unterlag. Dies bedeutete auch, dass alle jüdisch-christlichen Kirchenmusiker nun der Willkür des Staates ausgesetzt waren. Wie diese Willkür aussah und in welchem gesetzlichen Rahmen die Eingriffe in das kirchliche Leben stattfanden, soll in dieser Arbeit anhand des Organisten Julio Goslar aus Köln-Nippes erläutert werden.
Lutheran Music Culture
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Author : Mattias Lundberg
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2021-10-25
Lutheran Music Culture written by Mattias Lundberg and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-10-25 with Religion categories.
This volume presents a novel and distinct contribution to previous research on the rich Lutheran heritage of music. It builds upon a current surge of interest in the field, which resonates with a wider interest in connections between music and religion, as well as with cultural and aesthetic dimensions of faith at large. The book situates the topic in relation to recent developments within historical and cultural studies that have developed a more nuanced and positive view of the interplay between theologians and other cultural agents in the evolution of Western modernity during post Reformation processes of ‘confessionalization’. It combines conceptual discussions of key terms relevant to the study of the development and significance of an Early Modern Lutheran Music Culture with theological readings of central texts on music, analytic approaches to historical repertoires and material perspectives on its dissemination.
The Twisted Muse
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Author : Michael H. Kater
language : en
Publisher: Oxford University Press
Release Date : 1999-04-22
The Twisted Muse written by Michael H. Kater and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-04-22 with History categories.
Is music removed from politics? To what ends, beneficent or malevolent, can music and musicians be put? In short, when human rights are grossly abused and politics turned to fascist demagoguery, can art and artists be innocent? These questions and their implications are explored in Michael Kater's broad survey of musicians and the music they composed and performed during the Third Reich. Great and small--from Valentin Grimm, a struggling clarinetist, to Richard Strauss, renowned composer--are examined by Kater, sometimes in intimate detail, and the lives and decisions of Nazi Germany's professional musicians are laid out before the reader. Kater tackles the issue of whether the Nazi regime, because it held music in crassly utilitarian regard, acted on musicians in such a way as to consolidate or atomize the profession. Kater's examination of the value of music for the regime and the degree to which the regime attained a positive propaganda and palliative effect through the manner in which it manipulated its musicians, and by extension, German music, is of importance for understanding culture in totalitarian systems. This work, with its emphasis on the social and political nature of music and the political attitude of musicians during the Nazi regime, will be the first of its kind. It will be of interest to scholars and general readers eager to understand Nazi Germany, to music lovers, and to anyone interested in the interchange of music and politics, culture and ideology.
Max Reger And Karl Straube
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Author : Christopher Anderson
language : en
Publisher: Routledge
Release Date : 2017-07-05
Max Reger And Karl Straube written by Christopher Anderson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Regers contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Regers death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Regers organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.
Karl Straube 1873 1950
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Author : Christopher Anderson
language : en
Publisher: Boydell & Brewer
Release Date : 2022
Karl Straube 1873 1950 written by Christopher Anderson and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Biography & Autobiography categories.
The first thorough examination of the most renowned and influential organist in early twentieth-century Germany and of his complex relationship to his country's tumultuous and shifting sociopolitical landscape.In the course of a multifaceted career, Karl Straube (1873-1950) rose to positions of immense cultural authority in a German musical world caught in unprecedented artistic and sociopolitical upheaval. Son of a German harmonium-builder and an intellectually inclined English mother, Straube established himself as Germany's iconic organ virtuoso by the turn of the century. His upbringing in Bismarck's Berlin encouraged him to develop intensive interests in world history and politics. He quickly became a sought-after teacher, editor, and confidante to composers and intellectuals, whose work he often significantly influenced. As the eleventh successor to J. S. Bach in the cantorate of St. Thomas School, Leipzig, he focused the choir's mission as curator of Bach's works and, in the unstable political climate of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed.Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed.Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed.Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed.Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.he dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.
Composers Of The Nazi Era
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Author : Michael H. Kater
language : en
Publisher: Oxford University Press
Release Date : 1999-12-23
Composers Of The Nazi Era written by Michael H. Kater and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-12-23 with History categories.
How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate? Composers of the Nazi Era is the final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), which won the Wallace K. Ferguson Prize of the Canadian Historical Association. Here, historian Michael H. Kater provides a detailed study of the often interrelated careers of eight prominent German composers who lived and worked amid the dictatorship of the Third Reich, or were driven into exile by it: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime--and if so, whether this may be discerned from their music. After chapters discussing the circumstances of each composer individually, Kater concludes with an analysis of the composers' different responses to the Nazi regime and an overview of the sociopolitical background against which they functioned. The final chapter also extends the discussion beyond the end of World War II to examine how the composers reacted to the new and fragile democracy in Germany.
Music And German National Identity
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Author : Celia Applegate
language : en
Publisher: University of Chicago Press
Release Date : 2002-08
Music And German National Identity written by Celia Applegate and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-08 with History categories.
Concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire: composers like the three "Bs" of classical music, Bach, Beethoven, and Brahms, all of whom are German. Over the past three centuries, many supporters of German music have even nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music. This book brings together seventeen contributors from the fields of musicology, ethnomusicology, history, and German literature to explore these questions: how music came to be associated with German identity, when and how Germans came to be regarded as the "people of music," and how music came to be designated "the most German of arts." Unlike previous volumes on this topic, many of which focused primarily on Wagner and Nazism, the essays here are wide-ranging and comprehensive, examining philosophy, literature, politics, and social currents as well as the creation and performance of folk music, art music, church music, jazz, rock, and pop. The result is a striking volume, adeptly addressing the complexity and variety of ways in which music insinuated itself into the German national imagination and how it has continued to play a central role in the shaping of a German identity. Contributors to this volume: Celia Applegate Doris L. Bergen Philip Bohlman Joy Haslam Calico Bruce Campbell John Daverio Thomas S. Grey Jost Hermand Michael H. Kater Gesa Kordes Edward Larkey Bruno Nettl Uta G. Poiger Pamela Potter Albrecht Riethmüller Bernd Sponheuer Hans Rudolf Vaget
Kirchenmusik Im Nationalsozialismus
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Author : Dietrich Schuberth
language : de
Publisher:
Release Date : 1995
Kirchenmusik Im Nationalsozialismus written by Dietrich Schuberth and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Church music categories.
Culture In Nazi Germany
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Author : Michael H. Kater
language : en
Publisher: Yale University Press
Release Date : 2019-05-21
Culture In Nazi Germany written by Michael H. Kater and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-21 with History categories.
“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule. “Absorbing, chilling study of German artistic life under Hitler” —The Sunday Times “There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions.” —Alex Ross, music critic at The New Yorker and author of The Rest is Noise Listed on Choice's Outstanding Academic Titles List for 2019 Winner of the Jewish Literary Award in Scholarship