Nuovo Cinema 1965 2005
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A History Of Italian Cinema
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Author : Peter Bondanella
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2017-10-19
A History Of Italian Cinema written by Peter Bondanella and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10-19 with Performing Arts categories.
A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.
Italian Post Neorealist Cinema
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Author : Luca Barattoni
language : en
Publisher: Edinburgh University Press
Release Date : 2013-12-16
Italian Post Neorealist Cinema written by Luca Barattoni and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-16 with Performing Arts categories.
This book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representati
Nuovo Cinema 1965 2005
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Author : Bruno Torri
language : it
Publisher:
Release Date : 2005
Nuovo Cinema 1965 2005 written by Bruno Torri and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Performing Arts categories.
The Italian Cinema Book
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Author : Peter Bondanella
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25
The Italian Cinema Book written by Peter Bondanella and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.
THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form.
Neorealist Architecture
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Author : David Escudero
language : en
Publisher: Taylor & Francis
Release Date : 2022-10-31
Neorealist Architecture written by David Escudero and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-31 with Architecture categories.
***Winner of the American Association for Italian Studies Book Prize 2022*** After World War II, a wave of Italian films emerged that depicted the life and hardships of characters left helpless after the conflict, bringing to the screen the struggles of a time of existential angst and uncertainty. This form of filmmaking was associated with a broader artistic phenomenon known as ‘neorealism’ and is now considered a pivotal point in the history of Italian cinema. But neorealism was not limited to film any more than it was to literature. It spread to other areas of artistic production, including architecture. What was, then, neorealist architecture? This book explores the links between architecture, filmmaking and the built environment in dopoguerra Italy (194X–195X) seeking to ascertain whether, and how, neorealism manifested itself in architecture. Terms such as ‘neorealist architecture’ or ‘architectural neorealism’ were hinted at in these years and recalled by historians of architecture in the following decades. Therefore, the concept was adopted ad hoc and popularized post hoc, in the absence of any declarations prior to 1955 that proclaimed what neorealism in architecture was or wanted to be. However, while the concept has been internalized by Italian architectural history, transfers between neorealism—as an aesthetic and ethic—and architecture—as one potential medium of its embodiment or expression—are still not fully understood. Therefore, its main goal is to provide an in-depth discussion of the concept ‘neorealist architecture’, the working assumption being that the connection between both terms is not meaningless. The book is beautifully illustrated with over 100 black and white archival images and is the first book to be published on neorealism in architecture. It will appeal to scholars, professionals, and students interested in history and theory of architecture, Italian studies, art history, and cultural studies.
Global Neorealism
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Author : Saverio Giovacchini
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2011-10-11
Global Neorealism written by Saverio Giovacchini and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-10-11 with Performing Arts categories.
Contributions by Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito Zagarrio Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred "realism." Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was “Italianized” and coalesced into Italian “neorealism” and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism’s success outside of Italy and examines how film cultures in Latin America, Africa, Asia, and the United States adjusted the style to their national and regional situations.
Italian Neorealism
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Author : Charles L. Leavitt IV
language : en
Publisher: University of Toronto Press
Release Date : 2020
Italian Neorealism written by Charles L. Leavitt IV and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Art categories.
This book seeks to redefine, recontextualize, and reassess Italian neorealism - an artistic movement characterized by stories set among the poor and working class - through innovative close readings and comparative analysis.
Thirty Two New Takes On Taiwan Cinema
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Author : Emilie Yueh-yu Yeh
language : en
Publisher: University of Michigan Press
Release Date : 2022-12-22
Thirty Two New Takes On Taiwan Cinema written by Emilie Yueh-yu Yeh and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-12-22 with Social Science categories.
A film-by-film introduction to Taiwan cinema and cultures
Cinema In The Digital Age
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Author : Nicholas Rombes
language : en
Publisher: Columbia University Press
Release Date : 2017-12-19
Cinema In The Digital Age written by Nicholas Rombes and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-19 with Performing Arts categories.
Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes—blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)—both shot digitally—have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.
Soggetti Cinematografici Mai Realizzati
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Author : Cesare Zavattini
language : it
Publisher: Marsilio Editori spa
Release Date : 2024-04-24T00:00:00+02:00
Soggetti Cinematografici Mai Realizzati written by Cesare Zavattini and has been published by Marsilio Editori spa this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-04-24T00:00:00+02:00 with Performing Arts categories.
In questo primo volume dell’Edizione Nazionale delle Opere di Cesare Zavattini presentiamo un’ampia selezione di soggetti cinematografici mai divenuti film, tutti corredati da note storico-critiche e note filologico genetiche, e confrontabili con alcune varianti raccolte online nel portale dell’Edizione Nazionale. Presso l’Archivio Cesare Zavattini conservato alla Biblioteca Panizzi di Reggio Emilia si trovano documenti relativi a circa duecentotrenta film scritti e firmati da Zavattini (anche come co-autore), tra i quali sono circa centosessanta i soggetti cinematografici mai realizzati, molti dei quali ancora inediti. Del lavoro incessante di Cesare Zavattini di stesura di soggetti e sceneggiature per il cinema (e a volte per la televisione) ci interessa mostrare l’officina delle scritture, anche nel loro divenire. Di fondo c’è una scommessa teorica: entrare nell’ecosistema Zavattini non dai testi più autorevoli, come le opere letterarie e poetiche, ma attraverso quelli più dimenticati e misteriosi, come i soggetti e i progetti per film non realizzati. Questo permette anche una rilettura della storia del cinema e della cultura attraverso i materiali d’archivio.